Walpole's (Horatio, Earl of Orford) Anecdotes of Painters, Statuaries, and Medallists, in England. (Works, Vol. III.) Edwards's (Geo.) Anecdotes of Painters who have resided or been born in England; with Critical Remarks on their Productions, intended as a continuation of those of the late Lord Orford. Lond. 1808. Dallaway's (James) Anecdotes of the Arts in England; or, comparative Remarks on Architecture, Sculpture, and Painting. 8vo. London, 1800. Christ (M.), Dictionnaire des Monogrammes, Chiffres, Lettres Initiales, Logogryphes, Rebus, &c., sous lesquels les plus célèbres Peintres, Graveurs, et Dessinateurs, ont dessiné leurs noms; trad. et augmenté par M. [Sellius]. 8vo. Paris, 1762. Pilkington's (Matth.) Dictionary of Painters, edited by H. Fuseli. New edition, with numerous additions. 2 vols. 8vo. London, 1829. Heinecker (le Baron), Dictionnaire des Artistes. (Engraving.) Buchanan's (W.) Memoirs of Painting; containing a Chronological History of the Importation of Pictures by the great Masters since the period of the French Revolution: with Critical Remarks thereon, and Sketches of the Characters of leading Masters of various Schools of Painting. 2 vols. 8vo. London, 1824. Serie di Ritratti degli eccelenti Pittori, dipinti di propria mano, che esistono nell' Imperiale Galleria di Firenze, colle Vite in compendio de' medesimi, descritte da Fran. Moiicke. 4 vols. folio. Firenze, 1752-62. Lanzi (Luighi), Storia Pittorica della Italia; dal risorgimento delle Belle Arti fin presso al fine del XVIII secolo. 6 vols. 8vo. Bassano, 1818. Lanzi's (Luighi) History of Painting in Italy, translated from the original Pinkerton (John) on the Rise and Progress of Painting in Scotland. (Scottish Gallery.) Cumberland's (Rich.) Anecdotes of eminent Painters in Spain during the 16th and 17th centuries; with Remarks on the present state of the Arts in that kingdom. 2 vols. 12mo. London, 1787. Bermudez (Don Juan A. C.) upon the Style and Taste of the School of Seville. (Life of Murillo.) [Beckford's (W.)] [Satirical] Biographical Memoirs of Extraordinary Painters. 8vo. London, 1780. Elementary and General Treatises. Bell's (Char.) Essays on the Anatomy of Expression in Painting. 4to. London, 1806. Burnet's (John) Practical Hints on Composition and on Colour in Painting, illustrated by Examples from the great Masters of the Italian, Flemish, and Dutch Schools. 4to. London, 1822-27. Du Fresnoy (C. A.) de Arte Graphicâ; the Art of Painting, with Remarks translated, with a Parallel between Painting and Poetry, by John Dryden. Also a short Account of the most eminent Painters, ancient and modern, by [Richard Graham]. Large paper, 4to. London, 1695. Du Fresnoy's (C. A.) Art of Painting, with Remarks; translated, with an original Preface, containing a Parallel between Painting and Poetry, by John Dryden. (Dryden's Works, Vol. XVII.) Du Fresnoy's (C. A.) Art of Painting, translated into English verse by W. Mason; with Notes by Sir Joshua Reynolds, and Chronological List of modern Painters by Gray. (Gray's Works, Vol. III., and Sir J. Reynolds' Works, Vol. III.) Du Piles' (M.) Art of Painting, with the Lives of the most eminent Painters, Reflections on their Works, and Essay towards an English School. 8vo. London, 1743. Du Piles' (M.) Principles of Painting, with an Account of Athenian, Roman, Venetian, and Flemish Schools. 8vo. London, 1743. Evelyn (John), an Idea of the Perfection of Painting, demonstrated from the principles of the art. (Misc. Works.) Fuseli's (Henry) Lectures on Painting, delivered at the Royal Academy. 