IT The Unfortunate Whigs. "You Calvinists of England, who surfeit with your ease, And stop the cares and fears that by you Whigs do grow. May Colledge, Rouse, and Hone, their fate on Traytors all attend; -The History of Whiggism.1 T will be noticed that about this time, 1682, there were many contemptuous songs and ballads on the decadence of the Whigs. They had been so arrogant, little more than a year before, and until the sudden Dissolution of the Oxford Parliament in March, 1681, that their being now crest-fallen and disarmed was in strongest contrast. Repelled at many points, conquered but not subdued, they were in reality attempting by secret plots to regain the power which had been wrested from them by force and cunning superior to their own. We desire to see their condition, their bitter spite and humiliation, before the Duke of York's return from Scotland. The fugitive poems, songs and broadside-ballads of the time enable us to mark the turn of the tide. Among these numerous attacks on "The Unfortunate Whigs" of 1682, is "A Loyal Satyr against Whiggism," a four-paged sheet, London, Printed for C. B. [Charles Bates], and are to be sold by W. Davis, 1682, beginning thus, "As I did lately travel from the Town, Through distant roads and deserts scarcely known." It describes the Whig at that date, 1682, after enquiry and answer : What daring Treasons were but now maintain'd By Shaftesbury] and City, both in Faction train'd, 25 30 1 This Court-party Loyal Song was sung in 1683 to the tune of Martin Parker's spirited old ditty" Neptune's raging Tempest," beginning "Ye Gentlemen of England, who live at home in ease (the original on which Thomas Campbell, with late acknowledgement, founded his memorable "Ye Mariners of England, who guard our native seas"). We come to the old ballad in next volume, with full Introduction. Stephen College has been mentioned on p. 35. John Rouse was a servant of Sir Thomas Player, arrested at the same time as College, and also saved by an Ignoramus jury, in October, 1681; but like the other Joiner, William Hone, he suffered death for the Rye-House Plot in 1683. 138 Extracts from a Satire against Whiggism, 1682. And gave me this Advice, "Beware, my Son, But thou art young, therefore I'le plainly show It rais'd my wonder, but as 't towards us prest, They'l leer, and smile, and smiling, dig your grave; Such is their malice, spight, and mortal hate 35 [favours resembles 40 'Gainst all that love their Country, Prince and State." Etc. Another extract from the same poem, A Satyr against Whiggism (mentioned on p. 36), deals with the hypocrisy of sham-saints, who practised secret vices, whilst the cavaliers held Another Tenet Whig does surely hold, open revels: 155 May'nt hide a heart more proud than ever lies In these that wear more handsom Decencies. Then Suoy, Drinking, Swearing, to our charge 160 1 Jenny being one of Shaftesbury's reputed mistresses, kept for show if not for use. In those days, and a century later, it gained no credit to be like Pitt an "Immaculate Boy." John Devonshire's song of "The Immaculate Minister," beginning "Come then, be silent, and join in the ballad, A better sure never was pinn'd to a wall," which was sung to the tune of The Priest of the Parish, reads, Then what's all this nonsense and humbug about him, His chastity, purity, virtue, and pride, etc. "Give them Rope and Hanging, since it is their due." 139 Of the following year, 1683, is the song of "The Couragious Loyalist; or, A Health to the Royal Family," beginning "Drown Melancholy in a Glass of Wine." It was sung to the tune of London's Loyalty (="Rouse up, great Genius of this potent Land"). We give it complete hereafter, but here is one of the verses exulting over "the Unfortunate Whigs: Boys, we'll be merry, whatsoe'er ensue; Drink Sack and Sherry, till the sky look blue : Martin Parker's hope-inspiring ditty of "When the King enjoys his own again!" (beginning, "What Booker can prognosticate?" Roxb. Coll., III. 256) is cited as furnishing the tune of the following ballad; the same tune as that of Marry me, marry me, quoth the bonny Lass, as Mr. Wm. Chappell has shown (Popular Music, p. 435). But there is, in the words of "The Unfortunate Whigs," especially at the beginning, a strong imitation of Tom D'Urfey's song (already mentioned in our Vol. IV. pp. 80, 81), beginning thus, Sawney was tall and of noble race, And lov'd me better than any ane; But now he loves another Lass, And Sawney 'll ne'er be my Love again. I gave him a fine Scotch Sark and Band, I put 'em on with mine own hand; I gave him House, and I gave him Land: Yet Sawney will ne'er be my Love again. We need not add the two remaining verses here, as we return to the D'Urfey song in a later page, where we give the sequel to it, beginning "When Sawney left me he had store of gilt" (i.e. gold-gelt; not that he was in that unenviable condition). It is entitled " Jenny's Answer to Sawney, wherein Love's cruelty is requited; Or, The Inconstant Lover justly despised." The music was probably by Thomas Farmer. Printed for Philip Brooksby. It is in the Roxburghe Collection, II. 223. The following Roxburghe Ballad is printed in White-letter, without any woodcut (but we introduce one of a Whig revel in a Wapping booth), and probably belongs to May, 1682. [Roxburghe Collection, III. 914.] An Excellent New Song of The Unfortunate Whigs. TO THE TUNE OF, [When] The King enjoys his own again. [Shaftesbury. [i.e. colour. He Whigs are but small, and of no good Race, Old Tony broach'd his Tap in e'ry place, At some great Houses in this Town, And all with a True-Blue was their Stain: They have wrought their overthrow, Old Tony will ne'r enjoy his own again. They all owne Duty to their Lawful Prince, and Loyal Subjects should have been; But their Duty is worn out long since, And fain would be at that Sport amain; They have wrought their overthrow, 10 [sic. 20 A New Song on the Unfortunate Whigs. And yet they are the Sham-pretenders, of Ignoramus and the Old Cause: By swearing of the thing, These are the cursed Rogues in grain; They have wrought their overthrow, Old Tony will ne'r enjoy his own again. The True Religion that shall [they cast] down, Now for to bring them in, As when he came mumping from Spain; They have wrought their overthrow, Old Tony will ne'r enjoy his own again. How all their Shamming Plots they would hide, yet they are Ignorant they say,2 When as Old Tony he was Try'd and brought off with Ignoramus Sway: And could not use his Tongue,3 This is the Shamming Ro- in Grain ;4 They have wrought their overthrow, Old Tony will ne'r enjoy his own again. 1 Titus Oates, of course; see vol. iv. pp. 156 to 162. 141 30 40 50 2 Ignoramus," the beginning of the legal form of throwing out the True His proposed "Protestant Bill of Indictment against "Tony Shaftesbury. Association" was mentioned in line 14. Compare pp. 76 to 80, and later. 3 An allusion to his employer or dupe, Dr. Ezrael Tongue. a 4 See the poem by Richard Duke, vol. iv. p. 160, and the allusion to Oates as "Rogue in Grain," 1681, vol. iv. pp. 157-8. Whilst so generally outspoken in virulent language, it is noteworthy here, as on p. 17, how generally pamphleteers shrank from fully spelling the words "Rogue" or "Knave," especially applied to Commons Members of Parliament, who frequently deserved the appellations. But "privilege" had been asserted vehemently and malignantly, consequently a wholesome fear of the pillory and cart's-tail sufficiently explained this avoidance of the word; not any moral scrupulosity. Since "The greater is the truth, the greater is the libel," they only hinted what they thought, confined to initials. |