| George Gordon Byron Baron Byron - 1844 - 786 pągines
...the Bridge of Sighi ; A palace and a prison on each hand : I «a«r from out the ware her structure! rise As from the stroke of the enchanter's wand :...years their cloudy wings expand Around me, and a dying glorj smiles O'er the far times, when many a subject land Look'd to the winged llon'i marble piles.... | |
| George Gordon Byron Baron Byron - 1844 - 780 pągines
...Bridge of Sight ; A palace and a prison on each hand : I taw from out the wave her structure! rile AJ from the stroke of the enchanter's wand: A thousand years their cloudy wing., expand Around mo, and a dying glory smiles O'er the far times, when many a subject land Look'd... | |
| John Hanbury Dwyer - 1845 - 492 pągines
...unshorn: Resembling, 'mid the torture of the scene, Love watching Madness with unalterable mien. VENICE. 1 STOOD in Venice, on the Bridge of Sighs; A palace...far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sat in state, thron'd on her hundred Isles She looks a sea... | |
| Modern poetical speaker, Fanny Bury PALLISER - 1845 - 540 pągines
...love, We lose ourselves in heaven above. KEBLE. VENICE. I STOOD in Venice, on the Bridge of Sighs1 ; A palace and a prison on each hand : I saw from out...far times, when many a subject land Look'd to the winged lion's marble piles, Where Venice sate in state, thron'd on her hundred isles ! She looks a... | |
| John Hanbury Dwyer - 1845 - 312 pągines
...scene, Love watching Madness with unalterable mien. VENICE. I STOOD in Venice, on the Bridge of Sight; A palace and a prison on each hand : I saw from out...far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sat in state, thron'd on her hundred Isles She looks a sea... | |
| Angelika Corbineau-Hoffmann - 1993 - 690 pągines
...ist dafür ebenso ein Mittel wie jenes Bild, das sich Childe Harold auf den ersten Blick bietet: / saw from out the wave her structures rise / As from the stroke of the Enchanter' s wand. 125 Doch der Zauberstab bringt nicht das Märchenhaft-Abweichende Venedigs zur Anschauung,... | |
| George Gordon Byron - 1994 - 884 pągines
...repeat once more how truly I am ever Tour obliged and affectionate friend, BTBON. 220 Canto IV.] 221 I. gh varied with a transitory storm, More beautiful...elements— T is waning still t And can the san so rise, Look'd to the winged Lion's marble pues, Where Venice sate m state, throned on her hundred isles 1... | |
| Paul H. Fry - 1995 - 276 pągines
...appearance at the very beginning of canto 4. Samuel Rogers and Wordsworth both criticized the solecism of "I stood in Venice on the Bridge of Sighs, /A Palace and a prison on each hand" (4.1). How, they complained gleefully, can he have both buildings on both hands? No doubt the carelessly... | |
| Andrew Rutherford - 1995 - 536 pągines
...writing is enough to turn the brain of the reader or the author. The repetitions in the last stanza are I stood in Venice, on the Bridge of Sighs, A palace and a prison on each hand. He meant to say, that on one hand was a palace, on the other a prison. And what think you of — And... | |
| Manfred Pfister - 1996 - 578 pągines
...for the most airy fabric, and pure invention is but the talent of a liar. Lord Byron 'A DYING GLORY' I stood in Venice, on the Bridge of Sighs; A palace...far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, thron'd on her hundred isles! She looks a sea... | |
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