Franklin Evans, Or The Inebriate: A Tale of the Times

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Duke University Press, 17 de jul. 2007 - 147 pàgines
Not many people know that Walt Whitman—arguably the preeminent American poet of the nineteenth century—began his literary career as a novelist. Franklin Evans, or The Inebriate: A Tale of the Times was his first and only novel. Published in 1842, during a period of widespread temperance activity, it became Whitman’s most popular work during his lifetime, selling some twenty thousand copies.

The novel tells the rags-to-riches story of Franklin Evans, an innocent young man from the Long Island countryside who seeks his fortune in New York City. Corrupted by music halls, theaters, and above all taverns, he gradually becomes a drunkard. Until the very end of the tale, Evans’s efforts to abstain fail, and each time he resumes drinking, another series of misadventures ensues. Along the way, Evans encounters a world of mores and conventions rapidly changing in response to the vicissitudes of slavery, investment capital, urban mass culture, and fervent reform. Although Evans finally signs a temperance pledge, his sobriety remains haunted by the often contradictory and unsettling changes in antebellum American culture.

The editors’ substantial introduction situates Franklin Evans in relation to Whitman’s life and career, mid-nineteenth-century American print culture, and many of the developments and institutions the novel depicts, including urbanization, immigration, slavery, the temperance movement, and new understandings of class, race, gender, and sexuality. This edition includes a short temperance story Whitman published at about the same time as he did Franklin Evans, the surviving fragment of what appears to be another unfinished temperance novel by Whitman, and a temperance speech Abraham Lincoln gave the same year that Franklin Evans was published.

Des de l'interior del llibre

Continguts

Acknowledgments
vii
The Madman
117
The Child and the Profligate
123
Copyright

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Sobre l'autor (2007)

Walt Whitman was born on Long Island and raised in Brooklyn, New York, the son of a carpenter. He left school when he was 11 years old to take a variety of jobs. By the time he was 15, Whitman was living on his own in New York City, working as a printer and writing short pieces for newspapers. He spent a few years teaching, but most of his work was either in journalism or politics. Gradually, Whitman became a regular contributor to a variety of Democratic Party newspapers and reviews, and early in his career established a rather eccentric way of life, spending a great deal of time walking the streets, absorbing life and talking with laborers. Extremely fond of the opera, he used his press pass to spend many evenings in the theater. In 1846, Whitman became editor of the Brooklyn Eagle, a leading Democratic newspaper. Two years later, he was fired for opposing the expansion of slavery into the west. Whitman's career as a poet began in 1885, with the publication of the first edition of his poetry collection, Leaves of Grass. The book was self-published (Whitman probably set some of the type himself), and despite his efforts to publicize it - including writing his own reviews - few people read it. One reader who did appreciate it was essayist Ralph Waldo Emerson, who wrote a letter greeting Whitman at "the beginning of a great career." Whitman's poetry was unlike any verse that had ever been seen. Written without rhyme, in long, loose lines, filled with poetic lists and exclamations taken from Whitman's reading of the Bible, Homer, and Asian poets, these poems were totally unlike conventional poetry. Their subject matter, too, was unusual - the celebration of a free-spirited individualist whose love for all things and people seemed at times disturbingly sensual. In 1860, with the publication of the third edition on Leaves of Grass, Whitman alienated conventional thinkers and writers even more. When he went to Boston to meet Emerson, poet Henry Wadsworth Longfellow, essayist Oliver Wendell Holmes, and poet James Russell Lowell, they all objected to the visit. With the outbreak of the Civil War, Whitman's attentions turned almost exclusively to that conflict. Some of the greatest poetry of his career, including Drum Taps (1865) and his magnificent elegy for President Abraham Lincoln, "When Last in the Dooryard Bloom'd" (1865), was written during this period. In 1862, his brother George was wounded in battle, and Whitman went to Washington to nurse him. He continued as a hospital volunteer throughout the war, nursing other wounded soldiers and acting as a benevolent father-figure and confidant. Parts of his memoir Specimen Days (1882) record this period. After the war, Whitman stayed on in Washington, working as a government clerk and continuing to write. In 1873 he suffered a stroke and retired to Camden, New Jersey, where he lived as an invalid for the rest of his life. Ironically, his reputation began to grow during this period, as the public became more receptive to his poetic and personal eccentricities. Whitman tried to capture the spirit of America in a new poetic form. His poetry is rough, colloquial, sweeping in its vistas - a poetic equivalent of the vast land and its varied peoples. Critic Louis Untermeyer has written, "In spite of Whitman's perplexing mannerisms, the poems justify their boundless contradictions. They shake themselves free from rant and bombastic audacities and rise into the clear air of major poetry. Such poetry is not large but self-assured; it knows, as Whitman asserted, the amplitude of time and laughs at dissolution. It contains continents; it unfolds the new heaven and new earth of the Western world." American poetry has never been the same since Whitman tore it away from its formal and thematic constraints, and he is considered by virtually all critics today to be one of the greatest poets the country has ever produced.

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