 | Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 380 pągines
...bo a beauty of the highest kind ; as illustrated by Mr. Wordsworth himself from the song of Deborah. At her feet he bowed, he fell, he lay down ; at her...he fell; where he bowed, there he fell down dead. Judges v., 27. CHAPTER XVIII. Language of metrical composition, why and wherein essentially different... | |
 | William Shakespeare - 1847 - 760 pągines
...waste its superfluity, — when in the highest degree, in lyric repetitions and sublime tautology — he herself revile me there ? Dro. E. Sans fable, she herself revil'd — and, in lower degrees, in making the words themselves the subjects and materials of that surplus... | |
 | Sarah Stickney Ellis - 1847 - 538 pągines
...she smote Sisera; she smote oil" his head, when she had pierced and stricken through his temples. > ' her feet he bowed, he fell, he lay down : at her feet...he fell ; where he bowed, there he fell down dead. The mother of Sisera looked out at a window, aid cried through the lattice, Why is his chariot so long... | |
 | Richard A. F. Barrett - 1847 - 516 pągines
...she smote off his head, when she had pierced and stricken through his temples. 27 At [Heb., between] her feet he bowed, he fell, he lay down : at her feet...he fell : where he bowed, there he fell down dead [Heb., destroyed]. 28 The mother of Sisera looked out at a window, and cried through the lattice, Why... | |
 | William Shakespeare - 1847 - 726 pągines
...superfluity, — when in the highest degree, in lyric repetitions and sublime tautology — ('at lier utually committed ? Juliet. Mutually. Duke. Then was...sin of heavier kind than his. Juliet. I do confess i — and, in lower degrees, in making the words themselves the subjects and materials of that surplus... | |
 | 1847 - 1278 pągines
...in a lordly dish. 26 She put her hand to the nail^nd tier right hand to the workman^ hammer; and 18 with the hammer she smote Sisera, she smote off his...head, when she had pierced and stricken through his lemples. 27 i? At her feet he bowed, be fell, he lay down : at her feet he bowed, he fell : where he... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 376 pągines
...; as illustrated by Mr. Wordsworth himself from the song of Deborah. At her feet he bowed, he felt, he lay down ; at her feet he bowed, he fell ; where he bowed, there he fell down dead. Judges v., 27. CHAPTER XVIII. Language of metrical composition, why and wherein essentially different... | |
 | 1847 - 1026 pągines
...head, when she had pierced and stricken through his temples. 27 At her feet he bowed, he fell, he Ur dNa!Z EJ 28 The mother of Sisera looked out at a window, and cried through the lattice. Why is his chariot so... | |
 | Rev. Richard Arthur Francis Barrett - 1847 - 520 pągines
...nail, and her right hand to the workmen's hammer; and with the hammer she smote [Heb, she hammered] Sisera, she smote off his head, when she had pierced and stricken through his temples. 27 At [Heb., between] her feet he bowed, he fell, he lay down : at her feet he bowed, he fell : where... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 462 pągines
...illustrated by Mr. Words worth himself from the song of Deborah. At hei feet lie bowed, lie, fell, lie lay down : at her feet he bowed, he fell: where he bowed, there he ft.'li down dead. Judges v. 27. CHAPTER V. Language of metrical composition, why and wherein essentially... | |
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At her feet he bowed, he fell, he lay down : At her feet he bowed, he fell : Where he bowed, there he fell down dead. 
