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The First Steamboats on Western Waters. -The first steamboat on Western waters, said the late Mr. J. B. H. Latrobe before the Maryland Historical Society, was the New Orleans, which was built at and started from Pittsburg, Pa., in September, 1811, and reached the city of New Orleans in October of the same year. This boat was built from the designs of Robert Fulton by Nicholas J. Roosevelt, who was associated in this enterprise with Fulton and Chancellor Livingston. The New Orleans was 116 feet long, 20 feet beam, and had an engine with a 34 inch cylinder. The second and third steamboats built for this service were the Vesuvius and the Ætna, and the fourth boat, the Buffalo, was built under the direction of Mr. B. H. Latrobe, Sr, the architect of the first capitol at Washington, who became interested with Fulton and Livingston in the navigation of Western waters about 1813. (Scientific American.)

The Origin of Hoodlum (Vol. viii, p. 39.) -An old resident of San Francisco says a great deal of time has been wasted in searching for the derivation of the word "hoodlum," and it has been credited to many different languages, but all the derivations given

are wrong.

Some twenty or twenty-five years ago there lived in that section of San Francisco known as the Barbar Coast, a couple by the name of O'Houghlihan, who were blessed with a family of boys who were the terror of that unsavory region; ignorant, brutal young toughs, whose sole delight was getting drunk, whose only pastime was tormenting, abusing and beating all the other youngsters in the neighborhood. They were so much dreaded by the neighbors that when they were seen approaching, children were called in doors and kept there till they had gone by to a safe distance, and it was easy to know when they were in sight by hearing women calling "Patsy, Mary Ann, come in, the Houghlihans is comin'." The O was dropped in the haste of calling the young ones, and after a little the name, a somewhat difficult one to pronounce at the best, was in the mouths of the Germans, Italians, Chinese, and other nationalities on the Barbar Coast, corrupted into "hoodlums," and the Houghlihan boys and their associates became generally known as the hoodlums. (The Oregonian).

Fatality, for a Certainty!-Says the N. Y. Times, London correspondent, anent the untimely death of Prince Eddie, Duke of Clarence, etc.:

The

"When the time came to choose a title for him, that, which in all English history was most evil-starred, was selected. There have been five Dukes of Clarence. Of these, four were Plantagenets, the first of whom ate and drank himself to death in Italy. second was killed in the battle of Baugy, in France. The third was murdered in the Tower, and the fourth beheaded outside the Tower, all meeting their fate before their thirtieth year. People talked about this when the unfortunate lad's new dignity was announced, as if with the premonition that it was the forerunner of calamity.

People who have a leaning toward the unnatural are talking about the curious coincidence in the predictions of Zadkiel's Almanac, which enjoyed a fearful kind of repute for years, on the strength of having predicted the Prince Consort's death for December, 1863. In a familiar penny publication called "Old Moore's Almanac", issued a month ago, is set down for January an unexpected and unwelcome event in the royal family."

T. D.

An Old-time Mansion, in Maine. The old Pepperell mansion at Kittery Point, Me., built over two hundred years ago, has probably sheltered more famous people than any other house on this side of the Atlantic, with the exception of Mount Vernon and Monticello. The house was built by the first William Pepperell, a great merchant and shipbuilder of his time, who accumulated vast wealth by trade, and his mansion reflected the extent of his means. Facing the sea and surrounded by a great park where herds of deer disported, the old mansion was a delightful place of residence. The famous Sir William Pepperell, son of the builder, enlarged and adorned the mansion at the time of his marriage in 1734. This William Pepperell, the only American baronet, was a remarkable man. He was the richest man in the colonies, and had, at times, as many as 200 vessels afloat. He was a very successful general, as was seen at Louisburg, and his political influence was very great. (New York Sun).

A MEDIUM OF INTERCOMMUNICATION

FOR

LITERARY MEN, GENERAL READERS, ETC.

Copyrighted, 1891, by the Westminster Publishing Co. Entered at the Post-Office, Philadelphia, as Second-class Matter.

