A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344 pàgines |
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Pàgina 9
... slide of the voice , when it is so managed as to give the greatest possible pleasure to the ear , Of the slides of Speech , • 38 40 43 47 54 55 56 57 58 Rising Slide , Falling Slide , Circumflex Slides , Elementary exercises on the slides ...
... slide of the voice , when it is so managed as to give the greatest possible pleasure to the ear , Of the slides of Speech , • 38 40 43 47 54 55 56 57 58 Rising Slide , Falling Slide , Circumflex Slides , Elementary exercises on the slides ...
Pàgina 59
... slide . This slide when heard is perceived to rise or fall in pitch only as a whole , and is therefore called a concrete sound . Such a slide , rising or falling in pitch , is invariably made whenever a syllable is spoken , or in other ...
... slide . This slide when heard is perceived to rise or fall in pitch only as a whole , and is therefore called a concrete sound . Such a slide , rising or falling in pitch , is invariably made whenever a syllable is spoken , or in other ...
Pàgina 60
... slides heard in the utterance of each syllable will consist of concrete sounds . Discrete and Concrete sound is therefore heard in all discourse , and both are inseparable from it . Discrete sounds consist of a series of skips . These ...
... slides heard in the utterance of each syllable will consist of concrete sounds . Discrete and Concrete sound is therefore heard in all discourse , and both are inseparable from it . Discrete sounds consist of a series of skips . These ...
Pàgina 61
... slides of speech . Discrete melody the pitch at which successive syllables begin relatively to each other . Into- nation means the management of the voice in the produc- tion of pitch both concrete and discrete . QUESTIONS . 1. How is ...
... slides of speech . Discrete melody the pitch at which successive syllables begin relatively to each other . Into- nation means the management of the voice in the produc- tion of pitch both concrete and discrete . QUESTIONS . 1. How is ...
Pàgina 63
... slide of the voice , when it is so managed as to give the greatest possible pleasure to the ear . We shall employ the letter I for the purpose of illustra- ting the slide of the voice . That element ( as before stated ) is a dipthong ...
... slide of the voice , when it is so managed as to give the greatest possible pleasure to the ear . We shall employ the letter I for the purpose of illustra- ting the slide of the voice . That element ( as before stated ) is a dipthong ...
Altres edicions - Mostra-ho tot
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Visualització completa - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Visualització completa - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Visualització completa - 1830 |
Frases i termes més freqüents
accented agreeable articulation aspiration Brutus cadence Cæsar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words Δ Δ Δ ΙΔ
Passatges populars
Pàgina 111 - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Pàgina 182 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Pàgina 133 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Pàgina 147 - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Pàgina 111 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Pàgina 147 - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
Pàgina 150 - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
Pàgina 85 - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
Pàgina 47 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.