 The song is like an instrument of precious workmanship and marvelous tone, which is worthless in common hands, but when it falls, at long intervals, into the hands of the supreme master, it yields a melody of transcendent enchantment to all that have...  The Medico-legal Journal - Pàgina 336editat per - 1907Visualització completa - Sobre aquest llibre
 | Timothy Dwight, Julian Hawthorne - 1899 - 464 pàgines
...seems greater than his work. The song is like an instrument of precious workmanship and marvellous tone, which is worthless in common hands, but when...hear. If we look at the sphere of influence of the poets, there is no longer any comparison. Omar sang to a half-barbarous province : Fitzgerald to the... | |
 | Richard James Horatio Gottheil, Epiphanius Wilson - 1899 - 478 pàgines
...seems greater than his work. The song is like an instrument of precious workmanship and marvellous tone, which is worthless in common hands, but when...hear. If we look at the sphere of influence of the poets, there is no longer any comparison. Omar sang to a half-barbarous province: Fitzgerald to the... | |
 | 1900 - 462 pàgines
...seems greater than his work. The song is like an instrument of precious workmanship and marvellous tone, which is worthless in common hands, but when...hear. If we look at the sphere of influence of the poets, there is no longer any comparison. Omar sang to a half-barbarous province : Fitzgerald to the... | |
 | Mayo Williamson Hazeltine - 1902 - 482 pàgines
...seems greater than his work. The song is like an instrument of precious workmanship and marvellous tone, which is worthless in common hands, but when...transcendent enchantment to all that have ears to hear. If w« look at the sphere of influence of the two poets there is no longer any comparison. Omar sang to... | |
 | 1904 - 1136 pàgines
...seems greater than his work. The song is like an instrument of precious workmanship and marvellous tone, which is worthless in common hands, but when...there is no longer any comparison. Omar sang to a half-barbarous province; Fit/Gerald to the world. Wherever the English speech is spoken or read, the... | |
 | 1905 - 470 pàgines
...seems greater than his work. The song is like an instrument of precious workmanship and marvellous tone, which is worthless in common hands, but when...there is no longer any comparison. Omar sang to a half-barbarous province ; FitzGerald to the world. Wherever the English speech is spoken or read, the... | |
 | Edwin Du Bois Shurter - 1908 - 200 pàgines
...poet, a twin brother in the spirit to the first, was born, who took up the forgotten poem and sung it anew with all its original melody and force, and...there is no longer any comparison. Omar sang to a half-barbarous province ; Fitzgerald to the world. Wherever the English speech is spoken or read, the... | |
 | Frederick Bertrand Robinson - 1915 - 482 pàgines
...born, who took up the forgotten poem and sang it anew with all its original melody and force, and with all the accumulated refinement of ages of art. It...there is no longer any comparison. Omar sang to a half-barbarous province: PitzGerald to the world. "Wherever the English speech is spoken or read, the... | |
 | Lewis Copeland, Lawrence W. Lamm, Stephen J. McKenna - 1999 - 978 pàgines
...an instrument of precious workmanship and marvellous tone, which is wortbless in common hands, hut when it falls, at long intervals, into the hands of...there is no longer any comparison. Omar sang to a half harharous province; Fitzgerald to the world. Wherever the English speech is spoken or read, the Ruhaiyat... | |
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