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American Notes and Queries

PUBLISHED WEEKLY BY

THE WESTMINSTER PUBLISHING COMPANY, body.

619 Walnut Street, Philadelphia, Pa.

Communications for the literary department should be addressed: Editor AMERICAN NOTES AND QUERIES. All checks and money orders to be made payable to the order of The Westminster Publishing Company.

CONTENTS.

NOTES:—Ship Names of Animal Origin, 157. Tin Manufacture-Angels of the Spheres, 158. The Barberry in Poetry

-The Portuguese "Outeiro," 159. QUERIES:

- "Consonant" Catantiphrasis Ulalume
Authorship Wanted-A Descendant of King Edward III,
a Poet-The “Keystone" Commonwealth, 160. Incense
-"Sooner or Later"-Do People Turn to Air-Ebba-
Faradiddle, 161.
REPLIES: Six-fingered Poet-Infare-Pate, 161. Sweet
Singer of Michigan-That Shower of Manna-"That

Life is Long," etc-Cheese-fed Philosopher-"Robbing
Peter to Pay Paul"-Holtsester, Holt felster-"I Would
Make Men Free," 162-Hired Weepers—“Cousin" for

Acquaintance, 163.

COMMUNICATIONS:-A '49 Dinner in 'Frisco-Monkeys
Called Cats-Curious Wills-Dying Words of Noted
People-Badge and Clan Tartans, 163. Singular Place-

names, 164. Ruskin on Himself-Bees, 165. The Birth-
place of our Vegetables-A Souvenir of the French Rev-
olution-Out of the Way Queries-Singular Plant-names,
166. The First Use of Forks-Speed of the Writer's
Hand-Rain and No Clouds, 167. Spanish Sailor's

Superstition-Solid Fog-A Peculiar Family Register-
Saturday and the Royal Family of Great Britain, 168.
TO CORRESPONDENTS:-168:

$3.00 per year. $1,75, 6 months.
$1.00, 3 months. 10 cents per number.

NOTES.

SHIP NAMES OF ANIMAL ORIGIN.

In all ages the prow of a vessel has been likened in shape and name to the head of an animal or some feature of that part of the The old Romans applied the word rostrum to the stem of a vessel just as we use our word beak, the French bec, the Germans Schnabel, and the Spanish rostro. Italian sprone and Spanish espolon, cock's spur, are used in the same way. The commoner term among English and French sailors, however, is head, French cap from Latin caput: whence our synonymous verbs to head and to cape. The French sailor says "Où est le cap"? just as the English says "How does she head?" Sailors colloquially speak of the its projection, or as the "eyes of her", vessel's stem or prow as "her nose", from partly from the eye-like position and shape of the hawse-holes: they describe a wind dead ahead as "right in her teeth": a timber at the foremost end of the keel at the stem is known as the "apron " or " stomach-piece", which the Frenchman calls gorgère or neckcloth, from gorge, throat: Spaniards call the bulging sides of the vessel at the bow los cachetes and the French les joues, the cheeks.

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nacelle. Here we may note the modern sneak-boat, the word boat having been added when the meaning of the first part was forgotten, and the compound is now generally considered as referring to the sneaking movement of the boat. Old Flemish snebbe, equivalent to German Schnabel, was applied to the beak of a vessel and also to a vessel, described as barque longuete." These instances of naming a vessel by synecdoche from the prow give some support to Wedgwood's suggestion that navy, Latin navis, Greek vas, may be from the same root as nose, and that our words bark and barge and their European cognates may be from Old Norse barki, throat.