4to. London, 1801. Gilpin's (W.) Essays on Picturesque Beauty, Picturesque Travel, and on sketching Landscape; with an Account of the Principles and Mode in which the Author executed his own drawings. 8vo. Lond. 1808. Gilpin's (W.) Collected Works, relating chiefly to Picturesque Beauty. 10 vols. large 8vo. London, 1792-1809. Harris (James) on Painting. (Works, Vol. I.) Hogarth's (Wm.) Analysis of Beauty, with a view to fix the fluctuating Northcote's (J.) Varieties of Art. (Memoirs of Sir J. Reynolds.) 1810. Reynolds' (Sir Joshua) Discourses, delivered at the Royal Academy. (Works, Vols. I. and II.) Richardson's (John) Essay on the Theory of Painting. 8vo. London, 1715. Richardson's (J.) Two Discourses on the Art of Criticism as it relates to Painting, and on the Science of a Connoisseur. 8vo. London, 1719. Shee's (Sir M. A.) Elements of Art, a poem, with Notes and a Preface; including Strictures on the state of the Arts, Criticism, Patronage, and Public Taste. 8vo. London, 1809. Shee's (Sir M.) Rhymes on Art; or, the Remonstrance of a Painter, with Notes. 8vo. London, 1805. On particular kinds of Painting. Muntz's (J. H.) Encaustic; or, Count Caylus's Method of Painting in the manner of the Ancients; to which is added, a sure and easy way of fixing of Crayons. 8vo. London, 1760. Lenoir (Alex.), Histoire de la Peinture sur Verre, et Description des Vitraux anciens et modernes, pour servir à l'Histoire de l'Art relativement à la France. 8vo. Paris, 1803. Hawkins's (J. S.) Inquiry into the mode of Painting upon and staining Glass, as practised in the Ecclesiastical Structures of the Middle Ages. (Gothic Architecture.) Collections of Engravings after great and eminent Masters. Landon (C. P.), Vies et Œuvres des Peintres les plus célèbres de toutes les écoles; viz. Peintres Antiques, M. Ange, Raphael, Corrège, Dominiquin, L. da Vinci, Titien, Guide, P. Veronèse, C. Albane, Baccio Bandinelli, Daniel de Volterre, Poussin, Le Sueur, et Jouvenet. 25 vols. in eleven, 4to. Paris, 1803, &c. Engravings (XLVIII.) after Poussin, Salvator Rosa, Claudio Gellée, Lorense, Panini, &c. by Chatelain and his Pupils, Vivares, Wood, Mason, &c. Folio. 1744. From the Italian School, after C. Allori; F. Albani, by Sir F. Dorigny, and including the Rape of Proserpine by Rosabina; M. Angelo, including the Crucifixion by Folo; Baccio, including Presentation in the Temple by Perfetti; Barocci, including the Annunciation and St. Francis, by himself; Bassano; Berettini; Della Bella; Vinc. Camuccini, including the Death of Cæsar, and other classical subjects; A. Carracci, including the Dead Christ by Roullett, the Frescos of the Magnani Palace at Bologna by Tortebat; Lud. Carracci; Cignani; Cipriani; Conca; Corregio, including Holy Family by Bonato, La Madonna col Divoto by Bettelini, Madelena by Rahl, and others by Sornique, Duchange, &c. (Coll. of Prints, Vol. I.) From the Italian School after Pietro de Cortona; Carlo Dolci; Dominichini, including the Martyrdom of St. Agnes by Audran, the Communion of St. Jerome by Frey and by Fardieu, the Four Cardinal Virtues, or Angels, by Frey, and the Four Evangelists by Dorigny; Feti; Franco; Francisco Bolognese; Gauli, including the St. John by l'Epicier; Guercino da Cento; Guido, including St. John by Raphael Mengs, Ecce Homo by Bartolozzi, plain and coloured, the Crucifixion by Chereau, St. Andrew by G. Audran, Bacchus and Ariadne by Frey, Aurora by Frey and Raphael Morghen, and Liberality and Modesty by Strange; Giulio Romano; Filipo Lauri, including St. John, &c. by