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Carey, and Bordoni, 160
Carnarvon, Lord, becomes Duke of
Chandos, 121

his three wives, 119

Paymaster-General during Marlbor-
ough Wars, 116

Caroline, Princess (daughter of George
II), 93

at her mother's deathbed, 238
Caroline, Queen, 170

death of, 236

funeral of, 240

urges George II to remarry, 239
Cauldfield, John, 98

Chandos Anthems, the, 121
Chandos, Duchess of, 119
Chandos, Duke of, 138 (note), 190

See also Carnarvon

Chandos Te Deum, Handel's, 118
Change Alley, gambling in, 137-8
Charles, Prince, the young Pretender,
294

overthrow of, 295

Chichester, Bishop of, attends funeral

of Queen Caroline, 240
Choice of Hercules, The, 315
Choirs, town, school, and outdoor, 21
Chopin, funeral of, 334

Choruses, Handel's favourite, 282
"Chronik des Saal Kreis," 12
Chrysander, biographer of Handel, 28,

38, 40, 45. 49, 53, 61, 64, 80
Cibber, Colley, 262

his farce, The Rival Queens, 164
Cibber, Mrs (née Arne, Susanna), 184,
188

appears in a pirated version of Acis

and Galatea, 198, 226
Handel and, 188, 300
her popularity, 273
sings in Messiah, 275

sings in Samson, 278

Cibber scandal, the, 261 et seq.

Cibber, Theophilus, and his wife, 262 et

seq.

Clark, Richard, chorister of Chapel

Royal, a canard by, 120

Claudius, Keiser's, 48

Clavering, J., extract of letter from, to
Lady Cowper, III

Clavichord, the, Handel's compositions
for, 119, 120

Clayton, Thomas, his music for Rosa-
mund, 83

Cleopatra, Mattheson's, 52, 53
Clerical agitation against Handel, 195,

280, 281

Clive, Mrs, sings in Samson, 278
Cluer, music publisher, and his widow,
184, 192

Colman, as librettist of Ariadne, 213
re-engages Senesino, 186

Colubrano, Prince di. See Alvito
Conscious Lovers, The, Mrs Cibber's
success in, 273

Conti appears in London, 233
Conway, Mr, 280

Coram, Captain, founder of Foundling
Hospital, 311

Corelli, Arcangelo, 67, 71, 72
Handel and, 74 (note)

Cornaro, his mistress, and Porpora, 207
Coronation anthems, Handel's, 169
Corris, Signor, and Porpora, 208
Covent Garden theatre, 223, 233
Cowper, Lady, and Bordoni, 161
Diary of, 129

Coxe, and the early transcriptions of
G. F. Handel, 31 (note)
Crispo, Bononcini's, 143

"Critica Musica," Mattheson's, 46, 51
Croft's music rendered at funeral of

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Daily Journal announces Handel's first
oratorio, 196

Daily Post, and Handel's health, 233
and the premeditated Samson rob-
beries, 279

D'Ambreville, Leonore, 155
Dancklemann, Privy-Councillor von,
George Handel's request to, 13
Daphne, Handel's, 58

David, E., biographer of Handel, 33, 97,
269

Davies, Thomas, "Life of Garrick," 217
Dead March in Saul, 253
Deborah, 212

Handel raises price of admission to,
204

royal patronage for première of, 203,
the Goupy episode during run of, 205
de Bourke, John, Handel's janitor at
Brook Street, 328, 329 (note)
Decayed Musicians' Society, the, 252,
261, 266

Deidamia, and its librettist, 265
Delany, Dr, and Mrs Cibber, 275
Delany, Mrs, 89, 109, 145

a pen-picture of Anastasia Robinson,
108

and coronation of George II, 170
and Deborah, 203

and Strada, 179, 185

criticises libretto of Alcina, 225
describes Sga. Menghi, 180
first meeting with Handel, 88
Handel and, 232, 264, 287
her appreciation of Saul, 254
on Cuzzoni, 179

Denner's portrait of Handel, 329

Dettingen Anthem, 285

Dettingen, Battle of, 284

Dettingen Te Deum, martial music of,
285

de Veil, Colonel, 279

Devil to Pay at St James's, Arbuthnot's
pamphlet on the Bordoni-Cuzzoni
affair, 164

Devonshire, Duke of, 273

Dibdin, his tribute to Mrs Arne, 276
(note)

