...the Greek, the dialogue proceeds always by independent speeches, replying indeed to each other, hut never modified in its several openings by the momentary...vivacity, how profound a verisimilitude, they add to the scenic effect as an imitation of human passion and real life, we need not say. A volume might be written...

...the French and of the Italian drama, indeed, we may say of the Greek, the dialogue proceeds always hy independent speeches, replying indeed to each other,...vivacity, how profound a verisimilitude, they add to the scenic effect as an imitation of human passion and real life, we need not say. A volume might be written,...

...impatient continuation of the hostile statement; in short, all modes a'nd formulae by which tnger, hurry, fretfulness, scorn, impatience, or excitement...vivacity, how profound a verisimilitude, they add to the scenic effect is in imitation of human passion and real life, we need not say. A volume might be written,...

...continuation of the hostile statement; in short, all modes and formulas by which anger, hurry, forgetfulness, scorn, impatience, or excitement under any movement...disturb or modify or dislocate the formal bookish 200 style of commencement, — these are as rife in Shakspeare's dialogue as in life itself; and how...

...and yet most catholic and universally intelligible ; the most characteristic also, and appro9 priate to the particular person, the situation, and the case...vivacity, how profound a verisimilitude, they add to the scenic effect as an imitation of human passion and real life, we need not say. A volume might be written...

...continuation of the hostile statement ; in short, all modes and formulae by which anger, hurry, fretful ness, scorn, impatience, or excitement under any movement...vivacity, how profound a verisimilitude, they add to the scenic effect as an imitation of human passion and real life, we need not say. A volume might be written...

...openings by the momentary effect of its several terminal forms immediately preceding. Now, in Shakespeare, who first set an example of that most important innovation,...or modify or dislocate the formal bookish style of commence* See " Crossing Speeches," in " The Shakespeare Key " : by Charles and Mary Cowden Clarke,...

...reprinted there 1600, and reprinted in London 1603, when he was James I. of England. — M. adequate illustrations) one mode of Shakspeare's dramatic excellence...vivacity, how profound a verisimilitude, they add to the scenic effect as an imitation of human passion and real life, we need not say. A volume might be written...

...London 1603, when he was James I. of England. — M. adequate illustrations) one mode of Sliakspeare's dramatic excellence which hitherto has not attracted...vivacity, how profound a verisimilitude, they add to the scenic effect as an imitation of human passion and real life, we need not say. ' A volume might be...

...openings by the momentary effect of its several terminal forms immediately preceding. Now, in Shakespeare, who first set an example of that most important innovation,...or modify or dislocate the formal bookish style of commence* See " Crossing Speeches," in " The Shakespeare Key " : by Charles and Mary Cowden Clarke,...