SEIFFERT, MAX. Die Verzierung der Sologesänge in Händels "Messias." (Sammelbände der Internationalen Musik-Gesellschaft.) Leipzig, 1906-07. TAYLOR, SEDLEY. The indebtedness of Handel to works by other composers. Cambridge, 1906. HEUSS, A. Saul. Kleiner Konzertführer. Leipzig [1907]. LEE, VERNON. Studies of the eighteenth century in Italy. Second edition. London, 1907. SEIFFERT, MAX. Händels Verhältnis zu Tonwerken älterer deutscher Meister. (Jahrbuch der Musikbibliothek Peters.) Leipzig, 1907. WALKER, ERNEST. A history of music in England. Oxford, 1907. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum. London 1908, etc. LATHAM, M. The Messiah. Handel. 1685-1759. An explanatory introduction [by Morton Latham] and words. Written with special reference to the performance to be given at Farnham on 27th May 1908. Farnham [1908]. ROBINSON, PERCY. Handel and his orbit. London, 1908. The Musical Antiquary. London, 1909-13. SQUIRE, W. BARCLAY. Leipzig, 1909. STREATFEILD, R. A. Handel in 1745. (Riemann-Festschrift.) Handel. London, 1909. STREATFEILD, R. A. Handel in Italy, 1706-10. (The Musical Antiquary.) London, 1909. CHOP, MAX. G. F. Händel, Der Messias. Oratorium. Geschichtlich und musikalisch analysiert, etc. Leipzig, 1910. FRANZ, R. Gesammelte Schriften über die Wiederbelebung Bach'scher und Händel'scher Werke, etc. Leipzig, 1910. KRETZSCHMAR, H. G. F. Handel. "The Messiah." Book of words and analytical notes by H. Kretzschmar. London [1910]. LIGHTWOOD, E. The Choir. A magazine, etc. [Handel articles, 1918, 1920.] London, 1910, etc. ROBINSON, P. Handel's journeys. (The Musical Antiquary. July, 1910.) London. ROLLAND, ROMAIN. Hændel. (Les maîtres de la musique.) Paris, 1910. Translation by A. Eaglefield Hull. (Library of music and musicians.) London, 1916. ROLLAND, ROMAIN. Hændel. 8. Paris, 1910. Extrait de la Revue de Paris, xvii., ROLLAND, ROMAIN. Audition du Messie de Hændel par la Société Bibliography Hændel de Paris, etc. [A programme of the performance given at the Trocadéro, April 23rd, 1910, with the words of the oratorio translated into French, and an essay by Rolland entitled "Hændel et le Messie."] Paris [1910]. SEIFFERT, MAX. Händels deutsche Gesänge. Nach Materialien in Fr. Chrysanders Nachlass. (Festschrift . . . Liliencron.) Leipzig, 1910. MEE, J. H. The oldest music-room in Europe. A record of eighteenthcentury enterprise at Oxford. London, 1911. SCHERING, A. Geschichte des Oratoriums. Leipzig, 1911. STREATFEILD, R. A. The Granville collection of Handel manuscripts. (The Musical Antiquary.) London, 1911. BRENET, M. Hændel. Biographie critique. Paris, 1912. LAWRENCE, W. J. Handeliana. Some memorials of the Dublin Charitable Musical Society. (The Musical Antiquary.) London, 1912. ROLLAND, ROMAIN, etc. Le Messie de G.-F. Hændel. 1741. Hændel et le Messie.-Romain Rolland. Textes du Messie.-Plan de l'oratorio.-Félix Raugel. Paris, 1912. SOTHEBY, WILKINSON and HODGE Sale Catalogues, especially : STREATFEILD, R. A. Handel autographs at the British Museum. DALE, WILLIAM. Tschudi, the harpsichord maker. London, 1913. DAVEY, H. Handel and his music. (Masterpieces of music.) London [1913]. LANGE, INA. Skilda tiders musikmästare: Händel, Beethoven, etc. Stockholm, 1913. SQUIRE, W. BARCLAY. Handel in contemporary song-books (Musical Antiquary, January 1913.) London. THORMÄLIUS, G. Georg Friedrich Händel. Bielefeld [1913]. WESTERBY, H. How to study the pianoforte works of the great composers. Handel, etc. London [1913]. CUMMINGS, W. H. Handel, the Duke of Chandos, and the Harmonious Blacksmith. London, 1915. The Musical Quarterly. New York, 1915, etc. RIEMANN, HUGO. Musik-Lexikon. Eighth edition. Berlin, 1916. Several English editions. STREATFEILD, R. A. Handel, Cannons and the Duke of Chandos. London, 1916. CUMMINGS, W. H. Sotheby, Wilkinson and Hodge Sale Catalogue of the library of Dr Cummings. 