The Twentieth Century, Volum 154Nineteenth Century and After, 1953 |
Des de l'interior del llibre
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Pàgina 431
... St Quirinus it is dynamic , hence tragic . Let us remember that centuries later Western drama begins to unfold with the passion plays . Here again we can grasp , visually , the transition from Eastern to Western civilization . Byzantine ...
... St Quirinus it is dynamic , hence tragic . Let us remember that centuries later Western drama begins to unfold with the passion plays . Here again we can grasp , visually , the transition from Eastern to Western civilization . Byzantine ...
Pàgina 432
... St Quirinus . Only , in the Syrian piece we have the traditional three crosses , where the creator of St Quirinus , presumably so as to concentrate the effect , has left out the two sinners . The Syrian piece is painted on the inside of ...
... St Quirinus . Only , in the Syrian piece we have the traditional three crosses , where the creator of St Quirinus , presumably so as to concentrate the effect , has left out the two sinners . The Syrian piece is painted on the inside of ...
Pàgina 433
... St Quirinus Crucifixion , in a frescoe representing the Mount of Olives . It dates from the Pontificate of Gregory III . Since the taboo on such scenes was not remotely as strong as that upon the Crucifixion , the presentation of the ...
... St Quirinus Crucifixion , in a frescoe representing the Mount of Olives . It dates from the Pontificate of Gregory III . Since the taboo on such scenes was not remotely as strong as that upon the Crucifixion , the presentation of the ...
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