Center Or Margin: Revisions of the English Renaissance in Honor of Leeds BarrollSusquehanna University Press, 2006 - 318 pàgines Center or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll includes essays by Catherine Belsey, Harry Berger, Jr., Philippa Berry, Raphael Falco, Jean E. Howard, Lena Cowen Orlin, Patricia Parker, Phyllis Rackin, Bruce R. Smith, Barbara Maria Stafford, Peter Stallybrass, and Susanne Woods. With sections on England at the Margins, Researching the Renaissance, The Human Figure on the Stage, and Artificial Persons, the collection makes interventions in historiography as well as history, literary interpretation, and also literary criticism. Some of the issues are England's marginal status in the sixteenth- and seventeenth- century world; the re-centering strategies of the Renaissance public theater in both time and space; mutually reinforcing fallacies engendered by common practices of canon formation and historical narrative; the central meanings of marginal characters in Shakespeare and Milton; |
Des de l'interior del llibre
Resultats 1 - 5 de 26.
Pàgina 5
... Marginal England : The View from Aleppo 27 PETER STALLYBRASS Incising Venice : The Violence of Cultural Incorporation in The Merchant of Venice 40 PHILIPPA BERRY Barbers , Infidels , and Renegades : Antony and Cleopatra PATRICIA PARKER ...
... Marginal England : The View from Aleppo 27 PETER STALLYBRASS Incising Venice : The Violence of Cultural Incorporation in The Merchant of Venice 40 PHILIPPA BERRY Barbers , Infidels , and Renegades : Antony and Cleopatra PATRICIA PARKER ...
Pàgina 9
... Marginal Shakespeare , " " Centering the Arts , " and " England at the Margins . " For his study of Shakespearean Tragedy , for example , Barroll deconstructs the tragic canon . Other critics have homogenized examples of the genre ...
... Marginal Shakespeare , " " Centering the Arts , " and " England at the Margins . " For his study of Shakespearean Tragedy , for example , Barroll deconstructs the tragic canon . Other critics have homogenized examples of the genre ...
Pàgina 11
... Marginal England : The View from Aleppo , " Peter Stallybrass shows how centrally the Mediterranean figured in the Elizabethan imagination , how marginal England was to global centers of empire , and how assidu- ously the Shakespearean ...
... Marginal England : The View from Aleppo , " Peter Stallybrass shows how centrally the Mediterranean figured in the Elizabethan imagination , how marginal England was to global centers of empire , and how assidu- ously the Shakespearean ...
Pàgina 13
... marginal detail of Antony's barbering . He is nominal kin to the Barbarossa who defeated the Roman Emperor at a new battle of Actium in 1538 , in a signal triumph of the Ottoman power so much feared in England . His name also evokes the ...
... marginal detail of Antony's barbering . He is nominal kin to the Barbarossa who defeated the Roman Emperor at a new battle of Actium in 1538 , in a signal triumph of the Ottoman power so much feared in England . His name also evokes the ...
Pàgina 16
... marginal the public theaters were in the 1590s , with their suburban locations , socially precarious actors , plague closings , and antitheatrical opponents . Nonetheless , the institution came to occupy a dominant posi- tion in popular ...
... marginal the public theaters were in the 1590s , with their suburban locations , socially precarious actors , plague closings , and antitheatrical opponents . Nonetheless , the institution came to occupy a dominant posi- tion in popular ...
Altres edicions - Mostra-ho tot
Center Or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll John Leeds Barroll Visualització de fragments - 2006 |
Frases i termes més freqüents
actor Antony appears associated audience Augustine authority barbering beard begins body called Cambridge castration century character charismatic claim Cleopatra course critics cultural cutting describes desire domestic early modern effect Elizabeth Elizabethan England English Enobarbus essay example fact familiar figure final followers force Hall Hamlet hand hear Henry human Iago imagine important institutional interest Italy John kind king Lacan less lines live London long gallery marginal marriage masculinity means nature Norfolk notes object organ original Othello Ottoman performance play plot political present produced Queen reference relation Renaissance represented rhetorical Richard role Roman scene seems sense sexual Shakespeare signifier social soliloquy sound space speak speech stage story suggests texts theater theatrical Thomas tion Turk turn University Press Wives women York
Passatges populars
Pàgina 211 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Pàgina 281 - This is dispens'd, and what surmounts the reach Of human sense I shall delineate so, By lik'ning spiritual to corporal forms, As may express them best ; though what if earth Be but the shadow of heav'n ; and things therein Each to other like, more than on earth is thought?
Pàgina 206 - But methinks he should stand in fear of fire, being burnt i' the hand for stealing of sheep. [Aside. CADE. Be brave then ; for your captain is brave, and vows reformation. There shall be, in England, seven halfpenny loaves sold for a penny : the threehooped pot shall have ten hoops ; and I will make it felony to drink small beer: all the realm shall be in common, and in Cheapside shall my palfrey go to grass.
Pàgina 54 - The barge she sat in, like a burnish'd throne, Burn'd on the water ; the poop was beaten gold, Purple the sails, and so perfumed that The winds were love-sick with them, the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes.
Pàgina 227 - And then I stole all courtesy from heaven, And dress'd myself in such humility, That I did pluck allegiance from men's hearts, Loud shouts and salutations from their mouths, Even in the presence of the crowned king.
Pàgina 139 - The Moor is of a free and open nature, That thinks men honest that but seem to be so ; And will as tenderly be led by the nose As asses are.
Pàgina 230 - And nothing pleaseth but rare accidents. So, when this loose behaviour I throw off And pay the debt I never promised, By how much better than my word I am, By so much shall I falsify men's hopes; And, like bright metal on a sullen ground, My reformation, glitt'ring o'er my fault, Shall show more goodly and attract more eyes Than that which hath no foil to set it off.
Pàgina 233 - Cover your heads, and mock not flesh and blood With solemn reverence : throw away respect, Tradition, form, and ceremonious duty, For you have but mistook me all this while: I live with bread like you, feel want, Taste grief, need friends: subjected thus, How can you say to me I am a king?