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" What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it show ; it is too hard and stony ; it must have love-scenes and a happy ending. It is not enough... "
The Reflector: A Quarterly Magazine, on Subjects of Philosophy, Politics ... - Pàgina 287
editat per - 1811 - 503 pàgines
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The Analectic Magazine, Volum 5

1815 - 558 pàgines
...It is not enough that Cordelia is a daughter; she must ahinc as a lover too. Tate has put his houk in the nostrils of this Leviathan, for Garrick and his followers, the show-men of Ihe scene, ta draw the mighty beast about more easily. A happy ending! — as if the living martyrdom...
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Characters of Shakespear's Plays

William Hazlitt - 1817 - 392 pàgines
...it must have love-scenes, and a happy ending. It is not enough that Cordelia is a daughter, she mm shine as a lover too. Tate has put his hook in the...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending !—as if the living mai'tyrdom...
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Blackwood's Magazine, Volum 33

1833 - 1006 pàgines
...felt in the spirit of religion. Charles Lamh, alluding to Tale's botchings, says well — " It is not enough that Cordelia is a daughter, she must shine as a lover too." Where is her hushand ? He seems to have come with her across the Channel — but to have been recalled...
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Characters of Shakespear's Plays

William Hazlitt - 1818 - 552 pàgines
...tamperings with it shew: it is too hard and stony: it must have love-scenes, and a happy ending. It is not enough that Cordelia is a daughter, she must shine...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending! — as if the living martyrdom...
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Characters of Shakespeare's Plays

William Hazlitt - 1818 - 342 pàgines
...tamperings with it shew : it is too hard and stony : it must have love scenes, and a happy ending. It is not enough that Cordelia is a daughter, she must shine...this Leviathan, for Garrick and his followers, the shewmen of the scene, to draw it about more easily. A happy ending ! — as if the living martyrdom...
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The History of Christ's Hospital: From Its Foundation by King Edward the ...

John Iliff Wilson - 1821 - 348 pàgines
...tamperings with it shew : it is too hard and stony; it must have love-scenes, and a happy ending. It is not enough that Cordelia is a daughter, she must shine...the mighty beast about more easily. A happy ending 1—as if the living martyrdom that Lear had gone through,—the flaying of his feelings alive, did...
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The Etonian, Volum 1

1821 - 410 pàgines
...tamperings with it show : it is too hard and stony ; it mast have love-scenes and a happy ending. It is not enough that Cordelia is a daughter ; she must shine as a lover too. Tate has put his hook into the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene, to draw...
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The Etonian, Volum 1

1821 - 420 pàgines
...tamperings with it show : it is too hard and stony ; it must have love-scenes and a happy ending. It is not enough that Cordelia is a daughter ; she must shine as a lover too. Tate has put his book into the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene,...
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The Etonian, Volum 1

Winthrop Mackworth Praed, Walter Blunt - 1822 - 430 pàgines
...she must shine as a lover too. Tate has put his hook into the nostrils of this Leviathan, for Can-irk and his followers, the showmen of the scene, to draw...the flaying of his feelings alive,— did not make a dismissal from the stage of life the only decorous thing for him. If he is to live and be happy after,...
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The Etonian, Volum 2

Winthrop Mackworth Praed, Walter Blunt - 1824 - 340 pàgines
...not enough that Cordelia is a daughter ; she must shine as a lover too. Tate has put his hook into the nostrils of this Leviathan, for Garrick and his...flaying of his feelings alive,—- did not make a dismissal from the stage of life the only decorous thing for him. If he w to live and be happy after,...
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