Julius CaesarApplause, 1996 - 166 pàgines These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. Shakespeare's shortest play tells the story of Julius Caesar and Marcus Brutus, who, fearing the possibility of a dictator-led empire, betrays Caesar to protect Rome. Little does he know that Cassius has been holding the strings, manipulating Brutus into exploiting Caesar's weakness and removing him from power with the help of fellow conspirers. Contemplating motives for murder, national allegiance, and divine right, Shakespeare's Julius Caesar is a unique look at the true events surrounding Caesar's assassination in 44 B.C. |
Des de l'interior del llibre
Resultats 1 - 3 de 21.
Pàgina xvii
... Theatre production of Orson Welles , in New York in 1937 , put a bold , modern - dress emphasis on the theme of fas- cism , as did the production at the Embassy Theatre in London in 1939. This inescapable political implication may now ...
... Theatre production of Orson Welles , in New York in 1937 , put a bold , modern - dress emphasis on the theme of fas- cism , as did the production at the Embassy Theatre in London in 1939. This inescapable political implication may now ...
Pàgina xix
... theatre . The Setting The author of a play to be played in the neutral , architectural theatre of Shakespeare's day had only , in order to set place and time of day , to provide indications early in the dialogue of each scene as to when ...
... theatre . The Setting The author of a play to be played in the neutral , architectural theatre of Shakespeare's day had only , in order to set place and time of day , to provide indications early in the dialogue of each scene as to when ...
Pàgina 109
... theatre other means must be found to give the theatre audience a sense of the chaos the author intended . It seems that Shakespeare's theatre did not provide intermissions ; today's audience general- ly expects them . This is the point ...
... theatre other means must be found to give the theatre audience a sense of the chaos the author intended . It seems that Shakespeare's theatre did not provide intermissions ; today's audience general- ly expects them . This is the point ...
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Frases i termes més freqüents
actors Alarum answer Antony's Artemidorus asks audience battle bear beginning blood Brutus and Cassius Brutus's Caesar's body Caius Ligarius Calphurnia Capitol Casca Cato Cicero CINNA Claudio CLITUS COBBLER comes conspiracy conspirators crowd crown DARDANIUS dead death Decius director doth Elizabethan enemy Enter BRUTUS Exeunt Exit fear FLAVIUS follow FOURTH PLEBEIAN ghost gods grief hand hath hear heart honor ides of March Julius Caesar kill leave Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony means MESSALA Metellus Cimber move MURELLUS night noble Brutus Octavius oration Philippi Pindarus Plutarch Pompey Portia production Publius Roman Rome scene SECOND PLEBEIAN seems senators SERVANT Shakespeare shout sick soldier soliloquy SOOTHSAYER speak speech spirit Stage Directions stand Strato sword tell tent theatre theatrical thee things THIRD PLEBEIAN Titinius traitors Trebonius VARRUS Volumnius wife words wrong
Referències a aquest llibre
Drama, Narrative and Moral Education: Exploring Traditional Tales in the ... Joe Winston Previsualització limitada - 1998 |
Drama, Narrative and Moral Education: Exploring Traditional Tales in the ... Joe Winston Previsualització limitada - 1998 |