In England the dead in woollen are clad, The dean and his printer then let us cry fye on; To be cloath'd like a carcafe, would make a Teague mad, Since a living dog better is than a dead lion. Our wives they grow fullen At wearing of woollen, And all we poor fhop-keepers muft our horns pull in. Then we'll buy English filks, for our wives and our daughters, In spite of his deanship, and journeyman Waters. Whoever our trading with England would hinder, Our noble grand jury, When they faw the dean's book, they were in a great fury: They would buy English filks, for their wives and their daughters, In fpite of his deanship, and journeyman Waters, This wicked rogue Waters, who always is finning, And before corum nobus fo oft' has been call'd, Henceforward fhall print neither pamphlets nor linen, And, if fwearing can do't, fhall be fwingingly mawl'd: And And as for the dean, You know whom I mean, If the printer will peach him, he'll fcarce come off clean. Then we'll buy English filks, for our wives and our daughters, In spite of his deanship, and journeyman Waters. THE PROGRESS OF BEAUTY. 1720. WHEN firft Diana leaves her bed, Vapours and fteams her look difgrace, A frowzy dirty-colour'd red Sits on her cloudy wrinkled face: But, by degrees, when mounted high, Down from her window in the sky, 'Twixt earthly females, and the moon, If Celia should appear too foon, To fee her from her pillow rife, All reeking in a cloudy fteam, Crack'd lips, foul teeth, and gummy eyes, Three Three colours, black, and red, and white, They form a frightful hideous face: For inftance, when the lily fkips So Celia went intire to bed, All her complexion safe and found; The black, which would not be confin'd, Leaving the fiery red behind, And mingles in her muddy cheeks. But Celia can with eafe reduce, By help of pencil, paint, and brush, She knows her early self no more, But fill'd with admiration ftands As other painters oft' adore The workmanship of their own hands. Thus, after four important hours, Celia's the wonder of her fex: Say, which among the heavenly powers 7 Venus, Venus, indulgent to her kind, Gave women all their hearts could wish, Love with white-lead cements his wings; She ventures now to lift the fash ; Take pattern by your fifter ftar : Delude at once and bless our fight; When you are feen, be feen from far, And chiefly choose to fhine by night. But art no longer can prevail, When the materials all are gone; The beft mechanic hand must fail, Where nothing's left to work upon. Matter, as wife logicians fay, Cannot without a form fubfift And form, fay I as well as they, And this is fair Diana's cafe ; For all aftrologers maintain, Each night a bit drops off her face, When mortals fay fhe's in her wane: • Portugal. While While Partridge * wifely fhews the cause But Gadbury, in art profound, From her pale cheeks pretends to fhow, But, let the cause be what it will, In half a month fhe looks fo thin, That Flamfteed † can, with all his fkill, See but her forehead and her chin. Yet, as fhe waftes, fhe grows difcreet, For fure, if this be Luna's fate, In vain expects a longer date To the materials of her face. When Mercury her treffes mows, To think of black-lead combs is vain § No painting can reftore a nofe, Nor will her teeth return again. Ye powers, who over love prefide! Since mortal beauties drop fo foon, If ye would have us well fupply'd, Send us new nymphs with each new moon! Partridge and Gadbury wrote each an ephemeris. John Flamfeed, the celebrated aftronomer royal. |