A Grammar of Elocution: Containing the Principles of the Arts of Reading and Speaking; Illustrated by Appropriate Exercises and Examples ...A. H. Maltby, 1830 - 344 pàgines |
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Pàgina 10
... Stress , Force of voice under the form of Vanishing Stress , Force of voice under the form of Compound Stress , Force of voice under the form of Median Stress , Aspirated movements of the voice , Guttural Emphasis , 75 76 78 94 95 • 100 ...
... Stress , Force of voice under the form of Vanishing Stress , Force of voice under the form of Compound Stress , Force of voice under the form of Median Stress , Aspirated movements of the voice , Guttural Emphasis , 75 76 78 94 95 • 100 ...
Pàgina 28
... stress . He may not succeed at once in displaying this function to the best advantage , but let him go on it will come by a little time and practice . With a teacher there will be no difficulty , nor will any exist long for those who ...
... stress . He may not succeed at once in displaying this function to the best advantage , but let him go on it will come by a little time and practice . With a teacher there will be no difficulty , nor will any exist long for those who ...
Pàgina 29
... stress acquired by exploding the vowels constitutes one of the forms of emphasis . This stress is also the natural symbol of great energy of feeling . But independent of emphasis , or the indication of any particular state of the ...
... stress acquired by exploding the vowels constitutes one of the forms of emphasis . This stress is also the natural symbol of great energy of feeling . But independent of emphasis , or the indication of any particular state of the ...
Pàgina 30
... . explosive stress , and was induced , by his advice , to commence the practice here recommended . I found it completely successful in obtaining this use of the voice . 123 2 a 3 4 5 6 7 8 POP 30 GRAMMAR OF ELOCUTION .
... . explosive stress , and was induced , by his advice , to commence the practice here recommended . I found it completely successful in obtaining this use of the voice . 123 2 a 3 4 5 6 7 8 POP 30 GRAMMAR OF ELOCUTION .
Pàgina 32
... stress in its sim- plest form . This mode of uttering some of the vowels ensures , by its protracted time , their contradistinguishing impression on the ear , and is besides , a beauty of delivery , the uses of which are to be hereafter ...
... stress in its sim- plest form . This mode of uttering some of the vowels ensures , by its protracted time , their contradistinguishing impression on the ear , and is besides , a beauty of delivery , the uses of which are to be hereafter ...
Altres edicions - Mostra-ho tot
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Visualització completa - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Visualització completa - 1830 |
A Grammar of Elocution: Containing the Principles of the Arts of Reading and ... Jonathan Barber Visualització completa - 1830 |
Frases i termes més freqüents
accented agreeable articulation aspiration Brutus cadence Cæsar called ceive cern concrete consonants degree delivery described discourse discrete downward slide earth effect elementary sounds Elocution Elocutionist emphasis emphatic employed equal wave example exercise expression eyes falling ditone falling slide fifth force forcible give Harfleur hast hath heard heart heaven high note Human Voice intervals light long quantity Lord loud marked marked radical measure median stress ments monotony natural nerally o'er octave pauses percussion persons plaintive practice pronounced pronunciation prosody public speaking quire racter radical pitch radical stress reading rise and fall rising slide semitone sentence short simple melody soul speak speaker speech student sylla syllables TABLE OF CONSONANT TABLE OF VOWEL thee thine thing third thou art thought tion tone tremor unto utterance vanish vocal voice vowel elements vowel sounds words Δ Δ Δ ΙΔ
Passatges populars
Pàgina 111 - I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Pàgina 182 - She saith unto him, Yea, Lord : I believe that thou art the Christ the Son of God, which should come into the world.
Pàgina 133 - Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again ; Not chaos-like together crushed and bruised, But as the world harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Pàgina 147 - Love framed with Mirth a gay fantastic round : Loose were her tresses seen, her zone unbound ; And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
Pàgina 111 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Pàgina 147 - But soon he saw the brisk awakening viol, Whose sweet, entrancing voice he loved the best. They would have thought who heard the strain, They saw in Tempe's...
Pàgina 150 - Reserved him to more wrath ; for now the thought Both of lost happiness and lasting pain Torments him : round he throws his baleful eyes, That...
Pàgina 85 - Homer was the greater genius; Virgil the better artist: in the one, we most admire the man; in the other, the work. Homer hurries us with a commanding impetuosity ; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion ; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow ; Virgil, like a river in its banks, with a constant stream.
Pàgina 47 - It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision.