Handbook for Creative Church Musicians: A Practical Guide to Composition and Arranging

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GIA Publications, 2001 - 142 pàgines

Des de l'interior del llibre

Continguts

Tips for Finale Users
98
CHAPTER 7 Publication
105
Sending Your Work to a Publisher
108
Desktop Publishing
109
Royalty Contracts and Copyright
110
Final Proofs
111
APPENDIX A Basic Principles of Contrapuntal Writing
112
Definitions
113

Adapting SATB to SAB
31
Variety in Hymn Singing
36
CHAPTER 4 Chorale Preludes
41
Contrapuntal Elaboration
44
Layered Texture
47
Textures with the Melody in the Bass
50
Fugal Treatment
52
Canonic Treatment
53
CHAPTER 5 Composing for Voices
55
Setting text
64
Service Music
66
Composing Anthems
71
CHAPTER 6 Notation
77
Using a Computer for Notation
88
Formatting Scores
91
Mechanics of Species in TwoPart Counterpoint
115
Counterpoint in Three Parts
116
Counterpoint in Four or More Parts
119
APPENDIX B Basic Principles of Harmony and PartWriting
120
Chord Analysis and Harmonic Function The Roman Numeral System
121
Principles of PartWriting
123
APPENDIX C Chord Symbols
126
Roman Numeral Chord Symbols
127
APPENDIX D Instrument Ranges
129
Notes on the instrument ranges
131
LIST OF HYMN TUNES AND OTHER MUSICAL EXAMPLES
133
GLOSSARY
135
SELECTED BIBLIOGRAPHY
139
INDEX
141
Copyright

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Pàgina 66 - Lamb of God, you take away the sin of the world, have mercy on us. Lamb of God, you take away the sin of the world, have mercy on us.
Pàgina 10 - And the great church vie - to - rious Shall be the church at rest. Like them, the meek and low - ly, On high may dwell with Thee.
Pàgina 9 - Mid toil and trib - u - la - tion, And tu - mult of her war, 4. Yet she on earth hath un - ion With God the Three in One...
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Pàgina 43 - It is best known as the melody for the Doxology ("Praise God, from Whom All Blessings Flow...
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