1782. The greatest [part], if not the whole, of a Reply, by the Reverend Mr. Shaw, to a person at Edinburgh, of the name of Clarke, refuting his arguments for the authenticity of the Poems published by Mr. James Macpherson as Translations from Ossian, intern. evid. 1784. List of the Authors of the Universal History, deposited in the British Museum, and printed in the Gentleman's Magazine for December, this year, acknowl. VARIOUS YEARS. Letters to Mrs. Thrale, acknowl. Prayers and Meditations, which he delivered to the Rev. Mr. Strahan, enjoining him to publish them, acknowl. Sermons, left for publication by John Taylor, LL. D., Prebendary of Westminster, and given to the World by the Reverend Samuel Hayes, A. M., intern. evid. Such was the number and variety of the prose works of this extraordinary man, which I have been able to discover, and am at liberty to mention (1); but we ought to keep in mind, that there must undoubtedly have been many more which are yet concealed; and we may add to the account, the numerous letters which he wrote, of which a considerable part are yet unpublished. It is hoped that those persons, in whose possession they are, will favour the world with them. JAMES BOSWELL. (1) This is a strange phrase. What work could it have been that Mr. Boswell was not at liberty to 'mention? That there was some peculiar meaning here can hardly be doubted. It perhaps may allude to some publications of a Jacobite tendency, written in Johnson's earlier days, and which may have been acknowledged in confidence to Boswell; but this is a mere conjecture. Many of the articles inserted in the foregoing list on internal evidence (particularly those from the magazines) are of very little importance, and of very doubtful authenticity.-C. No. VI. DR. JOHNSON'S PORTRAITS. [Referred to in Vol. VIII. p. 421.] [The Note on Dr. Johnson's Portraits being incomplete, I am obliged to Mr. John Murray, Jun., for considerable Additions to the List, which are distinguished by brackets.- C.] Date of Painting. Engraver's Date of Name. Engraving. [Prior to A miniature, painter unknown, which belonged to Mrs. John1752. son, now in the possession of Dr. Harwood. See preface, p. xiv. First engraved for this edition, size of the original E. Finden. 1830 A three-quarter face to the left (in an oval); he is dressed in what was styled a seven story wig, and holds a pen up to his eye. This picture apparently painted before any of Sir Joshua's portraits No artist's name or date.] BY SIR JOSHUA REYNOLDS. [1756. I. Mr. Boswell's picture; sold at James Boswell's sale for seventy guineas. A three-quarter length. Dr. Johnson seated in an arm chair, which is covered with a tartan, or chequered cloth, at a table with writing materials; pen in his hand.] 4to. for first edition of Boswell's Life J. Heath. 1791 Ditto 8vo. for 8vo. edition of ditto J. Baker. 1793 [Before 1770. [This picture has been repeatedly engraved for various editions of this work.] II. a. The Duke of Sutherland's picture, formerly the property of Miss Lucy Porter, at Lichfield, See Vol. III. p. 163. Side face, to right, eyes almost closed, without wig; the arms are raised, showing the nervous habit to which he was addicted, when unemployed, of moving his hands up and down before him, with the fingers bent. Sir Joshua is said to have had in his mind this attitude and the abstracted expression of Dr. Johnson's countenance, when he painted the Soothsayer Tiresias in his large picture of the Infant Hercules. Date of Painting. Engraver's Date of 1773. Name. Engraving. b. The Duke of Dorset's picture at Knole is a duplicate of the preceding. Folio, mezzotint, very fine James Watson. 