Image and Immortality: A Study of Tristram Shandy

action analysis appear artist attempt attitude becomes begins body character clearly close comic complex conception concern connection continued conventional Corporal criticism death described detail drawing effect essential experience expression face fact father feeling fiction figure finally gesture give hand head Hogarth human idea identity illustrate imagination immediate important interest kind language later Lessing Letters limits literary literature live London look means metaphor mind narrative nature never novel objective once painter painting passions pictorial picture portrait present problem reader reality reference relationship remains reveals Reynolds scene seems sense signs similar spatial stands Sterne Sterne's story structure suggests technique tell temporal theory thing tion Toby's tradition Trim Tristram Shandy turn uncle Toby verbal visual Walter whole write