Mozart: Traces of Transcendence
Much Has Been Written about Wolfgang Amadeus Mozart, but relatively little on the religious dimension of his person and his music. In this book Hans Kung offers an intriguing theological probing into Mozart's musical work. Kung begins by discussing Mozart's Catholic background--something that, surprisingly, has hardly been treated by Mozart scholars. He moves on to explore how Mozart's music itself displays to the keen ear "traces of transcendence," giving intimations of a mysterious bliss transcending even all music.
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Agnus archbishop Barth become belief Catholic century Certainly Christ Christian church music comes completely composer composition concert confession Coronation Mass course court Credo criticism death divine Dogmatics earth eleison Enlightenment eternal experience expression fact faith father finally German idealism give given Gloria God's Granted H. C. Robbins Landon hear heart heaven Hildesheimer historical Holy Hosanna human interpretation Jesus Karl Barth kind Kyrie Lamb later least Leopold letter light liturgical live longer Lord major master means minor Mozart's music musician mystery never nobis once opera originally Paris particularly peace performance perhaps person praise Protestant pure question reason reflections religion religious Salzburg Sanctus secular sound speak spirit style thee Theme theologian theological things thought Traces Transcendence understanding University W. A. Mozart Wolfgang Amadeus Mozart worship written
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