1770 8vo. mezzotint for Sir Joshua's works S. W. Reynolds. Ozias Humphry Mrs. D. Turner.] III. a. Mr. Langton's picture, now at Gunby, near Spilsby, Lincolnshire, the seat of Peregrine Massingberd, Esq., Mr. Langton's second son. A full face, wearing an expression of pain; the hand laid on the breast. b. Mrs. Piozzi's Picture, now in the Gallery of Sir Robert Peel, Bart., Whitehall, is a duplicate of Mr. Langton's. There are numerous copies of this Likeness of Johnson: one is at Luton. Madame d'Arblay has another, made by her brother, and touched upon by Sir Joshua. Sheet mezzotint, very fine W. Doughty. 1784 Line, prefixed to Dictionary folio Ditto to Dictionary 4to. 4to. prefixed to Dictionary W. Holl. 1814 1828 1823 1775. A very excellent line engraving for the Dict. published by Robinson W. C. Edwards. Ditto, smaller 8vo. mezzotint, for the works of Sir Joshua Reynolds Ditto. S. W. Reynolds.] IV. Mr. Malone's picture, now in the possession of the Rev. Thomas Rooper, Brighton. Three-quarter face, to left, kitcat size, represents him as near-sighted, holding a book up close to his eyes, one of which is nearly closed. This was very displeasing to the Doctor, who, when he saw it, reproved Sir Joshua for painting him in that manner and attitude; saying, "It is not friendly to hand down to posterity the imperfections of any man." But, on the contrary, Sir Joshua esteemed it as a circumstance in nature to be remarked, as characterising the person represented, and therefore as giving additional value to the portrait. In an oval 8vo., for Murphy's edi tion of Johnson's works [Ditto J. Hall. 1787 About 1781. [1783. 1773. [BY BARRY. Full face, finished only as far as the shoulders, and copied into one of the large pictures now in the room of the Society of Arts in the Adelphi. The original sketch was sold at Barry's sale for 30 guineas. It is in the possession of Mr. Audinet. BY MISS REYNOLDS, NIECE OF SIR JOSHUA. A three-quarter length, the size of life, in oil; belonged to John Hatsell, Esq., Cotton Garden. This portrait did not please Dr. J., who styled it "Johnson's grimly ghost."] Several copies in crayon, from Sir Joshua's various portraits of Johnson. (1) Brother of Mr. Townley, of the Commons, an ingenious artist, who resided some time at Berlin, and has the honour of being engraver to his Majesty the King of Prussia. This is one of the finest mezzotintos that ever was executed; and what renders it of extraordinary value, the plate was destroyed after four or five impressions only were taken off. One of them is in the possession of Sir William Scott, - BOSWELL. Date of Painting. 1782. TROTTER S. C. Johnson said when he saw the Engraver's Date of drawing, "Well, thou art an T. Trotter. 1784] Profile in an oval, to the left, without wig Hebrides, with his stick, folio [Side-face, to right, the countenance haggard, and exhibiting marks of decay. This was probably the last portrait for which Dr. Johnson sat: it was finished a short time before his death Do. 1786] [Do. prefixed to Harding's Shakspeare; drawing belonged to Dr. Farmer Do. 1792] J. HARDING. 1748. Trotter. 1782 Side-face, to right Medallion, profile to left, with wig, prefixed to the Dictionary Ditto for Sharpe's G. Murray. 1820 A wood-cut, on the title-page of Sharpe's edition of this work, in 1 vol. [A small oval, profile to right 8vo. profile, to right Profile, to left, prefixed to Johnsoniana Do. Thompson. 1830 N. Gardiner. Unknown. J. Taylor. 1756 For "Lavater's Essays on Physiognomy," in which Johnson's countenance is analysed upon the principles of that fanciful writer. [A view of Tunbridge Wells, in which Dr. and Mrs. Johnson are introduced; the figures very small. See Vol. I. p. 218. A whole-length, in a cocked hat, ruffles on the hands, holding a stick behind his back, Not known. There is a whole-length figure in Cambridge's works, 4to., drawn and engraved by Besland.] It forms the frontispiece to Vol. I. of this Edition, BUST BY NOLLEKENS. [1777. Modelled in clay, but never cut in marble. The artist has represented Dr. Johnson without his wig; substituting for it flowing |