Imatges de pàgina
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It appears that he was now enlisted by Mr. Cave as a regular coadjutor in his magazine, by which he probably obtained a tolera* A translation of this Ode, by an unknown correspondent, appeared in the Magazine for the month of May following:-

"Hail, URBAN! indefatigable man,

Unwearied yet by all thy useful toil!
Whom num'rous slanderers assault in vain ;
Whom no base calumny can put to foil.
But still the laurel on thy learned brow
Flourishes fair, and shall forever grow.

"What mean the servile, imitating crew,

What their vain blust'ring, and their empty noise.
Ne'er seek; but still thy noble ends pursue,
Unconquer'd by the rabble's venal voice,

Still to the Muse thy studious mind apply,
Happy in temper as in industry.

"The senseless sneerings of an haughty tongue,
Unworthy thy attention to engage,

Unheeded pass; and tho' they mean thee wrong,
By manly silence disappoint their rage.
Assiduous diligence confounds its foes,
Resistless, tho' malicious crowds oppose.

"Exert thy powers, nor slacken in thy course,

Thy spotless fame shall quash all false reports:
Exert thy powers, nor fear a rival's force,

Then thou shalt smile at all his main efforts;
Thy labors shall be crown'd with large success:
The Muse's aid thy Magazine shall bless.
No page more grateful to th' harmonious nine
Than that wherein thy labors we survey;
Where solemn themes in fuller splendor shine,
(Delightful mixture) blended with the gay,
Where in improving, various joys we find,
A welcome respite to the wearied mind.

"Thus when the nymphs in some fair verdant mead
Of various flow'rs a beauteous wreath compose,
The lovely violet's azure-painted head

Adds lustre to the crimson-blushing rose.

Thus splendid Iris, with her varied dye,

Shines in the æther, and adorns the sky.

"BRITON."

ble livelihood. At what time, or by what means, he had acquired a competent knowledge both of French and Italian, I do not know; but he was so well skilled in them, as to be sufficiently qualified for a translator. That part of his labor which consisted in emendation and improvement of the productions of other contributors, like that employed in levelling ground, can be perceived only by those who had an opportunity of comparing the original with the altered copy. What we certainly know to have been done by him in this way, was the Debates in both houses of Parliament, under the name of "The Senate of Lilliput," sometimes with feigned denominations of the several speakers, sometimes with denominations formed of the letters of their real names, in the manner of what is called anagram, so that they may easily be deciphered. Parliament then kept the press in a kind of mysterious awe, which made it necessary to have recourse to such devices.

This important article of the "Gentleman's Magazine" was, for several years, executed by Mr. William Guthrie, a man who deserves to be recorded in the literary annals of this country. The debates in Parliament, which were brought home and digested by Guthrie, whose memory, though surpassed by others who have since followed him in the same department, was yet very quick and tenacious, were sent by Cave to Johnson for his revision; and, after some time, when Guthrie had attained to greater variety of employment, and the speeches were more and more enriched by the accession of Johnson's genius, it was resolved that he should do the whole himself, from the scanty notes furnished by persons employed to attend in both houses of Parliament. Sometimes, however, as he himself told me, he had nothing more communicated to him than the names of the several speakers, and the part which they had taken in the debate.

Thus was Johnson employed during some of the best years of his life, as a mere literary laborer, "for gain, not glory," solely to obtain an honest support. He, however, indulged himself in occasional little sallies, which the French so happily express by the term jeux d'esprit, and which will be noticed in their order, in the progress of this work.

But what first displayed his transcendent powers, and "gave the world assurance of the man," was his "London, a Poem, in Imitation of the third Satire of Juvenal;" which came out in May this year, and burst forth with a splendor, the rays of which will

forever encircle his name.

Boileau had imitated the same satire with great success, applying it to Paris; but an attentive comparison will satisfy every reader, that he is much excelled by the English Juvenal. Oldham had also imitated it, and applied it to London; all which performances concur to prove, that great cities, in every age, and in every country, will furnish similar topics of satire. Whether Johnson had previously read Oldham's imitation, I do not know; but it is not a little remarkable, that there is scarcely any coincidence found between the two performançes, though upon the very same subject.

Where, or in what manner this poem was composed, I am sorry that I neglected to ascertain with precision, from Johnson's own authority. He has marked upon his corrected copy of the first edition of it, "Written in 1738;" and as it was published in the month of May in that year, it is evident that much time was not employed in preparing it for the press.

It has been generally said, 1 know not with what truth, that Johnson offered his "London" to several booksellers, none of whom would purchase it. To this circumstance Mr. Derrick alludes in the following lines of his "Fortune, a Rhapsody": "Will no kind patron Johnson own?

Shall Johnson friendless range the town?
And every publisher refuse

The offspring of his happy Muse?"

