Nineteenth Century and After, Volum 169Nineteenth Century and After, 1962 |
Des de l'interior del llibre
Resultats 1 - 3 de 32.
Pàgina 21
... language that man could understand in a language which was itself living and real , the actual language of the people among whom the poet lived . - This intimate connection between literature and life was gradually lost . Literature ...
... language that man could understand in a language which was itself living and real , the actual language of the people among whom the poet lived . - This intimate connection between literature and life was gradually lost . Literature ...
Pàgina 188
... language in Curtmantle is necessarily rougher and plainer than , for instance , the language and rhythms needed in the Austrian salon of The Dark is Light Enough . Sometimes it needed prose , and then I used it . - As far as Curtmantle ...
... language in Curtmantle is necessarily rougher and plainer than , for instance , the language and rhythms needed in the Austrian salon of The Dark is Light Enough . Sometimes it needed prose , and then I used it . - As far as Curtmantle ...
Pàgina 210
... language exists only in Paris , and that evolution towards freedom of language on the stage seems to have stopped . If a writer uses the word ' bloody ' , even , the laughter from the audience erases the two or three- perhaps very good ...
... language exists only in Paris , and that evolution towards freedom of language on the stage seems to have stopped . If a writer uses the word ' bloody ' , even , the laughter from the audience erases the two or three- perhaps very good ...
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acting actors American ancient ancient Greece Arab Arnold Wesker artistic audience become believe British building cartoon century characters Christopher Fry cinema classical Colombo convention course critics culture D. H. Lawrence director drama dramatist England English fact feel film Flook Francophobia French give Greece Greek Harold Pinter human idea interest John John Arden kind language Lawrence literary literature living London look mean mind modern Moroccan Morocco N. F. Simpson National Theatre never night novel Percy Lucas perhaps play playhouse playwrights poems poet poetry political present problems production proscenium arch Rayner Heppenstall realism round Royal Court scene seems Serjeant Musgrave's Dance Shelagh Delaney Singhalese social society stage story talk television theatrical there's thing tion to-day tradition trying University Wally Fawkes Wesker words writing wrote young