Nineteenth Century and After, Volum 169Nineteenth Century and After, 1962 |
Des de l'interior del llibre
Resultats 1 - 3 de 39.
Pàgina 138
... night after night after night , and you can work constantly with the same directors . Directors are becoming more and more absolutist nowadays , and I am all in favour of this , after a director has got used to you as an actor and you ...
... night after night after night , and you can work constantly with the same directors . Directors are becoming more and more absolutist nowadays , and I am all in favour of this , after a director has got used to you as an actor and you ...
Pàgina 143
... night in April 1956 , the first night of Look Back in Anger . You can trace every change back to that date . I don't feel I belong to any particular school of actors . One of the reasons that there seems to be one is that young actors ...
... night in April 1956 , the first night of Look Back in Anger . You can trace every change back to that date . I don't feel I belong to any particular school of actors . One of the reasons that there seems to be one is that young actors ...
Pàgina 220
... night , His guardian the thief of his blood . HAROLD PINTER JOHNNY FINN ( A Nursery Rhyme ) Johnny Finn rode out one day In his four - wheel car along the broad highway . He saw a snowdrop white and gay : I want the snowdrop . Then he ...
... night , His guardian the thief of his blood . HAROLD PINTER JOHNNY FINN ( A Nursery Rhyme ) Johnny Finn rode out one day In his four - wheel car along the broad highway . He saw a snowdrop white and gay : I want the snowdrop . Then he ...
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
acting actors American ancient ancient Greece Arab Arnold Wesker artistic audience become believe British building cartoon century characters Christopher Fry cinema classical Colombo convention course critics culture D. H. Lawrence director drama dramatist England English fact feel film Flook Francophobia French give Greece Greek Harold Pinter human idea interest John John Arden kind language Lawrence literary literature living London look mean mind modern Moroccan Morocco N. F. Simpson National Theatre never night novel Percy Lucas perhaps play playhouse playwrights poems poet poetry political present problems production proscenium arch Rayner Heppenstall realism round Royal Court scene seems Serjeant Musgrave's Dance Shelagh Delaney Singhalese social society stage story talk television theatrical there's thing tion to-day tradition trying University Wally Fawkes Wesker words writing wrote young