Studies on Slavery: In Easy Lessons; Compiled Into Eight Studies, and Subdivided Into Short Lessons for the Convenience of Readers (Classic Reprint)

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Excerpt from Studies on Slavery: In Easy Lessons; Compiled Into Eight Studies, and Subdivided Into Short Lessons for the Convenience of Readers

This is a legitimate topic of general interest, and it as sumes a preponderating importance to the people of the Southern American States, when the fact is taken into consideration that a general league against the institution of African slavery has been entered into and consummated between most of the civilized nations of the earth, and public opinion in many of the sister States of our own National Union has taken the same direction. The result is, to have arraigned the slaveholding States before the mighty bar of public opinion, on the charge of holding, as property, more than ten hundred millions of dollars' worth of what does not belong to them, which is and never can be the property of man; and this charge embraces, within its Scope, the crimes of theft, robbery, rapine, and cruelty.

The time has come when the South must enter her plea of defence, not because the accusers are foreign nations, of which it may justly be said, before their charges are entertained, Physician, heal thyself, but because our accusers are among our own brethren, bound to us by free dom's holiest associations and religion's most sacred ties.

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Sobre l'autor (2015)

John Fletcher (1579-1625) was an English dramatist who collaborated with Francis Beaumont on at least six plays. They began working together in about 1607 and had their first success in 1609 with "Philaster; or Love Lies Bleeding".After Beaumont's retirement in 1613, Fletcher became chief playwright for the King's Men; in addition to writing his own plays, he apparently collaborated with Shakespeare on three works: "Two Noble Kinsmen", "Henry VIII", and a lost play, "The History of Cardenio". He also collaborated with "Nathan Field, ""William Rowley and ""Philip Massinger", who succeeded him to the post of the King's Men's playwright in 1625.His own plays include the pastoral "The Faithful Shepherdess" (1608), the tragedy "Bonduca "(1613), and the comedies "Wit Without Money" (1614), "The Wild Goose Chase" (1621), and "The Chances" (1625), which was revived at the Chichester Festival Theatre in 1962. His work remained enormously popular until the end of the 17th century.

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