 I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But...  The Juvenile Mentor; Or, Select Readings ... - Pàgina 255per Albert Picket - 1825 - 262 pàginesVisualització completa - Sobre aquest llibre
 | Albert Picket - 1820 - 314 pàgines
...here, AMERICAN SCHOOL CLAS3-BOO1J, No. 3. «45 But in a fiction, in a dream of passion, Could forte his soul so to his own conceit, That from her working all his visage warm'cT, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare - 1821 - 560 pàgines
...moved. On the contrary, his fine description of the actor's emotion shows, he thought just otherwise : ' this player here, 'But in a fiction, in a dream of...conceit, • That from her working all his visage wan'd : ' Tears in his eyes, distraction in his aspect, ' A broken voice," &c. And indeed had Hamlet... | |
 | William Shakespeare - 1821 - 588 pàgines
...what a rogue and peasant slave am 1 1 Is it not moustrous, that this player here, But in a ficuon, in a dream of passion, Could force his soul so to...own conceit, That, from her working, all his visage waun'd ; Tears in his eyes, distraction in's aspect,I A broken voice, and his whole function suiting... | |
 | William Shakespeare - 1821 - 558 pàgines
...! [Exeunt ROSENCRANTZ and GUILDEXSTERN. HAM. Ay, so, good bye to you: — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here 9, But in a fiction, in a dream of passion, 9 Is it not monstrous, that this player here,] It should... | |
 | Alexander Graydon - 1822 - 454 pàgines
...master of all the tricks and finesse of his trade, his manner was both graceful and impressive—" Tears in his eyes, distraction in his aspect, a broken voice, and his whole function suiting witli forms to his conceit."— He once ventured to appear in Hamlet either at Drury Lane or Covent... | |
 | William Shakespeare - 1823 - 558 pàgines
...! [Exeunt ROSENCRANTZ and GUILDENSTERN. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous,...own conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare - 1823 - 490 pàgines
...Guil. llam. Ay, so, God be wi' you : — Now I am alone 0, what a rogue and peasant slave am I ! It it not monstrous, that this player here, But in a...own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | Johann Wolfgang von Goethe - 1824 - 366 pàgines
...royal monologue is that which ends the second act! How charming it will be to speak it! " O what a rogue and peasant slave am I! Is it not monstrous...own conceit, That from her working all his visage wann'd; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare - 1824 - 370 pàgines
...! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous,...own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare, William Dodd - 1824 - 428 pàgines
...neither; though, by your smiling, you seem to say so. HAMLET'S REFLECTIONS ON THE PLAYER AND HIMSELF. Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
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