17th-24th May 1917. London, 1917. A valuable record of Handeliana. SIBLEY, J. C. Handel at Cannons: with a description of the Church of St Lawrence, Whitchurch. London [1918]. SPITZ, C. Die Opern "Ottone" von Händel und "Teofane" von Lotti. (Festschrift zum fünfzigsten Geburtstag Adolf Sandbergers.) Munich, 1918. TAYLOR, HARRY J. The life of Handel. (Musical booklets, No. 26.) London [1918]. BAKER, THEODORE. Baker's biographical dictionary of musicians. Third edition. New York, 1919. ROLLAND, ROMAIN. Voyage musical aux pays du passé. Paris, 1919. Another edition. Paris, 1920. Review of the work in "La Revue Musicale." No. I. English edition. A musical tour through the land of the past. CHANCELLOR, E. B. [1920]. The eighteenth century in London. London EGMONT, EARL OF. Manuscripts of the Earl of Egmont. Diary of Viscount Percival, etc. (Historical Manuscripts Commission.) London, 1920, etc. KIDSON, F. Handel's publisher, John Walsh, his successors and contemporaries. (The Musical Quarterly, July 1920.) New York. FLOWER, NEWMAN. Catalogue of a Handel collection formed by Newman Flower. Sevenoaks [1921]. BENSON, J. ALLANSON. Messiah. Notes on Handel's oratorio. Musical Standard. October 21, 1922-April 7, 1923.) London, 1922-23. MICHAEL, WOLFGANG. Die Enstehung der Wassermusik von Händel. (Zeitschrift für Musikwissenschaft. Aug.-Sept. 1922.) Leipzig. INDEX ACADEMY of Ancient Music, the, and its function, 193, 194 Acis and Galatea, Gay's, 128 a performance for Decayed Music- a pirated version of, 198, 226 critics and, 200 produced at Cannons, 128 revival of, 260 singers in, 226 Addison, and Handel, 96 and Italian influence on music, 83 attacks Rinaldo, 87, 88 on Italian theatres, 178 Ademollo, Alessandro, and the birth "G. F. Haendel in Italia," 57 Arne, Susanna. See Cibber, Mrs Arsace, Heidegger's, 236 Artaxerxes, Hasse's, 220 Astarto, Bononcini's, 141, 142 Astyanax, Bononcini's, 163 Athalia, Handel's score corrections in, its librettist, 211 produced in Oxford, 212 Atkinson, Mrs, laundress to Queen Anne, 194 Augustus of Saxony, Prince, death of, 12 dissolute character of, 9 Austrian Succession, War of, 284 sings in Messiah, 275, 276 Aylesford, Countess of, discovers an unpublished letter from Jennens, Aylesford, Earl of, acquires Handel's BACH, SEBASTIAN, death of, 316 his ineffectual attempt to meet his veneration of Handel, 126 Bach, Wilhelm Friedemann, 316 marriage of, 256 sings in Israel in Egypt, 255 sings in Samson, 278 Beardsley, Aubrey, compared with Bononcini, 140 Bedford, Duke of, fights a duel, 165 Beethoven's tribute to Handel, 334 Beggar's Opera, The, 88 sequel to, 177 success of, 173, 174, 182 Beichling, Anne, marries Valentine Belshazzar (or Belteshazzar), and its Handel's score corrections in, 338 its unknown libretto, 233 Berlin, as centre of music, 32 Berlin Court, the, Electress Sophia Bernacchi, Venetian castrato, 180, 185 Bichi, Cavaliere Fra Alessandro, 31 Birthday Ode, Handel's, composition Bizet, the passing of, 334 Bleeding and Dying Jesus, The, Bologna, library of the Liceo Musicale |