coloured (£12, and half in boards uncut, and £4 in the cut state). Rowlandson. [Engelbach (Lewis).] Naples and the Campagna Felice, in a series of Letters. London, 1815, roy. 8vo., coloured frontispiece, and 10 coloured plates (boards uncut, £3 to £4, and half in cut state).

Originally published in the Repository of Arts, 1810-13.

Rowlandson. [Freemantle (Capt.).] The Military Adventures of Johnny Newcome, with an account of his campaigns on the Peninsula and in Pall Mall . . . by an Officer. ̄ London, 1815, 8vo., frontispiece, and 14 plates, drawn and etched by Rowlandson, all coloured (£3 to £4, boards uncut and half in cut state).

Republished 1816.

Rowlandson. The Relics of a Saint, by Ferdinand Farquar. London, 1816, 8vo., frontispiece by Rowlandson (10s.). Rowlandson. The Grand Master, or, Adventures of Qui Hi in Hindostan. A Hudibrastic Poem in 8 Cantos by Quiz. London, 1816, roy. 8vo., 28 plates, including frontispiece and title page by Rowlandson (boards uncut, £2, and half in cut state; double price coloured).

A satire against the Marquis of Hastings, who was Governor-General at the time. The plates are dated 1815.

Rowlandson. The World in Miniature

London, 1817.

imp. 8vo., 40 plates, containing 58 etchings of groups of figures for the illustration of Landscape Scenery, drawn and etched by T. Rowlandson. Originally published in 8 monthly numbers at 2s. 6d. each (30s. to 40s.).

Rowlandson. Goldsmith (O.). Vicar of Wakefield, a Tale London, 1817, roy. 8vo., 24 coloured plates by Rowlandson (white boards or red cloth uncut, £6 to £8, and half in cut state).

Reprinted 1823.

Rowlandson. Burton (A.). The Adventures of Johnny Newcome in the Navy London, 1818, 8vo., frontispiece, and 15 plates by Rowlandson, all coloured (boards uncut, £3 to £4, and half price in cut state).

Rowlandson. Rowlandson's Characteristic Sketches of the Lower Orders intended as a companion to the New Picture of London . . . London, 1820, 12mo., 54 coloured plates, besides printed title, and leaf of advertisement (£5 to £6).

ROWLANDSON-RUBENS

485

Rowlandson. Le Don Quichotte Romantique, ou Voyage du Docteur Syntaxe à la Recherche du Pittoresque, et du Romantique. Paris, 1820, 8vo., portrait, vignette-title, and 24 illustrations drawn on stone, after the original designs of Rowlandson by Malapeau, lithographed by G. Engelmann, the inventor of lithography (30s. to 40s.).

This is a French version of Doctor Syntax's Tour in Search of the Picturesque made by Gandais.

Rowlandson. Journal of Sentimental Travels in the Southern Provinces of France. London, 1821, roy. 8vo., 17 coloured plates by Rowlandson (boards uncut, £6 to £7, and half in cut state).

Rowlandson. [Egan (P.).] Real Life in London . . . London, 1821-2, 2 vols., 8vo., 2 frontispieces, engraved titles, and 30 plates (all coloured) by Alken, Rowlandson, Heath, Brooke, Dighton (boards uncut, £8 to £10, and less than half in cut state, and more than double on large paper imp. 8vo.).

Originally published in parts; very scarce.

Rowlandson. Combe (W.). History of Johnny Quæ Genus, the little Foundling, a Poem. London, 1822, roy. 8vo., 24 coloured plates by Rowlandson (boards uncut, £4 to £5, and half in cut state).

Rowlandson.

Sketches from Nature. London, 1822, 4to., 18 coloured plates drawn and etched by Rowlandson (£6 to £7). Roy (W.). The Military Antiquities of the Romans in Britain.

London, 1793, imp. fol., 51 plates. Published at the expense of the Society of Antiquaries of London (£2 to £3). Rubens. La Gallerie du Palais du Luxembourg, peinte par Rubens, dessinée par les Srs. Nattier et gravée par les plus illustres graveurs du temps, dediée au Roy. Se vend à Paris chez Duchange, graveur du Roy, 1710, atlas folio, engraved title, frontispiece containing the portrait of Marie de Medicis, portraits of the Duc and Duchesse de Toscane by Edelink after Rubens, portrait of Rubens after Van Dyck by J. Audran, and 21 plates (including 3 folding ones) by Benoit Audran, J. Audran, Duchange, L. de Chastillon, G. Edelink, Loir, Massé, B. Picart, C. Simonean ainé, Trouvain, and Vermeulen after the paintings of Rubens (20s., and treble before the numbers).

486

RUBENS-RUTLIDGE

This is the allegorical history of Marie de Medicis. Rubens' paintings formerly in the Palais du Luxembourg, are now in the Louvre. R. Lion's copy, with the plates before the numbers, half bound, 190 frs. Em. Martin's copy, in similar condition, 150 frs. The book reappeared in 1808 under the title of Galérie de Rubens, dite du Luxembourg, designed and engraved under the direction of M. de Sève, with text by M. Moithey, atlas fol., plates plain and coloured.

Rubens. Théorie de la Figure humaine, ouvrage traduit du latin par Rubens avec XLIV. (44) planches gravées par Pierre Aveline d'après les dessins de ce célèbre artiste. Paris, chez Ch. Ant. Jombert, 1773, 4to., portrait of Rubens by Aveline, fleuron on title after Cochin by Flipart, charming vignette after Cochin by Baquoy, and 44 plates after Rubens by Aveline (15s. to 20s.).

