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CLASS IV.

Arts and Trades.

History of Arts.

NTRODUCTIO in Notitiam Scriptorum
variarum Artium atque Scientiarum,
à C. S. SCHURZFLEISCHIO. 2 tomis,
Vittembergæ, 1736. [R. 14. 20,21.]
VERGILIUS (Polydorus) De Rerum Inven-
tione. 12mo. Francofurti, 1599.
[F. 17. 40.]

PANCIROLLUS (Guido) The History of
Many Memorable Things lost, and
an Account of many Excellent Things
found now in use among the Moderns,
both Natural and Artificial. 12mo.
London, 1715. [G. 21, 22.]

ROLLIN (M.) History of the Arts and Sciences of the Antients. Translated from the French. 4 vols. 8vo. London, 1737-1739.

[O. 7. 18-21.] *BECKMANN (John) History of Inventions and Discoveries, translated from the German by William Johnstone. 4 vols. 8vo. London, 1814. [Encyclopædias and Dictionaries of Arts will be found supra, p. 514.]

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Section I. THE LIBERAL ARTS.

I. Mnemonics, or the Art of Memory, Natural and Artificial.

GREY (Richard) Memoria Technica; or a New Method of Artificial Memory. 8vo. London, 1732. [A. 19. 11.]

Another Copy. 12mo. Exeter, 1781. [Ii. 2. 17.]

LowE (Solomon) Mnemonics Delineated in a small compass and easy method. 8vo. London, 1738. [P. 129. (12.)]

The New Art of Memory, founded upon the Principles taught by M. Gregor von Feinaigle. [By John MILLARD.] 12mo. London, 1812.

[Gg. 8. 18.]

II. Arts of Writing and Printing.

ASTLE (Thomas) The Origin and Practice of Writing as well Hieroglyphic as Elementary: Illustrated by Engravings taken from Marbles, Manuscripts and Charters, Ancient and Modern. 4to. London, 1784.

SERLE (Ambrose) The Art of Writing. 12mo. London, 1782.

[E. 23. 4.]

[Ff. 8. 54.]

Treatises on Stenography, or Short-hand Writing. TRITHEMII (Joannis) Polygraphiæ Libri Sex. 4to. Francofurti, 1550. [S. 2. 13.]

NICHOLAS (Abraham) Thoographia, or a New Art of Short-hand.
London, 1692. [F. 24. 29.]
ANNET'S Short-hand Perfected.

8vo. London. [li. 3. 18.]

HERVEY (Thomas) Annet's Short-hand Perfected, further enlarged and improved. 8vo. Kendal. [Ii. 3. 19.]

NASH (M.) Stenography: or the most easy and concise Method of Writing Short-hand on a New Plan. 4to. Norwich, 1783. [Ii. 3. 18.] MITCHELL (J.) The Most Easy, Rational, and Speedy Method of writing Short-hand. 8vo. London, 1784. [li. 4. 19.]

A New System of Stenography. 8vo. [li. 3. 19.]

SHORT-HAND Made Easy. 8vo. London, 1794. [Gg. 7. 18.]

GURNEY (Thomas) Brachygraphy, or an Easy and Compendious System of Short-hand. 12mo. London, 1795. [li. 3. 21.]

MOLYNEUX (T.) An Introduction to Byrom's Short-hand. 8vo. Stockport, 1804. [li. 3. 20.]

PROSPECTUS of a Machine for facilitating and improving the Art of Printing. 8vo. Cambridge, 1814. [Hh. 7. 24.]

III. Arts of Design, Painting and Engraving.

GWYNNE (John) An Essay on Design; including Proposals for erecting a Public Academy for educating Youth in Drawing. 8vo. London, 1749. [P. 184. (1.)]

CRITO; or a Dialogue on Beauty. [By Joseph SPENCE.] 8vo. London, 1752. [P. 184. (2.)].

HOGARTH (William) The Analysis of Beauty: written with a view of fixing the fluctuating Ideas of Taste. 4to. London, 1772. [Hh. 1. 16.]

Another Copy. royal 8vo. [Hh. 1. 31.]

FERGUSON (James) The Art of Drawing in Perspective made easy to those who have no previous Knowledge of the Mathematics. 8vo. London, 1778. [E. 6. 11.]

JUNII (Francisci) De Picturâ Veterum, Libri Tres. folio, Roterodami, 1694. [E. 13. 29.]

FELIBIEN (André) Entretiens sur les Vies des plus excellens Peintres. 5 vols. 8vo. Trevoux, 1725. [D. 7. 19-23.]

Bartsch ( Adam You) Anleitung zur Kupferstichkunde qvo Wien. 1821. [A.

Bromley (Henry) A Catalogue of Engraved
British Portraits. 4to. Lou don. 1793. A.

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