City/Stage/Globe: Performance and Space in Shakespeare's LondonRoutledge, 13 de set. 2013 - 250 pàgines This interdisciplinary study theorizes the interaction of individual performance and social space. Examining three categories of space – the urban, the theatrical, and the cartographic – this volume considers the role of performance in the production and operation of these spaces during a period in London’s history defined roughly by the life of Shakespeare. City/Stage/Globe not only organizes a selection of plays, pageants, maps, and masques in the historical and cultural contexts in which they emerged, but also uses performance theory to locate the ways in which these seemingly ephemeral events contributed to lasting change in the spatial concepts and physical topograpy of early modern London. |
Continguts
| 1 | |
Writing and Performing in Postmedieval London | 13 |
Pedestrian Mappings | 65 |
The Boredom of King James | 103 |
To See Caesar | 147 |
Altres edicions - Mostra-ho tot
City/Stage/Globe: Performance and Space in Shakespeare's London D.J. Hopkins Previsualització limitada - 2013 |
City/stage/globe: Performance and Space in Shakespeare's London D. J. Hopkins Visualització de fragments - 2008 |
City/stage/globe: Performance and Space in Shakespeare's London D. J. Hopkins Previsualització no disponible - 2009 |
Frases i termes més freqüents
Abraham Ortelius abstract architecture audience authority Ben Jonson Bergeron Braun and Hogenberg cartographic Certeau chapter chorography City of London city’s concepts context Coriolanus cultural Dekker Delano-Smith describes discourses discussion display Ditchley Ditchley portrait Dugdale early modern London Elizabeth emergence event Figure formance geographical Globe Harrison Heidegger Hereford map Hollar’s ichnographic idea identity image of London itinerary James James’s entry Jonson Julius Caesar king king’s Lefebvre lion-baiting locus and platea Londinium Arch mance map image mappaemundi masque medieval medieval map Monument Mulcaster’s Murellus narrative Norden notes ofJames’s pageant Paris’s period physical platea political postmedieval postmedieval London production provides quotation relation relationship Renaissance representation of space representational strategies represented Roman Rome royal entry served Shakespeare’s London social spatial practices stage Stow’s suggests textual theatre theatrical tion Tower Tower of London urban space Visscher’s visual Volpone Weimann world picture