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the imagery perfect, should have been discriminated. We are told, in the same stanza, how "towers" are "fed." But I will no longer look for particular faults; yet let it be observed that the ode might have been concluded with an action of better example; but suicide is always to be bad, without expence of thought.
These odes are marked by glittering accumulations of ungraceful ornaments; they strike, rather than please; the images are magnified by affectation; the language is laboured into harshness. The mind of the writer seems to work with unnatural violence. "Double, double, toil and trouble." He has a kind of strutting dignity, and is tall by walking on tiptoe. His art and his struggle are too visible, and there is too little appearance of ease and nature.
To say that he has no beauties, would be unjust: a man like him, of great learning and great industry, could not but produce something valuable. When he pleases least, it can only be said that a good design was ill directed.
His translations of northern and Welsh poetry deserve praise; the imagery is preserved, perhaps often improved; but the language is unlike the language of other poets.
In the character of his elegy I rejoice to concur with the common reader; for by the common sense of readers, uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours. The Church-yard abounds with images which find a mirror in every mind, and with sentiments to which every bosom returns an echo. The four stanzas, beginning "Yet even these bones," are to me original: I have never seen the notions in any other place; yet he that reads them here persuades himself that he has always felt them. Had Gray written often thus, it had been vain to blame, and useless to praise him.
GEORGE LYTTELTON, the son of sir Thomas Lyttelton, of Hagley in Worcestershire, was born in 1709. He was educated at Eton, where he was so much distinguished, that his exercises were recommended as models to his school-fellows.
From Eton he went to Christ-church, where he retained the same reputation and superiority, and displayed his abilities to the public in a poem on Blenheim.
He was a very early writer both in verse and prose. His Progress of Love, and his Persian Letters, were both written when he was very young; and indeed the character of a young man is very visible in both. The verses cant of shepherds and flocks, and crooks dressed with flowers; and the letters have something of that indistinct and headstrong ardour for liberty which a man of genius always catches when he enters the world, and always suffers to cool as he passes forward.
He staid not long in Oxford; for in 1728 he began his travels, and saw France and Italy. When he returned, he obtained a seat in parliament, and soon distinguished himself among the most eager opponents of sir Robert Walpole, though his father, who was a commissioner of the admiralty, always voted with the court.
For many years the name of George Lyttelton was seen in every account of every debate in the house of commons. He opposed the standing army; he opposed the excise; he supported the motion for petitioning the king to remove Walpole. His zeal was considered by the courtiers not only as violent, but as acrimonious and malignant; and, when Walpole was at last hunted from his places, every effort was made by his friends, and many friends he had, to exclude Lyttelton from the secret committee.
The prince of Wales, being (1737) driven from St. James's, kept a separate court, and opened his arms to the opponents of the ministry. Mr. Lyttelton became his secretary, and
was supposed to have great influence in the direction of his conduct. He persuaded his master, whose business it was now to be popular, that he would advance his character by patronage. Mallet was made under-secretary, with two hundred pounds; and Thomson had a pension of one hundred pounds a year. For Thomson, Lyttleton always retained his kindness, and was able at last to place him at
Moore courted his favour by an apologetical poem, called the Trial of Selim; for which he was paid with kind words, |a which, as is common, raised great hopes, that were at last disappointed.
Lyttelton now stood in the first rank of opposition; and Pope, who was incited, it is not easy to say how, to increase the clamour against the ministry, commended him among the other patriots. This drew upon him the reproaches of ' Fox, who, in the house, imputed to him as a crime his intimacy with a lampooner so unjust and licentious. Lyttelton supported his friend; and replied, that he thought it an honour to be received into the familiarity of so great a poet.
While he was thus conspicuous, he married (1741) miss Lucy Fortescue of Devonshire, by whom he had a son, the late lord Lyttelton, and two daughters, and with whom he appears to have lived in the highest degree of connubial felicity; but human pleasures are short; she died in childbed about five years afterwards; and he solaced himself by writing a long poem to her memory.
He did not, however, condemn himself to perpetual solitude and sorrow; for, after a while, he was content to seek happiness again by a second marriage with the daughter of sir Robert Rich; but the experiment was unsuccessful.
At length, after a long struggle, Walpole gave way, and honour and profit were distributed among his conquerors. Lyttelton was made (1744) one of the lords of the treasury; and from that time was engaged in supporting the schemes of the ministry.
Politics did not, however, so much engage him as to withhold his thoughts from things of more importance. He
"I have read your religious treatise with infinite pleasure and satisfaction. The style is fine and clear, the arguments close, cogent, and irresistible. May the King of kings, whose glorious cause you have so well defended, reward List your pious labours, and grant that I may be found worthy, ught through the merits of Jesus Christ, to be an eye-witness of that happiness which I don't doubt he will bountifully begreat stow upon you. In the mean time, I shall never cease mis glorifying God, for having endowed you with such useful talents, and giving me so good a son.
"Your affectionate father,
had, in the pride of juvenile confidence, with the help of
A few years afterwards, (1751), by the death of his father, he inherited a baronet's title with a large estate, which, though perhaps he did not augment, he was careful to adorn by a house of great elegance and expence, and by much attention to the decoration of his park.
As he continued his activity in parliament, he was gradually advancing his claim to profit and preferment; and accordingly was made in time (1754) cofferer and privy counsellor: this place he exchanged next year for the great office of chancellor of the exchequer; an office, however, that required some qualifications which he soon perceived himself to want.
The year after, his curiosity led him into Wales; of which he has given an account, perhaps rather with too much af
fectation of delight, to Archibald Bower, a man of whom he has conceived an opinion more favourable than he seems to have deserved, and whom, having once espoused his interest and fame, he was never persuaded to disown. Bower, whatever was his moral character, did not want abilities; attacked as he was by a universal outery, and that outcry, as it seems, the echo of truth, he kept his ground: at last, when his defences began to fail him, he sallied out upon his adversaries, and his adversaries retreated.
About this time Lyttelton published his Dialogues of the Dead, which were very eagerly read, though the production rather, as it seems, of leisure than of study; rather effusions than compositions. The names of his persons too often enable the reader to anticipate their conversation; and, when they have met, they too often part without any conclusion. He has copied Fenelon more than Fontenelle.
When they were first published, they were kindly commended by the Critical Reviewers; and poor Lyttelton, with humble gratitude, returned, in a note which I have read, acknowledgements which can never be proper, since they must be paid either for flattery or for justice.
When, in the latter part of the last reign, the inauspicious commencement of the war made the dissolution of the ministry unavoidable, sir George Lyttelton, losing, with the rest, his employment, was recompensed with a peerage; and rested from political turbulence in the house of lords.
His last literary production was his History of Henry the Second, elaborated by the searches and deliberations of twenty years, and published with such anxiety as only vanity can dictate.
The story of this publication is remarkable. The whole work was printed twice over, a great part of it three times, and many sheets four or five times. The booksellers paid for the first impression; but the charges and repeated operations of the press were at the expence of the author, whose ambitious accuracy is known to have cost him at least a thousand pounds. He began to print in 1755. Three volumes appeared in 1764, a second edition of them in 1767, a third edition in 1768, and the conclusion in 1771. Andrew Reid, a man not without considerable abilities,