Being an ordinary inundation; But this effusion of such manly drops, This shower, blown up by tempest of the soul3, And with a great heart heave away this storm: Into the purse of rich prosperity, As Lewis himself:-so, nobles, shall you all, And even there, methinks, an angel spake°: 5 This SHOWER, BLOWN UP BY TEMPEST of the soul,] So, in our author's Rape of Lucrece : 6 "This windy tempest, till it blow "Held back his sorrow's tide." MALone. an angel SPAKE :] Sir T. Hanmer, and, after him, Dr. Warburton, read here-" an angel speeds," I think unnecessarily. The Dauphin does not yet hear the legate indeed, nor pretend to hear him; but seeing him advance, and concluding that he comes to animate and authorize him with the power of the church, he cries out," at the sight of this holy man, I am encouraged as by the voice of an angel." JOHNSON. Rather, In what I have now said, an angel spake; for see, the holy legate approaches, to give a warrant from heaven, and the name of right to our cause. MALONE. This thought is far from a new one. Thus, in Gower, De Con fessione Amantis : "Hem thought it sowned in her ere, STEEVENS. And on our actions set the name of right, PAND. Hail, noble prince of France! The next is this,-king John hath reconcil'd Himself to Rome; his spirit is come in, That so stood out against the holy church, The great metropolis and see of Rome: Therefore thy threat'ning colours now wind up, And tame the savage spirit of wild war; That, like a lion foster'd up at hand, It may lie gently at the foot of peace, And be no further harmful than in show. LEW. Your grace shall pardon me, I will not I am too high-born to be propertied, Or useful serving-man, and instrument, To any sovereign state throughout the world. 7 You taught me how to know the face of right, Acquainted me with interest To this land,] This was the phraseology of Shakspeare's time. So again, in King Henry IV. Part II.: 66 "He hath more worthy interest to the state, Again, in Dugdale's Antiquities of Warwickshire, vol. ii. p. 927: in 4. R. 2. he had a release from Rose the daughter and heir of Sir John de Arden before specified, of all her interest to the manor of Pedimore." MALONE. After young Arthur, claim this land for mine; Am I Rome's slave? What penny hath Rome borne, What men provided, what munition sent, 8 That undergo this charge? who else but I, 8 as I have BANK'D THEIR TOWNS?] "Bank'd their towns" may mean, throw up entrenchments before them.' The old play of King John, however, leaves this interpretation extremely disputable. It appears from thence that these salutations were given to the Dauphin as he sailed along the banks of the river. This, I suppose, Shakspeare calls banking the towns. from the hollow holes of Thamesis "Echo apace replied, Vive le roi! "From thence along the wanton rolling glade, We still say to coast and to flank; and to bank has no less of propriety, though it is not reconciled to us by modern usage. STEEVENS. 9 No, on my soul,] In the old copy, no, injuriously to the measure, is repeated. STEEVENS. DREW this gallant head of war,] i. e. assembled it, drew it out into the field. So, in King Henry IV. Part I. : "And that his friends by deputation could not And cull'd these fiery spirits from the world, [Trumpet sounds. What lusty trumpet thus doth summon us? Enter the Bastard, attended. BAST. According to the fair play of the world, I come, to learn how you have dealt for him; PAND. The Dauphin is too wilful-opposite, BAST. By all the blood that ever fury breath'd, The youth says well :-Now hear our English king; For thus his royalty doth speak in me. He is prepar'd; and reason too 3, he should: This harness'd masque, and unadvised revel, 2 4 outlook i. e. face down, bear down by a show of magnanimity. In a former scene of this play, p. 343, we have: 3 66 outface the brow "Of bragging horror." STEEVENS. - and reason Too,] Old copy-to. editor of the second folio. MALONE. Corrected by the 4 This UNHAIR'D sauciness, and boyish troops,] The printed copies-unheard; but unheard is an epithet of very little force or meaning here; besides, let us observe how it is coupled. Faulconbridge is sneering at the Dauphin's invasion, as an unadvised enterprise, savouring of youth and indiscretion; the result of childishness, and unthinking rashness; and he seems altogether to dwell on this character of it, by calling his preparation "boyish troops, dwarfish war, pigmy arms," &c. which, according to my emendation, sort very well with unhair'd, i. e. unbearded sauciness. THEOBALD. Hair was formerly written hear. Hence the mistake might The king doth smile at; and is well prepar'd That hand, which had the strength, even at your door, To cudgel you, and make you take the hatch 5; To lie, like pawns, lock'd up in chests and trunks; easily happen. Faulconbridge has already, in this Act, p. 344, exclaimed: "Shall a beardless boy, "A cocker'd silken wanton, brave our fields? So, in the fifth Act of Macbeth, Lenox tells Cathness that the English army is near, in which, he says, there are 66 many unrough youths, that even now "Protest their first of manhood." Again, in King Henry V.: 66 For who is he, whose chin is but enrich'd "With one appearing hair, that will not follow "These cull'd and choice-drawn cavaliers to France?" MALONE. take the hatch;] To take the hatch, is to leap the hatch. To take a hedge or a ditch is the hunter's phrase. Chapman has more than once employed it in his version of Homer. Thus, in the 22d Iliad : 66 Again, ibid: 66 take the town; retire, dear son," &c. and take the town, not tempting the rude field." εἰσερχεο τεῖχος, Τείχεος ἐντὸς ἰών. So, in Massinger's Fatal Dowry, 1632: STEEVENS. "I look about and neigh, take hedge and ditch, "Feed in my neighbour's pastures." MALONE. 6 in CONCEALED wells;] I believe our author, with his accustomed licence, used concealed for concealing; wells that afforded concealment and protection to those who took refuge there. MALONE. "Concealed wells are wells in concealed or obscure situations; viz. in places secured from public notice. STEEVENS. 7—of YOUR nation's crow,] Mr. Pope, and some of the sub |