Interpretation and Genre: The Role of Generic Perception in the Study of Narrative TextsBucknell University Press, 1986 - 180 pàgines Kent proposes a general theory of genre classification arid applies this genetic model to American fiction written during the last half of the nineteenth century. Combining theory and application, Kent attempts to demonstrate that what we say about texts is related directly to our generic perception of them. |
Continguts
| 15 | |
Generic Perception and Narrative Progression | 34 |
The Classification of Genres | 59 |
The Automatized Text The American Dime Novel | 81 |
The DeFormed Text Tom Sawyer and Huckleberry Finn | 102 |
The Epistemological Text The Red Badge of Courage The Open Boat and The Blue Hotel | 124 |
Interpretation and Genre | 143 |
Notes | 153 |
| 167 | |
| 176 | |
Altres edicions - Mostra-ho tot
Interpretation and Genre: The Role of Generic Perception in the Study of ... Thomas Kent Visualització de fragments - 1986 |
Interpretation and Genre: The Role of Generic Perception in the Study of ... Thomas Kent Visualització de fragments - 1986 |
Interpretation and Genre: The Role of Generic Perception in the Study of ... Thomas L. Kent Previsualització no disponible - 1986 |
Frases i termes més freqüents
aesthetic Aldrich novel American automatized text bad-boy Badge of Courage Beadle and Adams behavior Blue Hotel Calamity Jane chapter characters classification competent reader concept cultural de-formed text Deadwood Dick deformation designed uncertainty diachronic Dick on Deck dime novel discussion employed episode epistemological text example expectations fairy tale film formulated conventions genre criticism Gothic GRAPH H₁ Haverland hero hierarchic level historical Huck Huck's Huckleberry Finn hybrid genre information theory Injun Joe interpretation Jauss kind of text literary conventions literary text literature Mark Twain meaning Moby-Dick narrative elements narrative level naturalistic Northrop Frye Open Boat perception picaresque novel Pierre predictable pure genre recognize Red Badge relation romance Sandy satire Sawyer segment Seth Jones specific Stephen Crane story structure subject matter subliterary Swede's synchronic synchrony and diachrony syntagmatic foregrounding taxonomies tion Tom Sawyer tragedy unformulated University Press ventions villain Vladimir Propp Wolfgang Iser
Referències a aquest llibre
The Weaver-God, He Weaves: Melville and the Poetics of the Novel Christopher Sten Previsualització limitada - 1996 |