Infinity, Faith, and Time: Christian Humanism and Renaissance Literature

Portada
McGill-Queen's Press - MQUP, 1997 - 200 pàgines
In Part 1 Hill examines the effect of the idea of spatial infinity on seventeenth-century literature, arguing that the metaphysical cosmology of Nicholas of Cusa provided Renaissance writers, such as Pascal, Traherne, and Milton, with a way to construe the vastness of space as the symbol of human spiritual potential. Focusing on time in Part 2, Hill reveals that, faced with the inexorability of time, Christian humanists turned to St Augustine to develop a philosophy that interpreted temporal passage as the necessary condition of experience without making it the essence or ultimate measure of human purpose. Hill's analysis centres on Shakespeare, whose experiments with the shapes of time comprise a gallery of heuristic time-centred fictions that attempt to explain the consequences of human existence in time. Infinity, Faith, and Time reveals that the sixteenth and seventeenth centuries were a period during which individuals were able, with more success than in later times, to make room for new ideas without rejecting old beliefs.
 

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Continguts

PART ONE THE EXPANDING UNIVERSE
1
Fides Quxrens Intellectum
3
The Aristotelian Cosmos
13
Nicholas of Cusa and the New Astronomy
17
Rational Spirituality and Empirical Rationalism
28
Pascal Traherne Milton
40
PART TWO TIME
67
Chronos and Kairos
69
Augustine and Bergson
78
Time Literature and Literary Criticism
88
Time in Shakespeare
104
Typology and the Helix of History
127
Notes Toward a Protestant Poetic
137
Notes
157
Bibliography
185
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