Nineteenth-Century French Song: Fauré, Chausson, Duparc, and DebussyIndiana University Press, 22 d’abr. 1998 - 416 pàgines "I am immensely impressed by the scholarship and painstakingly detailed analysis." —George Jellinek |
Continguts
Le Papillon et la fleur | 1 |
Notre amour | 126 |
Ernest Chausson | 178 |
Amour dantan | 189 |
LAveu | 198 |
Henri Duparc | 239 |
Claude Debussy | 274 |
La Belle au bois dormant | 290 |
Harmonie du soir | 299 |
Bibliography | 399 |
Frases i termes més freqüents
accompaniment âme amour arpeggio augmented chord baisers bars bass beautiful bells bouche C'est cadence Chanson Charles Baudelaire charming Chausson chromatic ciel Clair de lune climactic climax coeur countermelody crescendo Debussy Debussy's decrescendo diminished chord diminuendo dissonance dominant doux dream dynamic level E major eighth notes F major F minor Fauré final fleur flowers forte gentle harmonic heart high voice j'ai key for high last line lèvres lines of verse major chord Maurice Bouchor measure melodic line modulation mood mort nuit octave opening OPUS original key Paul Verlaine pedal point perfume phrase piano begins piano figure piano interlude pleure poet postlude repeated notes rêve rhyme scheme rhythm rhythmic rise roses scale singer singer enters sixteenth notes soir soleil song soul sound sous stanza syllable tempo tessitura Théophile Gautier tonality tonic chord tout triplet Verlaine vocal line voix whole-tone whole-tone scale words yeux
Referències a aquest llibre
Von der Minne zum Kommerz: eine Geschichte des französischen Chansons bis ... Dietmar Rieger Previsualització limitada |
Singing in Style: A Guide to Vocal Performance Practices Martha Elliott Previsualització limitada - 2006 |