His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 65.
Pàgina 122
... comic as the vices of Shylock . The essential comic resolution , therefore , is an individual release which is also a social reconciliation . The normal individual is freed from the bonds of a humorous society , and a normal society is ...
... comic as the vices of Shylock . The essential comic resolution , therefore , is an individual release which is also a social reconciliation . The normal individual is freed from the bonds of a humorous society , and a normal society is ...
Pàgina 126
... comic resolution contains a suggestion of the old ritual pattern of the victory of summer over winter . This is explicit in Love's Labour's Lost . In this very masque - like play , the comic contest takes the form of the medieval debate ...
... comic resolution contains a suggestion of the old ritual pattern of the victory of summer over winter . This is explicit in Love's Labour's Lost . In this very masque - like play , the comic contest takes the form of the medieval debate ...
Pàgina 137
... comic effect of Jonson's Silent Woman , not only in Shake- speare's day but long after , there is abundant and authoritative testi- mony - to the comic effect of the ' heartless raging of harmless old Morose , ' whose only shortcomings ...
... comic effect of Jonson's Silent Woman , not only in Shake- speare's day but long after , there is abundant and authoritative testi- mony - to the comic effect of the ' heartless raging of harmless old Morose , ' whose only shortcomings ...
Continguts
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
SAMUEL TAYLOR COLERIDGE 17721834 | 24 |
Copyright | |
No s’hi han mostrat 21 seccions
Altres edicions - Mostra-ho tot
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Visualització de fragments - 1964 |
Frases i termes més freqüents
A. C. Bradley action Angelo audience beauty Bradley called Capulet character Christian Claudio Coleridge comedy comic Cordelia cynicism death Desdemona devil divine drama dream Duke E. K. CHAMBERS effect Elizabethan emotion evil eyes fact Falstaff father feeling Friar give Gloucester green world Hamlet hath heart heaven Henry horror human Iago idea imagery images imagination Isabel justice King Lear laughter lovers Lucio Macbeth Measure for Measure mind modern moral murder nature night Ophelia Othello passion picture pity play plot poet poetic poetry Prince Problem Comedies Prospero revenge Richard Richard II romantic Romeo and Juliet satire says scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy Shakspere Shylock soul speak speare speare's speech spirit stage story suffering symbolic Tempest thee theme things thou thought tion tragic hero Troilus and Cressida truth University Press villain whole words
Referències a aquest llibre
A.W. Schlegel's Shakespearean Criticism in England, 1811-1846 Thomas G. Sauer Visualització de fragments - 1981 |