Dixit Dominus, Handel's, 62
Dragon of Wantley, The, 265

Dreissig, Fräulein, marries Dr Michael-
sen, 159

Dreyhaupt, 12, 23, 28, 39, 40
Drummond, P. R., "Perthshire in
Bygone Days," 85

Drury Lane company migrate to
Queen's Theatre, Haymarket, 85
Drüsicke, Keiser's partner, 58
Dryden's Ode, Handel's setting of, 227
Dublin, Handel invited to, 271

Handel's reception in, 273
Messiah first performed in, 274
Dubourg, violin maestro, 275

Handel and, 276 (note)
Duelling, a royal decree against, 39
Durastanti, Signora, 126
Düsseldorf, Elector-Palatine of, 92
Düsseldorf, Handel's brief stay in, 82

EARTHQUAKE shocks in London, 313
Ebner, G. F. Handel's early transcrip-

tions of, 31 (note)

Egmont, Earl of, 193, 194, 203, 221
Egmont MSS., 146, 147, 193, 194, 203,

221, 237, 238, 239

"Ehren-Pforte," Mattheson's, 44, 46,

49, 51, 53, 54, 113

Einstein, Dr Alfred, an interesting dis-
covery by, 92

Eisleben, copper mines of, 4

Elbing centenary sonata, 235

del Pò, husband of Strada, 234. 236, England at war with Spain, 259

245

English music in 1703-4, 50

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Nero, 55
Fielding, 242

an open letter and poem to Heideg-
ger, 151

Firework Music, Handel's, 277, 308
a benefit performance of, 309
rehearsed in Vauxhall Gardens, 306
Fitzwilliam Museum, Cambridge, Han-

del treasures in, 112, 257 (note), 335
Flavio, Handel's, 146

Florence, Rodrigo produced in, 62
Florentine music, 61

Floridante, Handel's, 142

Florindo, Handel's, 58

Flower, Newman, and the Foundling

Hospital organ, 311 (note)

Handel collection of, 112 (note), 257
(note), 312 (note), 335

his original letter of Nicolini, 87 (note)
on the Halle performances of
Susanna, 303 (note)

Foote rebukes Rich, 217

Foundling Hospital, the, former name

of, 309

Handel and, 282, 309-11

Hogarth and, 309, 311

Foundling Hospital Anthem, the, 310
Francesina, Signora, 265

Frasi, Giulia, 299, 300
Frederick I of Prussia, 32
and G. F. Handel, 34

founds Ritter Akademie, 38
Frederick, Prince of Wales, 218, 222
death of, 321

essays to see his dying mother, 236
feud with Handel, 203, 206 et seq.,
231, 242

founds "Opera of the Nobility," 207
et seq.

friction with his father, 152, 158,
169, 206, 231, 236
marriage of, 229

visits Vauxhall Gardens, 246 et seq.
Fund for support of Decayed Musicians,
a, 252, 261, 266

Funeral Anthem, Handel's, 240

GAGE, LADY, and the Herbert scandal,
256

Galli, Signora, meteoric life of, 288
Gasparini, 77

and the musical education of Bor-
doni, 162

Gaston de' Medici, Prince. See Medici
Gates, Bernard, 193

gives a performance of Haman, 194
Gay, Acis and Galatea of, 128
Beggar's Opera, The, of, 173
character of, 99

produces Polly, 177

Geheimen Staats Archiv, 36
Gell, Philip, 279

George I, amours of, 103 et seq., 107 et seq.
and Handel, 101 et seq.

and the Academy of Music, 122
as playgoer, 107, 152, 156
coronation of, 101, 105-6
death of, 110, 168

declining years of, 109 et seq.
waning faith in, 152

George II, a two years' sojourn in
Holland, 182

and Handel, 170 et seq., 231, 278
and Mrs Cibber, 262

and the Peace celebrations, 305 et

seq.

coronation of, 169, 170

death of his son, 321

his wife's illness and death, 237 et
seq.

leads his troops into battle, 284
present at second performance of
Samson, 278

quarrels with the Prince of Wales,

152, 158, 169, 206, 231, 236
George Ludwig, Elector of Hanover,
92

Germany, revisited by Handel, III
Geschichte der Stadt Halle," 10
(note), 22 (note), 26 (note)
Gibson, Dr, Bishop of London, forbids
performance of Haman, 195
Gideon, Morell's libretto for, 314
Giebichenstein, George Handel's ap-
pointment as surgeon of, 9

