Sansho Dayu (Sansho the Bailiff)British Film Institute, 2000 - 79 pàgines One of Kenji Mizoguchi's undisputed masterpieces, Sansho Dayu (1954) is a version of a famous Japanese folktale about an eleventh-century feudal official forced into exile by his political enemies. In his absence his children fall under the corrupting influence of the malevolent Sansho. |
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American amulet Anju and Zushiô Anju's suicide aristocratic BFI Film Classics boat Bodhisattva branded brother Buddha Buddhist Cahiers du Cinéma camera Carole Cavanaugh century character cinema civilisation compassion Confucian Crucified Lovers culture diagonal Director Dudley Andrew echo enslaved ethical exile fairy-tale festival film's flashback forest genre governor hears Heian Heian period human ideal ideology Japan Japanese film Jean-Luc Godard Jizô Jôdo Kannon kidnapped Kurosawa Kyoto liberation Masauji melodrama mise en scène Mizoguchi Mizoguchi Kenji Mizoguchi's film Mizoguchi's version modern moral Mori Ôgai mother mother's voice Mutsu Nakagimi Namiji narrative neo-Confucian off-screen Ôgai's story Oharu past peasants political post-war priestess Rashômon recognise retellings Sado Sado Island samurai Sanshô Dayû Sanshô legend Sanshô story Sanshô the Bailiff Sanshô's compound scene screen shore shot slavery slaves social song spiritual style Taira tale Tamaki Tanaka Kinuyo Tarô temple Terrence Malick tradition values Yanagita Zushiô's father