But the worthy, modest, and ingenious Mr. Robert Dodsley had taste enough to perceive its uncommon merit, and thought it creditable to have a share in it. The fact is, that he bargained for the whole property of it, for which he gave Johnson ten guineas; who told me, "I might perhaps have accepted of less; but that Paul Whitehead had a little before got ten guineas for a poem; and I would not take less than Paul Whitehead."

Johnson's "London" was published in May, 1738; and it is remarkable, that it came out on the same morning with Pope's satire, entitled "1738;" so that England had at once its Juvenal and Horace as poetical monitors. The Reverend Dr. Douglas, now Bishop of Salisbury, to whom I am indebted for some obliging communications, was then a student at Oxford, and remembers well the effect which "London" produced. Everybody was delighted with it; and there being no name to it, the first buzz of the literary circle was, "Here is an unknown poet, greater even than Pope." And it is recorded in the "Gentleman's Magazine "

of that year, that it "got to the second edition in the course of a week."

Pope, who then filled the poetical throne without a rival, it may reasonably be presumed, must have been particulariy struck by the sudden appearance of such a poet; and, to his credit, let it be remembered, that his feelings and conduct on the occasion were candid and liberal. He requested Mr. Richardson, son of the painter, to endeavor to find out who this new author was. Mr. Richardson, after some inquiry, having informed him that he had discovered only that his name was Johnson, and that he was some obscure man, Pope said, "He will soon be deterré." We shall presently see, from a note written by Pope, that he was himself afterwards more successful in his inquiries than his friend.

Though thus elevated into fame, and conscious of uncommon powers, he had not that bustling confidence, or, I may rather say, that animated ambition, which one might have supposed would have urged him to endeavor at rising in life. But such was his inflexible dignity of character, that he could not stoop to court the great; without which, hardly any man has made his way to a high station. He could not expect to produce many such works as his "London," and he felt the hardships of writing for bread; he was therefore willing to resume the office of a schoolmaster, so as to have a sure, though moderate income for his life; and an offer being made to him of the mastership of a school, provided he could obtain the degree of Master of Arts, Dr. Adams was applied to, by a common friend, to know whether that could be granted him as a favor from the University of Oxford. But though he had made such a figure in the literary world, it was then thought too great a favor to be asked.

Pope, without any knowledge of him but from his "London," recommended him to Earl Gower, who endeavored to procure for him a degree from Dublin. It was, perhaps, no small disappointment to Johnson that this respectable application had not the desired effect; yet how much reason has there been, both for himself and his country, to rejoice that it did not succeed, as he might probably have wasted in obscurity those hours in which he afterwards produced his incomparable works.

About this time he made one other effort to emancipate himself from the drudgery of authorship. He applied to Dr. Adams, to consult Dr. Smalbroke of the Commons, whether a person might be permitted to practise as an advocate there, without a

doctor's degree in Civil Law. "I am," said he, " a total stranger to these studies; but whatever is a profession, and maintains numbers, must be within the reach of common abilities, and some degree of industry." Dr. Adams was much pleased with Johnson's design to employ his talents in that manner, being confident he would have attained to great eminence. And, indeed, I cannot conceive a man better qualified to make a distinguished figure as a lawyer; for he would have brought to his profession a rich store of various knowledge, an uncommon acuteness, and a command of language, in which few could have equalled, and none have surpassed him. But here, also, the want of a degree was an insurmountable bar. He was, therefore, under the necessity of persevering in that course into which he had been forced; and we find that his proposal from Greenwich to Mr. Cave, for a translation of Father Paul Sarpi's History, was accepted.

Some sheets of this translation were printed off, but the design was dropped; for it happened, oddly enough, that another person of the name of Samuel Johnson, Librarian of St. Martin's-in-theFields, and curate of that parish, engaged in the same undertaking, and was patronized by the clergy, particularly by Dr. Pearce, afterwards Bishop of Rochester. Several light skirmishes passed between the rival translators, in the newspapers of the day; and the consequence was that they destroyed each other, for neither of them went on with the work. It is much to be regretted that the able performance of that celebrated genius, Fra Paolo, lost the advantage of being incorporated into British literature by the masterly hand of Johnson.

I have in my possession, by the favor of Mr. John Nichols, a paper in Johnson's handwriting, entitled "Account between Mr. Edward Cave and Sam. Johnson, in relation to a version of Father Paul, etc., begun August the 2nd, 1738;" by which it appears, that from that day to the 21st of April, 1739, Johnson received for this work 497. 75. in sums of one, two, three, and sometimes four guineas at a time, most frequently two. And it is curious to observe the minute and scrupulous accuracy with which Johnson had pasted upon it a slip of paper, which he has entitled "Small Account," and which contains one article, "Sept. 9th, Mr. Cave laid down 2s. 6d." There is subjoined to this account, a list of some subscribers to the work, partly in Johnson's handwriting, partly in that of another person; and there follows a leaf or two, on which are written a number of characters which have the

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