Att last came AUSTINE like a dreamyng dadd, Yt is a trueth, and cannot be denyed, That MUSICKE Styrres some mynds to godly thought; It is as trew, and hath byn often tryed, That MUSICKE styrres moe myndes to be but nought. Yt maie be founde yf it be rightly sought That MUSICKE makes mo mery myndes starke madd, Then secrete prayer suffereth to be sadd. The serpent tickleth whome she list to sting, The The dazled wyghts, whome she to drowne doth like, Amongst the vaynes of variable joyes I must confesse that MUSICKE pleasd me ones, The glancing sharpes, the halfe notes for the nones, Which made me graunt my MUSICKE was but lame. I meane I founde that ravished thereby, *Course, That That some reporte contynually dyd ryng Within myne eares, and made me seeme to singe. I coulde not reade, but I must tune my words; I coulde not speake, but as yt were by note; I could not praye but eare there past my throte Laugh nott, SWEETE QUEENE, for I shall not be founde Hathe alwaies dreamt a MUSICKES silver sounde. And wonderfull it is that NEROES mynde Ytt greeved him nott, but that so sweete a synger And lyke the swanne he soong before his deathe, maye suffise to shewe that all oure lust At last will leave us yn the depthe of dust; I presume ticklish is here meant. Yt Yt serves to prove that no man synges so sweete, Some spende muche tyme in learning sweete consents And some take paynes with wyndy instruments, At every spoute that stands about a towre Men may beholde suche gorgons in their grace, I dwell to longe in musickes copye holde, The Poet proceeds to explain the vanities of extreme fondness for dancing, leapyng, and what he writes roonyng, vaulting, &c. He next proceeds to wrestlyng, where the Poem abruptly terminates, as he observes, "for feare of horsinen." The object throughout, seems to be to impress the idea so beautifully expressed by the elegant author of the celebrated Ode to Indifference; Bliss goes but to a certain bound; The manuscript exhibits a beautiful specimen of penmanship; and wherever the Queen is immediately addressed, the letters are of gold. ANTONY ANTONY WOOD. THE following letter reveals what is not generally known, that a great part of the additions. and corrections in the second edition of Wood's Athenæ Oxonienses were supplied by Dr. Tanner, the learned author of the Notitia Monastica. It is copied from Archbishop Wake's manuscripts in the library of Christ Church, Oxford. See the Cracherode Copy in the library of the British Museum. "Norwich, Febr. 22, 1719. 'May it please your Grace, To accept of my most humble thanks for the hopes you are pleased to give me of helping my brother, when consistent with your former engagements. I must leave the manner to your Grace's pleasure; what I represented in my last, I thought the better of, because I would not press for greater, and if it could be brought about, would settle him in a competency to mine and his liking, with no mighty expense of preferment. I verily believe your Grace is misinformed that the new edition of Mr. Wood's Athenæ Oxon. will have all the ill natured reflections |