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The comparison to the animal form is extended to other parts of the vessel, as in German Bauch, belly, English bilge, the part that bulges, the belly of the ship; the waist, the midship portion; the back, the keel and kelson; broken-backed, to be hogged, or, as the Germans say, einem Katzenrücken aufgestochen haben, to be strained so as to bend the hull like a hog or cat's back; the ribs, Spanish costillage, French côtes, timbers which spring from the keel as ribs from the backbone; quarters, equivalent to the hind-quarters of an animal, called by French sailors hanches, hips; and buttocks, German Hinterbacken, French cul and fesses and their English monosyllabic equivalent, applied to the after part or stern of the vessel. From a particular resemblance to the animal the many-oared vessels of former times were facetiously called hedgehogs, just as later an iron-clad was known as hog-in-armor. Another likeness in shape gives the lately introduced whaleback-an idea which was expressed earlier in turtle-back, a deck curving from the sides upward to protect the machinery within, and the phrase "to turn turtle ", to capsize, with reference to a vessel's appearance when overset.

But when the name of an animal is applied to a ship, the transfer arises from the lifelike movements of the vessel rather than from resemblance of form. The use of the feminine pronoun in speaking of a vessel * may be considered as a general expression of this idea, though the appellative nouns are not without some freaks in the matter of gender. Homer's metaphor, áλós innot, is *See A. N. and Q., Vol. V, p. 309.

paralleled by modern instances. Arabian baggala, mule, is applied to a two-masted vessel of the Indian Ocean, doubtless in reference to it as a ship of burden. Monkeyboat and boat and cat-boat, German Katzschiff, French chat and chatte, names of small boats, seem to refer to quick, light movement. Light-horse-man, a former name for the boat we now call the gig, alludes to speed, a characteristic still more plainly referred to in the term greyhound which it is said was first applied to the Atlantic Liner Alaska in 1882 on her breaking the record by making the trip across in less than seven days. This recalls yacht, ultimately from Dutch jaghen, to chase, hunt. Ram, like Latin aries, English battering-ram, refers to the characteristic action of the animal. In contrast with these active vessels, those without sails or steam-power, as lighters, punts and canal-boats, are described by the sailor as dumb craft.

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of Saturn.

"Where the tangled barberry-bushes
Hang their tufts of crimson berries
Over stone walls, gray with mosses."
Hiawatha, Introd. 1. 103.

Mr. Browning "who was," as Mrs. Orr "before all things a poet," has painted

says,

our shrub as

"One beneficent rich barberry,

Jewelled all o'er with fruit pendants red."

Girard de Lairesse.

leyings" (1887).

St. x. 1. 20. "Par

sways Mars' rays; Madan, Mercury's; contrast against a sombre background of Guth, Jupiter's; Jupiter's; Jurabatres, those of neutral tints: Venus; and Maion, those Raphael is president of the sun; Gabriel of the moon; Chamuel, of Mars; Michael, of Mercury; Adahiel, of Jupiter; Haniel, of Venus; Zaphiel, of Saturn. Chaoz is the first Eastern power; Malthidieldis rules Aries; Varchiel rules Leo; Adnachiel governs the Sagittary; Asmodes is lord of Taurus; Hamabell, of Virgo; Hannuel, of Capricorn; Manuel, of Cancer; Barchiel, of Scorpio; Varchiel, of Pisces; Ambriel, of Gemini; Zaniel, of Libra, and Cabriel, of Aquarius. Seraph rules the fire; Cherub the air; Tharsis the water; and Ariel the earth; Adimus, Raguel, Sabaoth, Tubuas, Sernibel, Sandalphon, Jophiel, Zaphkiel, Zadchiel, Haniel, Camael and Zophiel are among the angels of note. There are plenty of others mentioned in Milton's great epic. Those named here are principally the ones mentioned in Heywood's "Hierarchie of the Blessed Angells.'

THE BARBERRY IN POETRY.

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R. S.

The useful and ornamental barberry, Barberis vulgaris, is not conspicuous in English poetry. A few poets only, discerning a poetical quality in the shrub, have introduced it into their verse, in each instance with pleasing effect.

With John Ruskin it becomes a striking object, possibly a bit of color, in his picture of a mountain scene, sketched at sixteen years of age:

"Give me a broken rock, a little moss,

A barberry-tree with fixed branches clinging;

A stream that clearly at its bottom shows

The polished pebbles with its ripples ringing;

These to be placed at nature's sweet dispose,

And deck'd with grass and flowers of her bringing;
And I would ask no more; for I would dream
Of greater things associated with these-
Would see a mighty river in my stream,

And in my rock a mountain clothed with trees.'

