Nineteenth Century and After: A Monthly Review, Volums 169-170Nineteenth Century and After Limited., 1962 |
Des de l'interior del llibre
Resultats 1 - 3 de 94.
Pàgina 107
... stage forms , there is neither an accepted usage nor an authority to whom one can turn in confidence . I have used terms as follows : The proscenium arch stage : the stage that is common in the conventional theatre , which can be ...
... stage forms , there is neither an accepted usage nor an authority to whom one can turn in confidence . I have used terms as follows : The proscenium arch stage : the stage that is common in the conventional theatre , which can be ...
Pàgina 116
... stage , the arena stage and the theatre in the round all seem as capable as the proscenium arch stage of handling any sort of play . That some plays are more suited to one form than another is certain , but exactly where the boundary ...
... stage , the arena stage and the theatre in the round all seem as capable as the proscenium arch stage of handling any sort of play . That some plays are more suited to one form than another is certain , but exactly where the boundary ...
Pàgina 125
... stage with light , working with the scene designer to realize completely his overall picture of the stage area . It was the introduction of powerful light - sources giving localized , well- modelled lighting that freed the stage from ...
... stage with light , working with the scene designer to realize completely his overall picture of the stage area . It was the introduction of powerful light - sources giving localized , well- modelled lighting that freed the stage from ...
Continguts
THE TWENTIETH CENTURY | 98 |
IAN BANNEN | 135 |
SIR MICHAEL REDGRAVE | 144 |
Copyright | |
No s’hi han mostrat 12 seccions
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acting actors Albert Finney American Arnold Wesker artist audience ballet become believe Borstal boys Brecht Britain British cartoon characters Christian Christopher Fry Church comedy course Court crime critics D. H. Lawrence drama England English experience fact feel film Flook Francophobia French funny G. S. Fraser German Greek happened Harold Pinter human humour idea interest Jews John John Arden John Osborne joke Judaism kind laugh Lawrence literary literature living London look Marxist means mind modern moral Moroccan N. F. Simpson never novel offenders Percy Lucas perhaps Pinter play playwrights poems poetry political present prison problems produced realism religion religious seems sense Serjeant Musgrave's Dance social society sociology stage story talk television there's thing tion tradition TWENTIETH CENTURY University Wally Fawkes Wesker words writing young