Duke University Press, 1991 - 330 pàgines
Written over a thirty-five year period, these essays reflect the changes in J. Hillis Miller’s thinking on Victorian topics, from an early concern with questions of consciousness, form, and intellectual history, to a more recent focus on parable and the development of a deconstructive ethics of reading.
Miller defines the term “Victorian subjects” in more than one sense. The phrase identifies an historical time but also names a concern throughout with subjectivity, consciousness, and selfhood in Victorian literature. The essays show various Victorian subjectivities seeking to ground themselves in their own underlying substance or in some self beneath or beyond the self. But “Victorian subjects” also discusses those who were subject to Queen Victoria, to the reigning ideologies of the time, to historical, social, and material conditions, including the conditions under which literature was written, published, distributed, and consumed.
These essays, taken together, sketch the outlines of ideological assumptions within the period about the self, interpersonal relations, nature, literary form, the social function of literature, and other Victorian subjects.
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The creation of the self in Gerard Manley Hopkins
Orion in The Wreck of the Deutschland
Charles Dickens Oliver Twist
The theme of the disappearance of God in Victorian poetry
Money in Our Mutual Friend
Some implications of form in Victorian fiction
firstperson narration in David Copperfield and Huckleberry Finn
from American Notes to Martin Chuzzlewit
Béguin Balzac Trollope and the double double analogy
Middlemarch chapter 85
vast gaps and parting hours
Anthony Trollopes Cousin Henry
The values of obduracy in Trollopes Lady Anna
Theology and logology in Victorian literature
George Eliots bestiary
action already appears Balzac become beginning bring calls characters Christ comic consciousness continuity created criticism Cruikshank's death defined described Dickens Eliot English essay example existence experience expression fact faith feel fiction figure George give given hand Hopkins House human illustrations imitation interpretation kind Lady language letters linguistic literary literature lives London look meaning metaphor mind narrator nature never novel object Oliver Twist once passage past pattern performative perhaps person picture play poem poetry possible present question reader reading realistic reality reference relation remains rhetoric says scene seems seen sense shows signs Sketches social society speak story structure symbol tell theory things thought tradition Trollope Trollope's true truth turn University Victorian whole writing
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From Empire to Orient: Travellers to the Middle East 1830-1926
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