Imatges de pàgina
PDF
EPUB

Bibliography

Hændel de Paris, etc. [A programme of the performance given at the Trocadéro, April 23rd, 1910, with the words of the oratorio translated into French, and an essay by Rolland entitled "Hændel et le Messie."] Paris [1910].

SEIFFERT, MAX. Händels deutsche Gesänge. Nach Materialien in Fr. Chrysanders Nachlass. (Festschrift . . . Liliencron.) Leipzig,

1910.

MEE, J. H. The oldest music-room in Europe. A record of eighteenthcentury enterprise at Oxford. London, 1911.

SCHERING, A. Geschichte des Oratoriums. Leipzig, 1911. STREATFEILD, R. A. The Granville collection of Handel manuscripts. (The Musical Antiquary.) London, 1911.

BRENET, M. Hændel . . . Biographie critique. Paris, 1912. LAWRENCE, W. J. Handeliana. Some memorials of the Dublin Charitable Musical Society. (The Musical Antiquary.) London, 1912. ROLLAND, ROMAIN, etc. Le Messie de G.-F. Hændel. 1741. Hændel et le Messie.-Romain Rolland. Textes du Messie.-Plan de l'oratorio.-Félix Raugel. Paris, 1912.

SOTHEBY, WILKINSON and HODGE Sale Catalogues, especially :
March 28th, 29th, 1912, Granville MSS.
December 21st, 22nd, 1915, Granville MSS.
May 17th-24th, 1917, Cummings' Library.
May 13th, 1918, Aylesford MSS.

STREATFEILD, R. A. Handel autographs at the British Museum.
London, 1912.

DALE, WILLIAM. Tschudi, the harpsichord maker. London, 1913. DAVEY, H. Handel and his music. (Masterpieces of music.) London [1913].

LANGE, INA. Skilda tiders musikmästare: Händel, Beethoven, etc. Stockholm, 1913.

SQUIRE, W. BARCLAY. Handel in contemporary song-books (Musical Antiquary, January 1913.) London.

THORMÄLIUS, G. Georg Friedrich Händel. Bielefeld [1913].

WESTERBY, H. How to study the pianoforte works of the great composers. Handel, etc. London [1913].

CUMMINGS, W. H.

Handel, the Duke of Chandos, and the Harmonious Blacksmith. London, 1915.

The Musical Quarterly. New York, 1915, etc.

RIEMANN, HUGO. Musik-Lexikon. Eighth edition. Berlin, 1916.

Several English editions.

STREATFEILD, R. A. Handel, Cannons and the Duke of Chandos. London, 1916.

CUMMINGS, W. H. Sotheby, Wilkinson and Hodge Sale Catalogue of the library of Dr Cummings. 17th-24th May 1917. London, 1917.

A valuable record of Handeliana.

SIBLEY, J. C. Handel at Cannons: with a description of the Church of St Lawrence, Whitchurch. London [1918].

[ocr errors]

SPITZ, C. Die Opern "Ottone von Händel und

"Teofane" von Lotti. (Festschrift zum fünfzigsten Geburtstag Adolf Sandbergers.) Munich, 1918.

TAYLOR, HARRY J. The life of Handel. (Musical booklets, No. 26.) London [1918].

BAKER, THEODORE. Baker's biographical dictionary of musicians. Third edition. New York, 1919.

ROLLAND, ROMAIN. Voyage musical aux pays du passé. Paris, 1919. Another edition. Paris, 1920.

Review of the work in La Revue Musicale." No. 1.

English edition. A musical tour through the land of the past.
Translated by B. Miall. London, 1922.

CHANCELLOR, E. B. The eighteenth century in London. London [1920].

EGMONT, EARL OF. Manuscripts of the Earl of Egmont. Diary of Viscount Percival, etc. (Historical Manuscripts Commission.) London, 1920, etc.

KIDSON, F. Handel's publisher, John Walsh, his successors and contemporaries. (The Musical Quarterly, July 1920.) New York. FLOWER, NEWMAN. Catalogue of a Handel collection formed by Newman Flower. Sevenoaks [1921].

BENSON, J. ALLANSON. Messiah. Notes on Handel's oratorio. Musical Standard. October 21, 1922-April 7, 1923.) London, 1922-23.

MICHAEL, WOLFGANG. Die Enstehung der Wassermusik von Händel. (Zeitschrift für Musikwissenschaft. Aug.-Sept. 1922.) Leipzig.

INDEX

ACADEMY of Ancient Music, the, and

its function, 193, 194

Acis and Galatea, Gay's, 128
Acis and Galatea, Handel's, 74

a performance for Decayed Music-
ians' Society, 261

a pirated version of, 198, 226

critics and, 200

produced at Cannons, 128

revival of, 260

singers in, 226

Addison, and Handel, 96

and Italian influence on music, 83
attacks Rinaldo, 87, 88

on Italian theatres, 178

Ademollo, Alessandro, and the birth
certificate of Vittoria Tesi, 64
(note)

"G. F. Haendel in Italia," 57
Admeto, revival of, 165

[blocks in formation]
[blocks in formation]

Arne, Susanna. See Cibber, Mrs
Arnold, Dr, his edition of Rinaldo, 97
Arsace, Heidegger's, 236

Artaxerxes, Hasse's, 220

Astarto, Bononcini's, 141, 142
Astyanax, Bononcini's, 163
Atalanta, 231, 232, 275

Athalia, Handel's score corrections in,
337

its librettist, 211

produced in Oxford, 212

Atkinson, Mrs, laundress to Queen
Anne, 194

Augustus of Saxony, Prince, death of,

12

dissolute character of, 9

Austrian Succession, War of, 284
Avolio, Signora, 272

sings in Messiah, 275, 276
sings in Samson, 278

Aylesford, Countess of, discovers an
unpublished letter from Jennens,
252 (note)

Aylesford, Earl of, acquires Handel's
concert scores, 211 (note)

BACH, SEBASTIAN, death of, 316

his ineffectual attempt to meet
Handel, 125

his veneration of Handel, 126
invites Handel to Leipzig, 182
refuses organist's post, 48

Bach, Wilhelm Friedemann, 316
Baily sings in Messiah, 275
Banister, and Britton's concerts, 92
Bank rate in 1748, the, 305
Barber-surgeons of Halle, 6
Barbers' Company of Halle, 36
Beard, John, 184, 199, 227
debut of, 228

marriage of, 256

sings in Israel in Egypt, 255

sings in Samson, 278

Beardsley, Aubrey, compared with

Bononcini, 140

Bedford, Duke of, fights a duel, 165

Beethoven's tribute to Handel, 334

Beggar's Opera, The, 88
Quin and, 190
revival of, 265

sequel to, 177

success of, 173, 174, 182
Beggar's Wedding, The, 182

Beichling, Anne, marries Valentine
Handel, 4

Belshazzar (or Belteshazzar), and its
librettist, 290, 291

Handel's score corrections in, 338
Berenice, Porpora's, Handel's compli-
ment to, 207

its unknown libretto, 233
Berenstadt, and Bononcini, 148
sings in Otho, 145

Berlin, as centre of music, 32
Handel in, 31

Berlin Court, the, Electress Sophia
Charlotte and, 32 et seq.

Bernacchi, Venetian castrato, 180, 185
and Bordoni, 162

[blocks in formation]
[blocks in formation]
« AnteriorContinua »