 | James Boswell - 1799 - 648 pàgines
...pictures ; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life ; what is greatest is...absent, and continuing the presence of the dead.' It is recorded in Johnson's Works, (1787) xi. 208, that 'Johnson, talking with some persons about '... | |
 | British essayists - 1802 - 220 pàgines
...pictures ; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life, what is greatest is...quickening the affections of the absent, and continuing the presenceof the dead. Yet in a nation great and opulent there is room, and ought to be patronage, for... | |
 | 1803 - 196 pàgines
...pictures, and the art of the painter of portrait is often lost in the obscurity of his subject. But it is in painting as in life ; what is greatest is...the absent, and continuing the presence of the dead. Yet in a nation great and opulent there is room, and ought to be patronage, for an art like that of... | |
 | Samuel Johnson - 1810 - 428 pàgines
...pictures; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life ; what is greatest is...empty splendour and to airy fiction, that art which is new employed in diffusing friendship, in reviving tenderness, in quickening the affections of the absent,... | |
 | Samuel Johnson - 1811 - 386 pàgines
...pictures ; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life ; what is greatest is...the absent, and continuing the presence of the dead. Yet in a nation great and opulent there is room, and ought to be patronage, for an art like that of... | |
 | Samuel Johnson - 1811 - 386 pàgines
...art of the painter of portraits is often lost in the obscurity of his subject. But it is in pointing as in life; what is greatest is not always best. I...the absent, and continuing the presence of the dead. Yet in a nation great and opulent there is room, and ought to be patronage, for an art like that of... | |
 | Samuel Johnson - 1816 - 484 pàgines
...pictures ; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life ; what is greatest is...goddesses, to empty splendour and to airy fiction, thai art which is now employed in diffusing friendship, in reviving tenderness, in quickening the affections... | |
 | James Northcote - 1819 - 382 pàgines
...splendor and to airy fiction, that art, which is now employed in diffusing friendship, in renewing tenderness, in quickening the affections of the absent, and continuing the presence of the dead." be remembered. This use of the art is a natural and reasonable consequence of affection ; and though,... | |
 | Samuel Johnson - 1820 - 428 pàgines
...pictures; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life ; what is greatest is...which is now employed in diffusing friendship, in reving tenderness, in quickening the affections of the absent, and continuing the presence of the dead.... | |
 | Samuel Johnson, Arthur Murphy - 1820 - 430 pàgines
...pictures; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life ; what is greatest is...which is now employed in diffusing friendship, in reving tenderness, in quickening the affections of the absent, and continuing the presence of the dead.... | |
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Genius is chiefly exerted in historical pictures ; and the art of the painter of portraits is often lost in the obscurity of his subject. But it is in painting as in life, what is greatest is not always best. I should grieve to see Reynolds transfer to... 