What would the youthful poet have seen in his barberry-tree? At this point he is unsatisfactory, closing with

"And this should be a mountain scene to me

My broken rock, my stream and barberry tree.”

"Journal of a Tour Through France to Chamouni" (1835). Canto 1. St. 35.

ΜΕΝΟΝΑ.

THE PORTUGUESE "OUTEIRO." For many ages there seems to have existed in Portugal a noteworthy custom following directly the election of an Abbess to preside over the Nuns in a convent. Under the general designation "Outeiro", on such occasion was held a sort of "Saenger-Krieg" (See Hoffmann Novellen, Saenger-Krieg zu Wartburg), in the open space before the nunnery upon which through the grated windows, the inmates were enabled to see and take a very active part. Chagas, in "Os Guerrilheiros da Morte, p. 176, incidentally as connected with the plot of his romance, laid in 1807, mentions this fête as attending such conventual election: "Houve eleiçao da abbadessa; ha hoje outeiro e será ella decerto a rainha da festa", or "There having been an election of Abbess, there will take place to-day the 'Combat of Singers', and she will most certainly be queen of the festivity."

In "A Côrte de D. Joâo, V," p. 159, or, better, in Chapter X, the same writer describes this singing rivalry with some elaborateness but dating back to a time1671, when as yet in Portugal monastic life was in full vigor.

As stated on the evening of the day when the chief of the nuns was selected and inducted in her office by common consent and as the result of long established usage, the more elegant idlers in the vicinity-here it is near Lisbon-gathered in the plazza before the convent's grated windows where the Sisters were assembled, ready to take up their conceded part of the song tournament.

John Ruskin's Poems, Collingwood Ed. It must have required very ready wit, inFrom Longfellow we get a most charming deed, allied with equally ready rhyming pictorial effect with the barberry-a brilliant | facility in the outside masculine contestant,

who must off hand improvise his poem, (recited or sung on the spot), in accord with a species of mot d'ordre, or given phrase, cast to him by a nun through the iron bars of the convent. "No amplo terreiro passeiavam outros grupos, ou de poetas que martellavam os laboriosos improvisos ", p. 160. If the rhythmical responses to the line on which a sonnet should be composed, turned out happily, the outside improvisor (trovatore) was rewarded with a shower of applauses and sweet meats:" Os doces pagaram as glosas e as gargalhadas do epigramma entre meiaram-se com os suspiros do madrigal" ibid, p. 171.

Among the many songs thus sung at the "Outeiro" and cited by the author quoted above, one of especial beauty seems to have been sung at a distance from the more elegant fête in a wood house and by a strolling minstrel accompanying it with the guitar. The opening stanzas are worthy of reproduction, as specimens *:

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“Consonant.”—There is another matter worthy of note in the line from Tennyson, quoted by Menòna on p. 142. That is that the Laureate pronounced the adjective consonant with the accent on the second syllable, "Cons'nant chords shiver," he says, but "Con'sonant chords" should certainly make everybody else shiver. The dictionaries, however, allow the accent only on the first. Can any other quotation from a poet of recognized authority be given for accenting the second? ACCENT.

Catantiphrasis.—I can recall three wellknown instances: lucus a non lucendo; mons a non movendo; Parcæ a non parcendo.

Who can help me with more?

OLIVER TWIST. Ulalume. Is this place name which occurs in the writings of E. A. Poe, an invention of that writer?

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The "Keystone" Commonwealth. Dr. Egle, in his beautiful History of Pennsylvania, says:

"In the address of the Democratic Committee for 1803, is used the following language: As Pennsylvania is the Keystone of the Democratic arch, every engine will be used to sever it from its place '-being probably the first instance in which the comparison of the Commonwealth to the Keystone of an arch was used, and the origin of a figure of speech since very common.'

The eminent historian qualifies the above statement with the adverb "probably;' does anybody know of an earlier use of the figure?

IGNORANS.

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