 | David Hume - 1826 - 508 pàgines
...natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...represented, or of the materials of which it is composed. What then gives us so great a propension to ascribe an identity to these successive perceptions, and... | |
 | Robert Chambers - 1854 - 374 pàgines
...natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...are represented, or of the materials of which it is composed."1 From such a conclusion, the passage to scepticism on the immateriality of the soul was... | |
 | Dugald Stewart - 1858 - 548 pàgines
...natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...are represented, or of the materials of which it is composed."1 We have thus, according to Hume, no apprehension or assurance of Self, nor of an invariable... | |
 | Victor Cousin - 1855 - 650 pàgines
...glide away and mingle in an infinite variety of postures and situations The comparison of the theater must not mislead us. They are the successive perceptions...represented, or of the materials of which it is composed." — p. 313. Now even if it should be admitted with Hume, that the belief in the me is not a firm and... | |
 | Dugald Stewart - 1858 - 556 pàgines
...natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...are represented, or of the materials of which it is composed."1 We have thus, according to Hume, no apprehension or assurance of Self, nor of an invariable... | |
 | 1865 - 728 pàgines
...natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...have we the most distant notion of the place where those scenes are represented, or of the materials of which it is composed." J That Mr. J. Mill entertains... | |
 | Charles Beard - 1865 - 736 pàgines
...natural propension we may have to imagine that simplicity and' identity. The comparison of the theatre must not mislead us. They are the successive perceptions...have we the most distant notion of the place where those scenes are represented, or of the materials of which it is composed." \ That Mr. J. Mill entertains... | |
 | David Hume - 1874 - 604 pàgines
...true, disappears as inevitably as identity of mind ; and so we have already found it to do in Hume.3 But whereas the notion of a unity of body throughout...we the most distant notion of the place where these scenea are represented, or of the materials of which it is composed.' The problem for Hume then in... | |
 | William Jackson - 1874 - 432 pàgines
...natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...represented, or of the materials, of which it is composed." It is curious that Hume wishing to represent Mind as a melting mist of successive perceptions, should... | |
 | William Jackson - 1874 - 436 pàgines
...natural propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...represented, or of the materials, of which it is composed." It is curious that Hume wishing to represent Mind as a melting mist of successive perceptions, should... | |
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The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind ; nor have we the most distant notion of the place where these scenes are represented, or of the materials of which it is composed. 