Rubens. Les Plafonds, ou les Tableaux des Galéries de l'eglise des Jésuites d'Anvers, peints par Rubens, dessinés d'après les originaux par Jacob de Wit, et gravés par J. Punt. Amsterdam, 1751, fol., 46 plates (20s.).

Rudder (S.). A new History of Gloucestershire. Cirencester, 1779, fol., map and folding plates (£3 to £4). Lord Brabourne's copy, containing the rare postscript to the preface, £4 14s. (1891).

Russell. History of America from its Discovery by Columbus. 1778, 2 vols., 8vo., 51 maps, portraits and plates (20s. to 258.).

Rutlidge. Le Bureau d'esprit, comédie en cinq actes, par M. L. C. R. G. A. (M. le chevalier Rutlidge, gentilhomme anglais). Londres, 1777, 8vo., frontispiece, not signed (58.).

JACRE de Louis XV., roi de France et de Navarre (Le) dans l'église de Reims, le 25 novembre, 1722. S.l.n.d. (Paris, 1722), atlas fol., engraved text of dedication, of the explanations of the plates, and the double leaf of the table within rich borders composed of cartouchs and fleurons by d'Ulin, large vignettes and plates of costumes, large plates after Ulin by Audran, Beauvais, Cochin père, Desplaces, Duchange, Dupuis, Larmessin, Tardieu, Edelink, Chereau, Drevet, Haussard, and Petit. The 8 allegorical plates inspired by Danchet, the editor of the text, were done under the direction of the Abbé Bignon and of M. de Boze. Beneath the explanations of the allegories are some emblematic symbols of France and her kings (£6 to £8, and in moroccoby Padeloup with ornaments, as is almost generally the case, according to state and preservation, from £15. upwards).

The large cartouch frontispiece is not signed; the 8 large head-vignettes represent: Le Char du Soleil; La Reine accueillie par la Religion; La Reine en Prière; La Reine devant Dieu; La Reine distribuant des couronnes; La Reine allant s'asseoir sur le trône; La Reine arrêtant la Marche du Temps; La Reine retenant l'Abondance, et les Grâces. The 9 large double plates are: Le Lever du Roy; Le Roy se rendant à la Basilique; L'Arrivée de la Sainte-Ampoule; Le Roi prosterné devant l'autel; La Cérémonie des onctions; Le Couronnement du Roi; Le Roy conduit au Trône; La Cérémonie des offrandes; Le Festin royal; 30 plates of the costumes of the King and the Courtiers. The Radziwill copy, in red morocco by Padeloup, 200 frs.; resold in the Béhague sale for 690 frs.; the Gosford copy, with the arms of Mme. Victoire (binding repaired), 570 frs.; the Earl of Ashburnham's copy, in old French blue morocco, with broad ornamental gilt borders and arms of France (rather faded and worn), £15 108. (1897). Copies exist with the plates illuminated.

Sacre et Couronnement de Napoléon 1e, le 11 frimaire, an XIII. (Paris), Imprimerie impériale, s.d., atlas folio, engraved title and frontispiece after Percier by Malbeste and Godefroy, and 37 plates after Isabey and Percier (30), Isabey and Fontaine (6), and Percier (1), by Audouin (3), Delignon (1),

Delvaux (4), Deque-Vauvilliers (1), Dupreél (3), Guttenberg (1), Lavallé (4), Malbeste (3), Massard (6), Pauquet (2), Pigeot (1), Ribault (5), and Simonet (3) (20s. to 30s.).

Isabey's copy, containing some unpublished plates and numerous sketches, was burnt in the London fire, June 29th, 1865, together with 2000 works, including Sade's Nouvelle Justine belonging to M. Techener.

Sade (Le Marquis de). Aline et Valcour, ou le Roman philosophique, écrit à la Bastille, un an avant la Révolution de France, 1793, or 1795, 8 parts in 4 vols., 16mo., 16 plates, not signed (15s.).

On some titles we read: Orné de quatorze gravures, par le citoyen S*** Paris, Girouard; on others: Orné de 16 gravures. Paris, veuve Girouard.

Sade. Justine, ou les Malheurs de la Vertu. En Hollande chez les libraires associés, 1791, 2 vols. in 1, 8vo., frontispiece by Chery under the direction of Carrée (108.).

The illustrated edition under the same date, 12mo., is very rare.

Sade. Justine, ou les Malheurs de la Vertu. Londres (Paris, Cazin), 1792, 2 vols., 16mo., frontispiece (the same as above, but reduced) and 5 plates, not signed (£4 to £6).

One of the rarest of the Cazin editions. There is a counterfeit in 4 vols., with 4 frontispieces En Hollande, 1800 (half-price).

Sade. Justine, ou les Malheurs de la Vertu, 3° édition, corrigée et augmentée. A Philadelphie (Paris), 1794, 2 vols., 16mo., 6 plates (£2).

Sade. La Nouvelle Justine, ou les Malheurs de la Vertu, suivie de l'Histoire de Juliette, sa sœur, ouvrage orné d'un frontispiece et de cent sujets gravés avec soin. En Hollande (Paris), 1797, 10 vols., 16mo. (4 for Justine and 6 for Juliette) (£10 to £15).

Sade. La Philosophie dans le Boudoir

A Londres

(Paris), aux dépens de la Compagnie MDCCXCXV. (sic, for 1795), 2 vols., 16mo., frontispiece, not signed, and 4 plates (158.).

Sade. Les Crimes de l'Amour . . . Paris, Massé, an VIII., 2 vols., 16mo., and 4 vols., 12mo., 4 frontispieces, not signed (15s., and considerably more on vellum paper with unlettered proofs).

Sade. Zoloé et ses deux acolythes, ou Quelques Décades de

la vie de trois jolies femmes, histoire véritable du siècle