 | Samuel Johnson - 1781 - 516 pàgines
...and, if preference depends only on the imagery and animation of the two poems, his judgement is right. There is in The Bard more force, more thought, and more variety. But to copy is lefs than to invent, and the copy has been unhappily produced at a wrong time. The fiction... | |
 | SAMUEL johnson - 1781 - 292 pàgines
...and, if preference depends only on the imagery and animation of the two poems, his judgement is right. There is in The Bard more force, more thought, and more variety. But to copy is lefs than to invent, and the copy has been unhappily produced at a wrong time. The fiction... | |
 | Samuel Johnson - 1781 - 522 pàgines
...and, if preference depends only on the imagery and animation of the two poems, his judgement is right. There is in The Bard more force, more thought, and more variety. But to copy is lefs than to invent, and the copy has beer^ unhappily produced at a wrong time. The... | |
 | Samuel Johnson - 1781 - 294 pàgines
...if preference depends only on the imagery and .animation of the two poems, his judgement is right. There is in The Bard more force, more thought, and more variety. But to copy . Is Jefs than to invent, and the copy has been unhappily produced at a wrong time. ,The... | |
 | Samuel Johnson, John Hawkins - 1787 - 650 pàgines
...and, if preference depends only on the imagery and animation of the two poems, his judgement is right. There is in The Bard more force, more thought, and more variety. But to copy is lefs than to invent, and the copy has been unhappily produced ta wrong time. The fiction... | |
 | Samuel Johnson, John Hawkins - 1787 - 676 pàgines
...and, if preference depends only on the imagery and animation of the two poems, his judgement is right. There is in The Bard more force, more thought, and more variety. But to copy is lefs than to invent, and the copy has been unhappily produced ta wrong time. The fiction... | |
 | English poets - 1790 - 312 pàgines
...and, if preference depends only on the imagery and animation of the two poems, his judgement is right. There is in " The Bard" more force, more thought, and more variety. But to copy is lefs than to invent, and the copy has been unhappily produced at a wrong time. The fiftion... | |
 | Thomas Gray - 1799 - 270 pàgines
...if preference " depends only on the imagery and animation of the two poems, his " judgment is right. There is in * The Bard* more force, more thought, ** and more variety." ['.>] Of this noble exordium, an anonymous Critic thus eloquently expresses his admiration : " This... | |
 | Thomas Gray - 1800 - 302 pàgines
...if preference " depends only on the imagery and animation of the two poems, his " judgment is right. There is in 'The Bard' more force, more thought, " and more variety." {]''.', Of this noble exordium, an anonymous Critic thus eloquently expresses his admiration: •'... | |
 | Great Britain - 1804 - 716 pàgines
...and, if preference depends only on the imagery and animation of the two poems, his judgment is right. There is in " The " Bard" more force, more thought, and more variety. But to copy is less than to invent, and the copy has been unhappily produced at a wrong time. The fiction... | |
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Bard more force, more thought, and more variety. But to copy is less than to invent, and the copy has been unhappily produced at a wrong time. The fiction of Horace was to the Romans credible; but its revival disgusts us with apparent and unconquerable... 