Giulio Cæsare, production of, 151
Giustino, 232, 233

Gizzi, D., trains Conti, 233

Glauchau, suburb of, 21

Gluck, his tribute to Handel, 334

Godolphin, Countess of, 105

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Goupy and Handel: resultant cartoons,

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HAARLEM, Mattheson offered organist's

post in, 50

Hackman shoots Miss Ray, 288
Halle, a disastrous fire in, 12

a performance of Susanna at, 303
(note)

an epidemic of plague in, 15
birthplace of Handel, I, II
court music of, 21

Handel as temporary organist at the
Dom church, 39

Handel's last visit to, 316
Handel's playground at, 25

in time of G. F. Handel's childhood,

21

industries of, 27

insanitary conditions of, 8

musical tastes of people of, 21

passes from Saxony to Brandenburg,
13

puritanical puritanism in, 24
schools of, 23

student life (1702) in, 39

the Kühlebrunnen, 26

the Liebfrauenkirche in, 19, 20, 22, 30
the Rath-cellar in, 26

Halle Barbers' Company sue C. E.
Möller, 36

Halle Grammar School, 24
"Hallelujah Chorus," George II and,

281

Handel's emotion while composing,
271

"Hallische Schul-Historica," 41 (note)
Hallische Tageblatt and the plague, 15
Hallisches Patriotsches Wochenblatt, 12
Haman and Mordecai, 138

Gates' surprise for Handel, 194
produced at Cannons, 194
renamed Esther, 139, 195
Hamburg, Handel departs to, 41
in 1703, 42

version of Passion performed in, 115
Hamburg Museum, a copy of Handel's
music in, 112 (note), 335

Hamburg Opera House, Handel as
second violin at, 45, 49
licentiousness at, 49

Hamilton, Newburgh, and the libretto Handel, George Frideric-

of Saul, 251

his libretto for Samson, 271
rearranges Dryden's Ode, 227
"Hand and Musick" Bookshop, Cov-

entry Street, Haymarket, 131
Handel-Bononcini battle, 142, 145
Handel, Christoph, succeeds to his
father's business, 5

Handel, Dorothea (mother), 124

and the sale of her husband's prac-
tice, 36

blindness of, 81, 181
death of, 188

training of her children, 37

Handel, Dorothea Sophia,marriage of,81
Handel, Georg Christian, Kapellmeister
at Weissenfels, 29

Handel, George (father of George
Frideric), 5

a charge of intrigue against, 13
amazing will-power of, 14
and the plague in Halle, 15
appointed surgeon of Giebichen-
stein, 9

apprenticed as barber-surgeon, 6
buys a house in the Schlamm, 9
death of, 35

death of his wife, 14

difficulties with Governors of Halle
regarding a licence, 9

hands licence of Yellow Stag to town
of Halle, 10

his calling as barber-surgeon, 6
his family, 8, 17

marries his master's widow, 7
moroseness of, 8, 13

second marriage of, 16

selfishness of, 23, 24

skill as barber-surgeon, 27

summoned to appear before Town

Council, 10

Surgeon-in-Ordinary to Augustus of
Saxony, 9

Handel, George Frideric, a benefit con-

cert for, 245

a curious condition attaching to a
vacant post as organist, 47

a poem to the memory of his father,
35

accident to, 316

accompanies George I to Hanover,

III

an eventful birthday, and its sequel,
194

an unproduced mystery work of, 257
and Dubourg, 276 (note)

and Mrs Cibber, 188, 198, 262, 264,

272, 300

and Quin, 190, 198

and the Cuzzoni-Bordoni quarrel,
162 et seq.

and the Smiths, père et fils, 112, 113
and Zachow's widow, III
as the idol of Venice, 77
associations with Johann Matthe-
son, 44 et seq.

at the Berlin Court, 33 et seq.
baptism of, 18

becomes a British subject, 159
birth of, 1, 17

birthplace of, II

cause of his ultimate change from
opera to oratorio, 193

charges of plagiarism against, 285
circumvents Arne père, 199
coronation anthems of, 169
cosmopolitanism of, 94
death and funeral of, 333

declares Cuzzoni to be a "she-
devil," 167, 315

difficulties with his singers, 335 et seq.
dissolution of his partnership with
Heidegger, 215

dunned by debtors, 233, 236, 243, 244
earliest compositions of, 31
education of, 24

engaged to an unknown maiden, 132
enters Halle University, 38

entrée into London musical circles, 89

experiences in Dublin, 273
extemporises on Bristol city organ,

320

faced with serious losses, 289
fights a duel, 52, 53

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