Julius CaesarPenguin UK, 7 d’abr. 2005 - 272 pàgines 'Cry havoc and let slip the dogs of war, |
Des de l'interior del llibre
Resultats 1 - 5 de 23.
Pàgina
... lines derive from printed writings; but the structuring and translation of these narratives into dramatic terms is Shakespeare's own, and he invents much additional material. Most of the plays contain elements of myth and legend, and ...
... lines derive from printed writings; but the structuring and translation of these narratives into dramatic terms is Shakespeare's own, and he invents much additional material. Most of the plays contain elements of myth and legend, and ...
Pàgina
... lines work to establish the difference between Caesar's Rome and Shakespeare's England in two ways. One is very obvious: England is a monarchy, whereas the Rome of the play has been a republic for more than four hundred years, and doesn ...
... lines work to establish the difference between Caesar's Rome and Shakespeare's England in two ways. One is very obvious: England is a monarchy, whereas the Rome of the play has been a republic for more than four hundred years, and doesn ...
Pàgina
... lines, with their momentary ambiguity as to the identity of the 'idle creatures' being addressed; yet later there is a stronger sense of the fickleness, then the savagery of the citizens in the aftermath of Caesar's assassination, which ...
... lines, with their momentary ambiguity as to the identity of the 'idle creatures' being addressed; yet later there is a stronger sense of the fickleness, then the savagery of the citizens in the aftermath of Caesar's assassination, which ...
Pàgina
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Pàgina
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
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Frases i termes més freqüents
action actor appear assassination audience battle bear better blood body Brutus called Capitol Casca Cassius cause characters Cinna comes common conspirators dangerous dead death Decius doth effect Elizabethan enemies Enter Exeunt Exit eyes fear fire Flavius friends give gods hand hath hear heart hold honour Italy Julius Caesar keep kill later leave lines live look lord Lucilius Lucius March Mark Antony matter meaning meet Messala mind moved murder nature never night noble Octavius offered once performance perhaps play PLEBEIAN Plutarch political Portia present reading reason reference rest Roman Rome scene Senate SERVANT Shakespeare sick soldiers speak speech spirit stage stand statue suggested sword tell theatre thee things thou Titinius took true turn unto wrong