Sympson, jun., and Jacob's Departure by Major. (Coll. of Prints, Vol. II.) From the Italian School after Ber. Luino, including the Nativity by Piotti, Madonna by Bisi, Baptist's Head by Garavaglia; C. Maratti, including Sleeping Jesus by Strange, the Repose and the Martyrdom of St. Andrew by Frey, the Martyrdom of St. Blas by Audenaerd; Murillo; G. delle Notti; Ochiale; Paulo Veronese, including the Marriage at Cana by Vanni; Il Parmigiano; Pellegrini by Bartolozzi; Perugino; Piazzeti; F. Railbolini, including a Madonna by Lecomte; Raphael, including the Marriage of the Virgin by Dissard and Longhi, the Madonna di Fuligno by Fosetti, di Sisto by Müller, dell' Impanata by Sotomajor, and others by Bloemaert, Brebiette, Frey, Larmessin, Desnoyers, Bettelini, N. Aureli, Gio. Della Bella, Raphael Morghen, and Jesi; St. John by Chereau, the Cartoons by Holloway (proofs), the Transfiguration by Raphael Morghen (proof, No. 454), the Frescos in the Vatican by Carlo Maratti, Dorigny, and P. Thomassin. (Coll. of Prints, Vol. III.) From the Italian School, after Raphael, continued: the Battle of Constantine by Aquila, the Frescos in the Vatican by Valpato, Fabri, and Salandri; the Archangel by Rousselet and Chatillon, the Dream by G. Ghisi, and Mount Parnassus by Matham; M. Ricci; Salvator Rosa, including the Prodigal Son by Ravenet, Jason by Boydell, Belisarius by Strange; Sasso Faratto, by Folo, &c.; J. Rossi ; A. Sacchi, by Frey and Strange; A. del Sarto; Tintoretto, including St. Anthony by Berteli; Titian, including the Virgin adoring the Infant Jesus by Morin, Madonna by Bettelini, the Woman taken in Adultery by Anderloni, St. Peter the Martyr by Zuliani (proof, No. 56, before the letters), the Assumption by Schiavoni, &c.; Tobar; L. da Vinci, including Madonna del Lago by Longhi, and with St. Catharine and Barbara by Steinmüller, and the Last Supper by Raphael Morghen. (Coll. of Prints, Vol. IV.) Ottley's (W. Young) Italian School of Design; being a Series of FacSimiles of original Drawings, by the most eminent Painters and Sculptors of Italy; with Biographical Notices of the Artists, and Observations on their Works. Folio. London, 1823. Caracci (Annibale) [The Cries of Bologna] Diverse Figure, disegnate di penna nell' hore di ricreazione, intagliate e lavate degli originali da Simone Guilino [Guillain]. Folio. Roma, [1646.] Caracci (A.) Galeria nel Palazzo Farnese in Roma, intagliata da Carlo Cesio [con Argomento nel quali spiegarsi e reducersi allegoricamente alla moralità le Tavole Poetiche in essa rappresentate]. Folio. Roma, 1657. Giulio Romano. Sigismundi Augusti Mantuam Adventus, Profectus, ac Triumphus; opus ex archetypo Julii Romani à Fr. Primatico, Mantuæ in Ducali Palatio, quod del T. nuncupatur, sculpturâ mirè elaboratum; cum Notis J. P. Bellorii; à P. Sancto Bartolo ex vet. exemplari traductum, ærique incisum. Oblong folio. Romæ, 1680. Raphaële Sancto Urbinato (Imagines V. et N. Testamenti à), in Vaticani palatio xystis mirâ picturæ elegantiâ expressæ; J. J. Rubeis curâ ac sumptibus delineata, incisæ, ac typis editæ. Oblong folio. Roma, Raphael Nicol. Dorigny's Pinacotheca Hamptoniana; Engravings from the Cartoons of Raphael de Urbino at Hampton Court, on VII. Plates; with the Descent from the Cross, and the Transfiguration. Brilliant impressions: the Harley copy. Large folio. M. Angelo and Raphael.