"Fallen from the Symboled World": Precedents for the New Formalism

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Oxford University Press, 22 de febr. 1990 - 336 pàgines
This study evaluates figure and form in contemporary poetry, especially the powers of simile and simile-like structures. Examining the works of Nemerov, Wilbur, Bowers, Hecht, Justice, Cunningham, Bishop, Van Duyn, Hollander, Pack, Kennedy, Ammons, Creeley, and Wright, Prunty argues that doubts about language, the tradition, and theistic assumptions embedded in the tradition have made simile and various simile-like arrangements into major modes of thought. From Lowell's early interest in the "similitudo" and the "phantasm" of Gilson, to Husserl's "phantasies" and Heidegger's interest in similitude, to the use made by contemporary poets of simile, he shows that metaphor--together with slippage, mimicry, synaphea, conjunctions, anacoluthon, chiasmus, and other simile-like patternings--have proven to be more trustworthy than symbol and allegory. Throughout the study, Prunty demonstrates that as uncertainty about language has changed from a predicament of mind to a new way of thinking, simile and simile-like occurrences have provided poetry with variational thought and constitutive power.
 

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Continguts

INTRODUCTION
3
1 Symbol Allegory Causality and the Phenomenal Flux
23
2 Emaciated Poetry and the Imaginative Diet
57
3 Poems That Speak Poems That Sing
89
Mimicry and Other Tropes
143
5 Patterns of Similitude in the Poetry of Justice Hecht Van Duyn Bishop Wilbur Hollander Pack and Pinsky
193
CONCLUSION
293
NOTES
301
INDEX
311
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