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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
The Plays and Poems of Shakespeare,: According to the Improved Text of ... - Pągina 75
per William Shakespeare - 1844
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Amleto

William Shakespeare - 1995 - 320 pągines
...you. Exeunt Rosentrantz and GuHJenstern Now I ara alone.. O, what a rogue and peasant slave am 1 1 Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit 550 That from her working all his visage wanned, , Tears in bis eyes, distraction in his aspect, A...
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Greek and Roman Actors: Aspects of an Ancient Profession

Pat Easterling, Edith Hall, Lecturer Department of Classics Edith Hall - 2002 - 510 pągines
...manner in which one of the leading players has impersonated Hecuba's grief, soliloquises (558-67): Is it not monstrous, that this player here. But in...a dream of passion, Could force his soul so to his whole conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in 's...
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Secrets of Acting Shakespeare: The Original Approach

Patrick Tucker - 2002 - 296 pągines
...still great examples of half-lines: HAMLET: O what a togue and peasant slave am I! Is it not monsttous that this player here, But in a fiction, in a dream...passion, Could force his soul so to his own conceit That ftom her working all his visage wann'd, Tears in his eyes, disttaction in his aspect, A htoken voice,...
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Shakespeare Survey, Volum 26

Kenneth Muir - 2002 - 208 pągines
...whips himself into a heat of passion: Is it not monstrous that this player here, But in a f1ction, in a dream of passion, Could force his soul so to...own conceit, That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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Dreams of the Burning Child: Sacrificial Sons and the Father's Witness

David Lee Miller - 2003 - 272 pągines
...go backward." Later in the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for nothing....
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - 313 pągines
...Guildenstern.] Ham. Ay, so, God buy ye. — Now I am alone. O, what a rogue and peasant slave am I! 576 Is it not monstrous that this player here, But in...conceit That from her working all his visage [wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With...
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Looking for Spinoza: Joy, Sorrow, and the Feeling Brain

Antonio R. Damasio - 2003 - 355 pągines
...wonder at the player's capability of conjuring up emotion in spite of having no personal cause for it. "Is it not monstrous that this player here, but in...own conceit, that from her working all his visage waned, tears in his eyes, distraction in his aspect, a broken voice, and his whole form suiting with...
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Medicine, Mythology and Spirituality: Recollecting the Past and Willing the ...

Ralph Twentyman - 2004 - 118 pągines
...play for example, produce profound results? Shakespeare's Hamlet certainly found that this was so: O, what a rogue and peasant slave am I! Is it not...his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...
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Rhetoric and Renaissance Culture

Heinrich F. Plett - 2004 - 581 pągines
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing!...
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Theatre and Entertainment

Kathy Elgin - 2005 - 32 pągines
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale ft...
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