-R. Duppa's Dissertation on the Picture of the Last Judgment, in the Sistine Chapel, by M. Angelo, accompanied with XII. Heads, and XII. from the Fresco Pictures of Raffaelo in the stanze of the Vatican, traced from the originals, and engraved of the same size; with Life of Raffaelo. Folio. London, 1801-2. Salvator Rosa (Etchings by), viz.: a Set of LXII. of Soldiers, Banditti, &c.; and VI. of Tritons, &c., in 8vo; Fall of the Giants, Finding of Edipus, and Deaths of Regulus and Polycrates, large oblong plates; with X. Engravings after S. Rosa, by Goupy. Folio. Titianus Vecellus Cadubriensis et Paulus Calliari Veronensis (Opera selectiora quæ) inventârunt ac pinxerunt, quæque V. Le Febre delineavit et sculpsit. Folio. [Venetiis], 1682. From the French School, after Baudoin, by Launoy; Boucher, by Cochin and Aveline; Bourdon, including Laban and the Baptism of the Eunuch by Boissevin, Holy Family by Van Schuppen, Dead Christ by Boulanger, &c.; Corbelet, including Holy Family by Boulanger; Claude Lorraine, including Landscapes by Major, the Roman Edifices by Woolet, Landing of Eneas by Mason, and others by Goupy and Haldenwang; J. Callot, including Les Misères, &c. de la Guerre by Israel, 18 plates, and the famous Temptation of St. Anthony by Cheron; De la Hire; Israel, including 12 Landscapes and 12 Views in Rome; Jouvenet, including Mary Magdalen washing the Feet of our Saviour by Duchange, the Resurrection of Lazarus by Audran, and the Magnificat by Thomasin, one of the works of Jouvenet's left hand; Largillière, Christ bearing the Cross, and the Crucifixion, by Roettiers; P. Marriette; Meillan, by himself; N. Mignard, including Holy Family by Masson; P. Mignard, including Holy Family by Pailly, Christ led to Crucifixion, and the Pest, by G. Audran; Monamy, by Canat; T. M. Moreau; Moucheron; Patel; Retout, including the Agony by Drevet; Le Sueur, including Paul at Athens by B. Audran, Martyrdom of St. Lawrence by G. Audran, &c.; Rousseau; Vernet; Watteau, including l'Accordée de Village by Larmesin. (Collection of Prints, Vol. V.) From the French School, after Poussin, viz. : Sacrifice of Noah, by Frey; Finding of Moses, by Marriette and C. Stella; Moses trampling on Pharaoh's Crown, by Baudet; Moses's Defence of the Priests of Midian, by Anderloni; Moses striking the Rock, by C. Stella; the Worship of the Golden Calf, by Baudet; Ahasuerus and Esther, Marriage of the Virgin, and Adoration of the Shepherds, by J. Pesne; a Repose, by Raphael Morghen; Holy Family, by C. Stella, by Anderloni (proof), and by Baudet; Baptism of Jesus, Christ giving the Keys to Peter, Mary washing our Saviour's Feet, and Last Supper, by J. Pesne; Crucifixion, and Peter restoring Sight to the Blind, by C. Stella; Death of Sapphira, Confirmation, Extreme Unction, and Testament of Eldamidas, by J. Pesne; Continentio Scipionis, by Du Bosc; Tancredus Emonia, by Vandergucht; Bacchus and Ariadne, by Beauvois; Death of Germanicus, by Marriette; the Seasons, by Raphael Morghen; the Saving of Pyrrhus, by G. Audran; Habitation of Polyphemus; and VI. other Landscapes, by Baudet; Sea Storm, including Jonah by Vivares, and Land Storm by Goupy. (Collection of Prints, Vol. VI.) Poussin.-A Collection of XXXII. Engravings of Landscapes after Poussin. Fine impressions, mounted, in one vol. folio. Le Brun's (C.) Battles of Alexander, 4 large Engravings, on 13 Plates, by G. Audran; the Tent of Darius by Edelinck; and F. Verdier's Passage of the Red Sea, engraved by G. Audran. Large folio. The splendid prints illustrative of Alexander are usually considered the chefs d'œuvre of this "greatest engraver." The impressions forming this copy are proofs, having the printer's name, Goyton," etched on the margins. |