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A FEW of the incidents in this comedy might have been taken from an old translation of Il Pecorone, by Giovanni Florentino. I have lately met with the same story in a very contemptible performance, intitled, The Fortunate, The Deceived, and The Unfortunate Lovers. Of this book, as I am told, there are several impressions; but that in which I read it was published in 1632, quarto. A somewhat similar story occurs in Piacevoli Notti di Straparola, Nott. 4o. Fav. 4a.
This comedy was first entered at Stationers' Hall, Jan. 18, 1601, by John Busby. STEEVENS.
This play should be read between King Henry IV. and King Henry V. JOHNSON.
A passage in the first sketch of The Merry Wives of Windsor shews, I think, that it ought rather to be read between The First and The Second Part of King Henry IV. in the latter of which young Henry becomes king. In the last act, Falstaff says:
"Herne the hunter, quoth you? am I a ghost?
"'Sblood, the fairies hath made a ghost of me.
What, hunting at this time of night!
"I'le lay my life the mad prince of Wales
And in this play, as it now appears, Mr. Page discountenances the addresses of Fenton to his daughter, because "he keeps company with the wild prince, and with Poins."
The Fishwife's Tale of Brainford in Westward for Smelts, a book which Shakspeare appears to have read, (having borrowed from it a part of the fable of Cymbeline,) probably led him to lay the scene of Falstaff's love adventures at Windsor. It begins thus : "In Windsor not long agoe dwelt a sumpterman, who had to wife a very faire but wanton creature, over whom, not without cause, he was something jealous; yet had he never any proof of her inconstancy."
The reader who is curious in such matters may find the story of The Lovers of Pisa, mentioned by Dr. Farmer in the following note, at the end of this play. MALONE.
The adventures of Falstaff in this play seem to have been taken from the story of The Lovers of Pisa, in an old piece, called Tarleton's Newes out of Purgatorie. Mr. Capell pretended to
much knowledge of this sort; and I am sorry that it proved to be only pretension.
Mr. Warton observes, in a note to the last Oxford edition, that the play was probably not written, as we now have it, before 1607, at the earliest. I agree with my very ingenious friend in this supposition, but yet the argument here produced for it may not be conclusive. Slender observes to master Page, that his greyhound was out-run on Cotsale [Cotswold-Hills in Gloucestershire]; and Mr. Warton thinks, that the games, established there by Captain Dover in the beginning of King James's reign, are alluded to. But, perhaps, though the Captain be celebrated in the Annalia Dubrensia as the founder of them, he might be the reviver only, or some way contribute to make them more famous ; for in The Second Part of Henry IV. 1600, Justice Shallow reckons among the Swinge-bucklers, "Will Squeele, a Cotsole
In the first edition of the imperfect play, Sir Hugh Evans is called on the title page, the Welch Knight; and yet there are some persons who still affect to believe, that all our author's plays were originally published by himself. FARMER.
Dr. Farmer's opinion is well supported by "An Eclogue on the noble Assemblies revived on Cotswold Hills, by Mr. Robert Dover." See Randolph's Poems, printed at Oxford, 4to. 1638, p. 114. The hills of Cotswold, in Gloucestershire, are mentioned in King Richard II. Act II. Sc. III. and by Drayton, in his Polyolbion, song 14. STEEVENS.
Queen Elizabeth was so well pleased with the admirable character of Falstaff in The Two Parts of Henry IV. that, as Mr. Rowe informs us, she commanded Shakspeare to continue it for one play more, and to shew him in love. To this command we owe The Merry Wives of Windsor; which, Mr. Gildon says, [Remarks on Shakspeare's Plays, 8vo. 1710,] he was very well assured our author finished in a fortnight. But this must be meant only of the first imperfect sketch of this comedy. An old quarto edition which I have seen, printed in 1602, says, in the title-page," As it hath been divers times acted before her majesty, and elsewhere." This, which we have here, was altered and improved by the author almost in every speech. POPE. THEOBALD.
Mr. Gildon has likewise told us, "that our author's house at Stratford bordered on the Church-yard, and that he wrote the scene of the Ghost in Hamlet there." But neither for this, or the assertion that the play before us was written in a fortnight, does he quote any authority. The latter circumstance was first mentioned by Mr. Dennis. "This comedy," says he, in his Epistle Dedicatory to The Comical Gallant, (an alteration of the present play,) 1702, "was written at her [Queen Elizabeth's]