 | Salvo Pitruzzella - 2004 - 212 pàgines
...merits particular attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in...a dream of passion. Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
 | Salvo Pitruzzella - 2004 - 216 pàgines
...merits particular attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in...a dream of passion. Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in's aspect,... | |
 | Gabriel Egan - 2004 - 178 pàgines
...pipe?' (3.2.357—8). Yet he is mightily impressed with the effect of a performance upon the performer: Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in "s aspect,... | |
 | William Shakespeare - 2005 - 900 pàgines
...night. You are welcome to Elsinore. 530 ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Tetsuo Kishi - 2005 - 167 pàgines
...about Fukuda's translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
 | Kathy Elgin - 2005 - 36 pàgines
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale In... | |
 | Michael Hattaway - 2005 - 272 pàgines
...player becomes the very figure of the emotion proper to his character, here 'the distracted lover': Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wanned; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | Kenneth S. Jackson - 2005 - 324 pàgines
...follows, Shakespeare calls attention not just to Hamlet's "inaction," but the wonder of "playing": Is it not monstrous that this player here, But in...his own conceit That from her working all his visage waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Karen Newman - 2005 - 176 pàgines
...Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous that this player here, 545 But in a fiction, in a dream of passion, Could force...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting 550 With forms to his conceit? And all for... | |
 | E. Beatrice Batson - 2006 - 198 pàgines
...description of the abuse of this evocative process. "Is it not monstrous," (551) he soon asks himself, "that this player here," But in a fiction, in a dream...his soul so to his own conceit That from her working [the soul's] all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and... | |
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I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... 
