Nineteenth Century and After, Volum 169Nineteenth Century and After, 1962 |
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Pàgina 84
... look of trust and under- standing . And then , in a final and most disconcerting kind of plea , she looks at the camera - and at us . It is a solemn moment in the film and provides a powerful and quietly affirmative close . With such a ...
... look of trust and under- standing . And then , in a final and most disconcerting kind of plea , she looks at the camera - and at us . It is a solemn moment in the film and provides a powerful and quietly affirmative close . With such a ...
Pàgina 189
... look at what you might call the permanent condition of man – and I can never really see more than minor distinctions between the past and the present , differences in kind rather than being . The immediate threat to life was the same ...
... look at what you might call the permanent condition of man – and I can never really see more than minor distinctions between the past and the present , differences in kind rather than being . The immediate threat to life was the same ...
Pàgina 214
... Look Back in Anger was a formal , rather old - fashioned play , I think that it broke out by its use of language - Harold Pinter does that now . Of course , the Royal Court as a building is cramping and inhibiting . It diminishes most ...
... Look Back in Anger was a formal , rather old - fashioned play , I think that it broke out by its use of language - Harold Pinter does that now . Of course , the Royal Court as a building is cramping and inhibiting . It diminishes most ...
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