Nineteenth Century and After, Volum 169Nineteenth Century and After, 1962 |
Des de l'interior del llibre
Resultats 1 - 3 de 38.
Pàgina 62
... true Orient ? The debunking of the idea of the ' true Orient ' by modern Western travel - writers has reached the extreme stage where , reading some of them , one gets the feeling that there is no real difference between one big city ...
... true Orient ? The debunking of the idea of the ' true Orient ' by modern Western travel - writers has reached the extreme stage where , reading some of them , one gets the feeling that there is no real difference between one big city ...
Pàgina 156
... true ' than The Amorous Prawn . But unfamiliarity is not realism . As far as one can tell , these plays are not realistic , but one can't , of course , tell much about the intention . Like divine revelation , it's not evidence , and one ...
... true ' than The Amorous Prawn . But unfamiliarity is not realism . As far as one can tell , these plays are not realistic , but one can't , of course , tell much about the intention . Like divine revelation , it's not evidence , and one ...
Pàgina 181
... true or false ; it can be both true and false . The assumption that to verify what has happened and what is happening presents few problems I take to be inaccurate . A character on the stage who can present no convincing argument or ...
... true or false ; it can be both true and false . The assumption that to verify what has happened and what is happening presents few problems I take to be inaccurate . A character on the stage who can present no convincing argument or ...
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acting actors American ancient ancient Greece Arab Arnold Wesker artistic audience become believe British building cartoon century characters Christopher Fry cinema classical Colombo convention course critics culture D. H. Lawrence director drama dramatist England English fact feel film Flook Francophobia French give Greece Greek Harold Pinter human idea interest John John Arden kind language Lawrence literary literature living London look mean mind modern Moroccan Morocco N. F. Simpson National Theatre never night novel Percy Lucas perhaps play playhouse playwrights poems poet poetry political present problems production proscenium arch Rayner Heppenstall realism round Royal Court scene seems Serjeant Musgrave's Dance Shelagh Delaney Singhalese social society stage story talk television theatrical there's thing tion to-day tradition trying University Wally Fawkes Wesker words writing wrote young